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Wood turned utensils and dishes were present in Bhutan since ancient times. Communities from different parts of Bhutan have a similar type of craft as cups and plates are necessary for all household meals. However, the labour-intensive wood turned lacquer wares from Yangtse earned a considerable reputation in the kingdom. \n\nAbout a century-old traditional woodturning art (Shag-zo) in Yangtse is still a vibrant and popular means of family business and occupation. The present young artisans in Yangtse who are in their 20s and early 30s are the fifth-generation descendants of Lobazang from Kham in Tibet. \n\nLike other crafts of Bhutan, Shagzo demands a long process. The extracted wood knots and burls have to be dried; soaked in water; roughly shaped (first turned); roughly turned bowls are boiled; dried again; final turned bowls are smoothened with sandpapers and dried leaves of Trema politoria (locally known as Sog sogpa-shing). After colouring them yellow or red, it becomes ready for the next step – lacquering. Lacquering is another time-consuming process. Traditionally, lacquerers mostly use an urushiol-based lacquer common in East Asia derived primarily from toxic wax trees known as Sey Shing in Yangtse. \n\nThese wooden bowls are an integral part of both the Bhutanese and Tibetan lifestyles and this explains the high demand for these products in Tibet. In the medieval period, people from Yangtse and Bumdeling traded wooden plates (not Dhapas) and bowls (cups) to Assam (India) and Go-phors (wooden bowl with lid), Lha-phor (bowl with lid used by monks), Dra-phor (bigger than other Phobs originally used by Tibetan Drapas), and Bay-phor (used by Tibetans, and has a deeper interior than Bhutanese hobs) to people of Tibet. Other than products historically exported to Assam and Tibet, Shagzopas make varieties of wood-turned products.

Wood turned utensils and dishes were present in Bhutan since ancient times. Communities from different parts of Bhutan have a similar type of craft as cups and plates are necessary for all household meals. However, the labour-intensive wood turned lacquer wares from Yangtse earned a considerable reputation in the kingdom. \n\nAbout a century-old traditional woodturning art (Shag-zo) in Yangtse is still a vibrant and popular means of family business and occupation. The present young artisans in Yangtse who are in their 20s and early 30s are the fifth-generation descendants of Lobazang from Kham in Tibet. \n\nLike other crafts of Bhutan, Shagzo demands a long process. The extracted wood knots and burls have to be dried; soaked in water; roughly shaped (first turned); roughly turned bowls are boiled; dried again; final turned bowls are smoothened with sandpapers and dried leaves of Trema politoria (locally known as Sog sogpa-shing). After colouring them yellow or red, it becomes ready for the next step – lacquering. Lacquering is another time-consuming process. Traditionally, lacquerers mostly use an urushiol-based lacquer common in East Asia derived primarily from toxic wax trees known as Sey Shing in Yangtse. \n\nThese wooden bowls are an integral part of both the Bhutanese and Tibetan lifestyles and this explains the high demand for these products in Tibet. In the medieval period, people from Yangtse and Bumdeling traded wooden plates (not Dhapas) and bowls (cups) to Assam (India) and Go-phors (wooden bowl with lid), Lha-phor (bowl with lid used by monks), Dra-phor (bigger than other Phobs originally used by Tibetan Drapas), and Bay-phor (used by Tibetans, and has a deeper interior than Bhutanese hobs) to people of Tibet. Other than products historically exported to Assam and Tibet, Shagzopas make varieties of wood-turned products.

The Sompoton is Sabah’s native musical instruments of the Kadazandusun. The instrument’s name closely derives from the word Miampot, which means in unison by blowing or sucking the mouthpiece. This mouth organ is the most fascinating of the Sabah native musical instruments. Sompoton consists of eight pieces of bamboo pipe inserted into a dried gourd, which are arranged in two layers of raft-like configuration. Seven of the bamboo pipes are named according to local terminology and they are lombohon, monongkol, suruk, baranat, randawi, tuntuduk and tinangga. One of the pipes has no sound, but merely balances the bundle. By blowing or sucking the gourd’s mouth, the player can produced a soft sweet harmonious sound. A small lamella of polod palm (like tiny bungkau) is inserted in the side of each sounding pipe near its base. The pipes are fitted into a hole on one side of the gourd and sealed with bees wax. The lamellae lie inside the gourd and provide the sound of the completed instrument. The pipes are bound with thin strands of rattan. While playing a sompoton, the player covers and uncovers the ends of three of the four shortest pipes with three fingers of his right hand and three small openings cut in the base of the front shortest pipe and front and back pipes of the longer raft with fingers of the left hand. The sompoton can be played as a solo instrument for personal entertainment or in groups to accompany dancing. It is popular among the Kadazandusun.

