ALL
무예
ICH Elements 2
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Taekkyeon, a traditional Korean martial art
Inscribed in 2011 (6.COM) on the Representative List of the Intangible Cultural Heritage of Humanity Taekkyeon is a traditional Korean martial art that makes use of fluid, rhythmic dance-like movements to strike or trip up an opponent. The fluid and curvy movements, wriggling and writhing slowly, would evoke laughter. Some may even wonder whether it is a dance or a martial art. But the inherent energy of the performer can explode with enormous flexibility and strength. Apparently static and dignified but fundamentally dynamic and even fatal, taekkyeon is an indigenous Korean martial art with a history stretching back thousands of years. Taekkyeon is a rare martial art in that it teaches consideration for the opponent to the very moment one gains control. It teaches more skills for defense than offense. A skilled taekkyeon practitioner can rapidly dominate the opponent with a smooth wavy motion, but a true master knows how to make the opponent withdraw without incurring damage. These are unthinkable concepts in a combat sport. But taekkyeon makes all these possible. Taekkyeon is a marvelous sport teaching how to consider the opponent more than oneself, and the group instead of individuals. The motions are gentle and circular rather than straight and rigid, but they have the power to entice the performer slowly but intensively. The graceful movements of a well-trained taekkyeon performer resemble those of a crane, but the elastic offensive skills can be as speedy and powerful as those of a hawk. Taekkyeon has a few distinctive characteristics. First, it is an outwardly gentle but inwardly tough martial art featuring circular motions. Second, it is a natural and spontaneous martial art stressing elegance and dignity. Third, it is a practical and comprehensive martial art harmonizing offense and defense through various locking and kicking techniques. In spite of its gentle impression, taekkyeon is an effective martial art highlighting a broad variety of offensive and defensive skills employing all available fighting methods. The origin of all traditional Korean martial arts, taekkyeon represents confluence and totality, the two outstanding characteristics of Korean culture. Taekkyeon is believed to have been practiced since before the Three Kingdoms period (57 B.C. - A.D. 676). In Joseon (1392-1910), it was practiced among a broader public, including people at the grassroots. The basic spirit of taekkyeon is ‘truth’. The martial art inherits the thought of Joseon scholars who considered upholding integrity and obeying the rules of nature was the utmost virtue. Currently, the Korean Taekkyeon Association is playing a significant role in the transmission and promotion of this traditional martial art. 85 education centres spreading across the country are the main venue for taekkyeon practitioners. Ordinary Koreans have an easy access to the practice of taekkyeon thanks to those education centres.
South Korea 2011 -
Hwalssogi(Archery)
National Intangible Cultural Heritage, Republic of Korea Archery is a cultural phenomenon occurring around the world. It has been continuously practiced in Korea from ancient times to the present. The Korean form of archery shows distinctive characteristics in the crafting of bows and arrows, physical skills in shooting arrows with a bow, and the mental preparations for archery. Records on archery can be found in materials from the Three Kingdoms period and later. These materials include government documents, personal collections of writings, and genre paintings. They play an important role in advancing research on the history of the martial arts. People in Korea still perform archery as a sport or pastime using bows and arrows made from mulberry wood, buffalo horn, and ox tendons to provide exceptional elasticity. Archery has long been established as a popular form of public physical activity nationwide. * As archery is not a skill or art relying on particular individuals or groups for its transmission, the designation of this element took place without recognizing particular holders or holder groups. This designation only applies to the type of archery practiced in a standing position (bosa 步射), the most popular form of archery in present-day Korea.
South Korea
ICH Materials 55
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Weaving Dreams, Inheriting Bamboo Artistry
Picture weaving is the typical technique of Sichuan bamboo weaving.The panda in the picture was woven from bamboo silk.I completed this work using the Qingshen bamboo weaving technique in September 2018
China -
Weaving Dreams, Inheriting Bamboo Artistry
One of the skills of Qingshen bamboo weaving is scraping off the green skin of the bamboo
China
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ICH Courier Vol.2 ICH AND LABOR
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 2 is 'ICH AND LABOR'.
South Korea 2009 -
ICH Courier Vol.26 HEALING RITUALS AND INTANGIBLE CULTURAL HERITAGE
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 26 is 'HEALING RITUALS AND INTANGIBLE CULTURAL HERITAGE.'
South Korea 2015
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Angam: A Sinhalese Martial Art in Need of Wider TransmissionAngam (also known as angampora) is a top-level Sinhalese martial art. Included in the Sri Lankan national ICH list, the techniques of this indigenous combat performance rely on the strength of human body incorporating shots, punches, locks, jumps, and wrestling elements. Yoga, meditation, and magic are also fundamental parts of angam. Angam fighters require elevated physical strength and flexibility as well as mental strength to channel spiritual power. It improves practitioners’ personality, endurance, patience, and mental strength.\n\nLegends would tell that Sinhalese kings mastered angam and intensified their support to promote it. After the Kandyan monarchy, the last kingdom of Sri Lanka, angam was transmitted under two main generations, sudaliya and murawalliya.\n\nOlder than Sri Lanka’s written history, angam is highly endangered of disappearing as there are few practitioners left to transmit the art to future generations. Mr. Vageesha Bandara Wicramawansha is one such angam master. He and his team of roughly seventy angam masters performed at the Janakala Kendraya Premises, Battaramulla, Sri Lanka on 26 August 2017. The cultural show was organized by the ICH panel of the Art Council of Sri Lanka as a part of its monthly ICH performance program.\n\nPhoto : Angam Performance © Buddika Mahesh KodikaraYear2017NationSri Lanka
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Introduction to the ICM's ActivitiesOn 28 October 2020, ICHCAP and the UNESCO Apia Office co-organized the 8th Pacific Network Meeting virtually. This meeting report includes presentation materials from the meeting as well as summaries of the meeting with the intent of providing information to promote international cooperation among experts and institutions in the ICH safeguarding field in the Pacific region.Year2020NationSouth Korea