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ICH Materials 456
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The Remarkable Revival of Vietnamese Xoan MusicIn just six years, an important element of intangible cultural heritage went from being an element in need of urgent safeguarding to being an active part of the lives of Vietnamese people. The Hat Xoan Phu Tho tradition, a distinctive call-and-response musical genre of Phu Tho Province in northern Vietnam, was inscribed on the UNESCO List of Intangible Cultural Heritage in Need of Urgent Safeguarding in 2011, and as a result it became the focus of an extensive revitalization program to ensure its survival.\n\nA unique blend of song and dance performance, xoan originated in the upland region of Viet Tri in Phu Tho for the people to express the richness of their community lives. Some of the performances are to venerate ancient kings while others are expressions of the people’s skills and artistry or their knowledge of farming, fishing, hunting, weaving, and other rural crafts. xoan is considered the core and essence of the social and cultural identity of the villages of Phu Duc, Kim Dai, Thet, and An Thai.\n\nSince 2011, the state and local communities have been supporting a project to revitalize xoan. A series of creative collaborations between knowledgeable elder practitioners and a nucleus of over sixty younger artists have committed themselves to xoan practice and dissemination and have subsequently secured xoan transmission to future generations. Training classes are held monthly and weekly within the communities. An active set of xoan guilds with as many as a hundred members of three or even four generations of practitioner families are successfully recruiting new adherents.\n\nTo generate an audience for the genre, xoan has been introduced into the regional school curriculum as a reference point for teaching on issues of heritage and local history. Demonstration activities and social events outside the xoan communities, have attracted young people and increased their understanding and enjoyment of xoan.\n\nWithin the xoan communities, many of the temples and shrines used for performances had deteriorated because of war and time, becoming unusable. The state, however, has allocated priority funding to restore these performance areas. Through the government-funded program, community members are fully involved in the restoration and have been empowered to manage their own cultural spaces. On 28 March 2017, the country’s largest site for xoan practice was inaugurated in Kim Duc, a commune of Viet Tri. Legend has it that this space, within the Lai Len temple in Kim Duc, was the first site of xoan performance in Vietnam.\n\nThrough these unique programs, xoan communities have become vibrant places of practice and the transmission of xoan.\n\nPhoto : In marked contrast to the traditional past, Xoan is now widely performed by young practitioners © Le Thi Minh LyYear2017NationViet Nam
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AGRICULTURE ASSOCIATED RITES IN BOYSUNBoysun district, in southern Uzbekistan, has a beautiful natural landscape and is surrounded by a mountain range. The local environment and geographic isolation created favorable conditions for unique local intangible cultural heritage forms and expressions to form and be preserved over time. The same conditions also led to the existence of various types of labor activities, such as agriculture, cattle breeding, and handicrafts.Year2009NationUzbekistan
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Saam and Sasang, Treasured Korean Healing ArtsAll humans aspire to a healthy life, which is a fundamental right. The definition of health has varied from age to age. In the past, health vaguely meant the state of not having a disease or illness, but the 1946 Constitution of the World Health Organization defined health as “a state of complete physical, mental and social well-being and not merely the absence of disease or infirmity.” In broad terms, however, today health can also mean a state of an individual coping with his or her inner and outer environmental changes to maintain complete well-being at all levels. More broadly, health can mean the optimal state in which an individual can effectively play his or her social roles and responsibilities. The purpose of medicine, therefore, is for an individual to maintain a healthy condition. Currently there are two major branches of medicine in Korea: traditional Korean medicine (TKM) and Western medicine.Year2019NationSouth Korea
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BLOOD MUST ENCOUNTER WATER: TASATTYQ SACRIFICE RITUAL IN SYR DARYA DELTA AND SUSTAINABLE WATER MANAGEMENTA small crowd is standing on a bridge across the canal that brings water to the village. The canal diverts some water from the Syr Darya River, the only source of irrigation water in the region. There are several cars parked on the banks of the canal and a medium-size truck with a two-year old bull is parked right on top of the bridge. A group of young men take the bull on the bridge and tie him up. The crowd gathers around and the people present lifts their palms up at the chest level. The most respected elder loudly starts making a wish: “May there be plenty of water this year for our crops and livestock; may there be peace and prosperity in our lands; may there be accord and respect in our community….” The wish, which is also a blessing, goes on for several minutes. After every sentence, the crowd univocally utters “amen” to show that every person seconds that wish. Then, bull is solemnly sacrificed on the river bank, and its blood flows into the current turning it red for a little while.Year2018NationSouth Korea