Five pieces of bamboo are cut from a bamboo grown in the mountainous region and bored a hole on each five pieces of bamboo. A reed is put in each bamboo to make the pleasant sound. Those five pieces of bamboo are tied together and put in the hole of dried gourd. Then, the place met by bamboos with the dried gourd is covered with the bees wax to make air proof. The music melodies are made by blowing the mouth-hole of dried gourd and opening and shutting the finger holes on the bamboos alternatively.\n-13 inches of gourd flute in length\n-16 inches of dried gourd in height\n-9 inches of the longest bamboo piece in length\n-5.5 inches of the shortest bamboo piece in length

Handicrafts is the major theme of the small industries and cottage industry of the state for its promotion and projection. Then there are number of traditional crafts which are also facing the danger of total disappearance e.g. Hand Woven Sussi(stripped cloth used for ladies trousers), Taggar (hand woven floor rug from Tank, Dera Ismail Khan, Khyber Pakhtoon Kha), Wax Painting (Peshawar, KPK) and many others.

Handicrafts is the major theme of the small industries and cottage industry of the state for its promotion and projection. Then there are number of traditional crafts which are also facing the danger of total disappearance e.g. Hand Woven Sussi(stripped cloth used for ladies trousers), Taggar (hand woven floor rug from Tank, Dera Ismail Khan, Khyber Pakhtoon Kha), Wax Painting (Peshawar, KPK) and many others.

Handicrafts is the major theme of the small industries and cottage industry of the state for its promotion and projection. Then there are number of traditional crafts which are also facing the danger of total disappearance e.g. Hand Woven Sussi(stripped cloth used for ladies trousers), Taggar (hand woven floor rug from Tank, Dera Ismail Khan, Khyber Pakhtoon Kha), Wax Painting (Peshawar, KPK) and many others.

A good quality of bamboo was chopped during the month when bamboos were chopped and then they have to be smoked or dried or fumed or desiccated. Two bamboo pipes are inserted into the dried gourd which glue bees wax. There is a hole at the top of the dried gourd. According to the song, it has to be blown the air at the top of the dried gourd to produce song. When the instrument of Theang Pa is blown, five kinds of Theang Pa instruments which have five tunes are blown together at the same time. The instruments of Theang Pa are divided into first tune, second tune, third tune, fourth tune and fifth tune. And this is for the second tune.\n-3 feet 4 inches in length\n-9 inches in height

A good quality of bamboo was chopped during the month when bamboos were chopped and then they have to be smoked or dried or fumed or desiccated. Two bamboo pipes are inserted into the dried gourd which glue bees wax. There is a hole at the top of the dried gourd. According to the song, it has to be blown the air at the top of the dried gourd to produce song. When the instrument of Theang Pa is blown, five kinds of Theang Pa instruments which have five tunes are blown together at the same time. The instruments of Theang Pa are divided into first tune, second tune, third tune, fourth tune and fifth tune. And this is for the third tune.\n-3 feet 4 inches in length\n-9 inches in height

A good quality of bamboo was chopped during the month when bamboos were chopped and then they have to be smoked or dried or fumed or desiccated. Two bamboo pipes are inserted into the dried gourd which glue bees wax. There is a hole at the top of the dried gourd. According to the song, it has to be blown the air at the top of the dried gourd to produce song. When the instrument of Theang Pa is blown, five kinds of Theang Pa instruments which have five tunes are blown together at the same time. The instruments of Theang Pa are divided into first tune, second tune, third tune, fourth tune and fifth tune. And this is for the fourth tune. \n-3 feet 4 inches in length\n-9 inches in height

A good quality of bamboo was chopped during the month when bamboos were chopped and then they have to be smoked or dried or fumed or desiccated. Two bamboo pipes are inserted into the dried gourd which glue bees wax. There is a hole at the top of the dried gourd. According to the song, it has to be blown the air at the top of the dried gourd to produce song. When the instrument of Theang Pa is blown, five kinds of Theang Pa instruments which have five tunes are blown together at the same time. The instruments of Theang Pa are divided into first tune, second tune, third tune, fourth tune and fifth tune. And this is for the first tune.\n-3 feet 4 inches in length\n-9 inches in height