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Safeguarding ICH in Central Asia: Overview and PerspectivesCentral Asia stands at the crossroads of ancient civilisations. Its territory, crossed by the northern part of the great Silk Road, constitutes an ensemble of cultural heritage sites and monuments that express common historical experiences as well as reflect an extraordinary cultural diversity dating from prehistoric times to the Islamic period and beyond. For centuries, the phenomenon of intangible cultural heritage was a key factor for the transmission of indigenous cultural traditions for future generations as well as a matching point for intercultural dialogue in Central Asia—a region with unique oral and music traditions.Year2011NationSouth Korea
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Protecting Heritage in a Harmonious and Sustainable RelationshipWe would like to address the issue of “Once cultural heritage of the community has suddenly become media news” There are a number of elements of intangible cultural heritage that have come to be thought of as problematic or 'bad customs' having a negative impact on contemporary social life. For example, the ritual of sacrificing animals as an offering to gods or spirits. The question is whether such things really should be understood as bad customs? Should we allow such practices to continue or either alter or abandon them? And who has the right to decide in such matters?Year2019NationSouth Korea
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HUAGUDENG, THE FLOWER DRUM LANTERN FOLK ARTNestled in the valley along the Huaihe River in eastern China, a special folk art, centuries old, still captivates people today with its bright colors, diverse forms, fast pace, and cheerful spirit. A folk art of the Han people located in rural Anhui Province, Huagudeng is a Chinese national treasure and is listed in the national inventory of ICH in China.Year2009NationChina
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TRADITIONAL GARDENING KNOWLEDGE AND SKILLS AMONG TAJIK PEOPLEGardening is a popular branch of traditional agriculture in Tajikistan. The term bāgh (garden) among Tajiks has three meanings: a home garden inside one’s own yard; a walled garden alongside the yard; and a garden far from the home and yard, where people go during summers to temporarily live and work. In these gardens, people grow fruit-bearing and shady trees as well as flowers and other crops.Year2017NationSouth Korea
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A Synonym to Conservation of Intangible Cultural Heritage: Folkland, International Centre for Folklore and Culture, Heading for Its 30th AnniversaryFolkland, International Centre for Folklore and Culture is an institution that was first registered on December 20, 1989 under the Societies Registration Act of 1860, vide No. 406/89. Over the last 16 years, it has passed through various stages of growth, especially in the fields of performance, production, documentation, and research, besides the preservation of folk art and culture.Since its inception in 1989, Folkland has passed through various phases of growth into a cultural organization with a global presence. As stated above, Folkland has delved deep into the fields of stage performance, production, documentation, and research, besides the preservation of folk art and culture. It has strived hard and treads the untrodden path with a clear motto of preservation and inculcation of old folk and cultural values in our society. Folkland has a veritable collection of folk songs, folk art forms, riddles, fables, myths, etc. that are on the verge of extinction. This collection has been recorded and archived well for scholastic endeavors and posterity. As such, Folkland defines itself as followsYear2018NationSouth Korea
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LUM MEDICINAL BATHING OF SOWA RIGPA HEALTHCARE IN TIBETAN MEDICINE OF CHINALum, also called medicinal bathing, is an important part of Sowa Rigpa (Tibetan Medicine) with a long history. In Tibetan, “Lum” indicates the traditional knowledge and practices of bathing in natural hot springs, herbal water, or steam to adjust the balance of mind and body, to ensure health and treat illnesses. Lum medicinal bathing is popular among Tibetan people because of its wide indication, safety, and effectiveness.Year2020NationSouth Korea
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Jeju Chilmeoridang YeongdeunggutJeju Yeongdeunggut is a shamanic ritual performed during the second lunar month to greet and see off the goddess Yeongdeung. Yeongdeung, the goddess of wind, is typically recognized in the form of Yeongdeunghalmang (Grandmother Yeongdeung). In winter, when the cold wind blows from the northwest, she brings prosperity to the land and sea. It was the custom for the Yeongdeung Welcoming Ritual to be performed to celebrate her arrival and the Yeongdeung Farewell Ritual to be performed fifteen days later to mark her departure.Year2021NationSouth Korea
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The Water-Performance Installation Project—Art Practice for the Coexistence of Humanity and Nature in the Silk Roads RegionDongjo Yoo, a renowned installation artist, focuses primarily on environmental projects, specifically projects related to water. His most notable work is the Water Performance Installation Project, an eleven-year project starting from 2014, involving eleven lakes and rivers in ten countries. Under the motto of “there is no ‘water’ in the presence of water, and there is ‘water’ in the absence of water,” the project has been a large success. To highlight the importance of the environment, Mr. Yoo is looking forward to expanding his project to areas along the Silk Roads where water is a scarce and valuable resource.Year2020NationSouth Korea