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boat racing
ICH Elements 14
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Chợ Được Mother Goddess Palanquins Procession Festival
Chợ Được Mother Goddess Palanquins Procession Festival is held on the 10th and 11th of January at Bà's mausoleum to commemorate Bà or Notre Dame - the person who opened Được market and supported the villagers to do business. “Cộ” is the carriage carrying Notre Dame, the community do communion by bullock cart. Before the organization day, the table-making teams prepared and made the most beautiful tables. Rituals include Praying for peace, commemorating the Notre Dame, procession of Cộ Bà and some folk performances. The festival only takes place at night, the offerings are all vegetarian dishes. The investiture is carried out in front of the procession, with bowls, medieval and ancient wards along with flags and parasols. On the 10th day, the procession includes drums, flags, parasols, precious bowls, and palanquins to process ordains, worship teams, and people at Bà's mausoleum. Here, the ritual of praying for peace and commemorating the merits of Notre Dame is performed solemnly and respectfully. The offerings are all vegetarian food, fruits, and cakes. The procession of Cộ communion takes place in the evening of the 10th day. The Bà's procession goes around the Được market area and some main roads in Bình Triều commune, Thăng Bình district. On the procession tables, actors of the teams Performing excerpts from Cộ plays such as Thánh Gióng chases away the Ân enemy, Hai Bà Trưng fights against Tô Định. As the procession passed, households on both sides of the road set up altars to pray for a peaceful and prosperous new year. On the 11th, people gathered on both sides of the Kiên Giang River to witness the boat racing between teams. Many games and folk performing arts are organized such as smashing clay pots, blind man's bluff or calling lô tô, card games, etc attracting the attention of many people.
Viet Nam -
Kỳ yên Peace Begging Festival at Bình Thủy Communal House
Kỳ Yên Peace Begging Festival at Bình Thủy Communal House, Can Tho city, is held twice a year: Thuong Dien (mid-April lunar calendar) and Ha Dien (mid-December lunar calendar). In which, Ky Yen Thuong Dien is the biggest festival of the year at the communal house, held on April 12-15 of the lunar calendar to pray for favorable weather and a good crop. On the 11th, rituals take place to prepare for the festival, including: Opening ceremony of the three-door gate, land worship ceremony, offering to the ancestors, and presenting the birth ceremony. The festival includes the following rituals: Than Nong worship ceremony, Thay Khăn sắc Thần Ceremony, Xay Chau - Dai Boi Ceremony, Chanh Te Ceremony, Son Quan worship ceremony... Early in the morning of the 12th, the Than Nong worship ceremony takes place at the temple to commemorate the God of Agriculture. The offerings are the three animals in the previous day's presentation ceremony, which have been slaughtered and roasted pig, wine, cakes, fruits, incense, and lamps... Next, the first ritual is the ceremony to invite the divine decree to travel by royal palanquin, after which the procession returns to the communal house for the enthronement ceremony. While the divine decree is traveling, families on both sides of the road set up trays of offerings to welcome the god to pray for health, peace, and prosperity. At noon, at 12 o'clock, is the ceremony to change the divine decree's scarf. The celebrant performs the ceremony to ask for a new scarf for the decree. After that, there is the Xay Chau - Dai Boi ceremony at Binh Thuy communal house, in the form of building a semi-literary and semi-martial art, harmoniously and balancedly combining the literary and martial arts of the Xay Chau. Before starting the Xay Chau ceremony, the celebrant performs the ceremony to invite Thanh Hoang to attend and listen to the opera. After that, the Chau drum beats with 360 drumsticks to begin the ceremony. The Xay Chau ceremony represents the meaning of opening the supreme ultimate, harmonizing the two principles, and praying for peace. The Dai Boi ceremony is performed by the actors and actresses in the opera troupe, materializing the Xay Chau ceremony with the image of the characters combined with costumes, dances and lyrics through the rituals: nhat thai (nhut tru), luong nghi, tam tai, tu tuong, ngu hanh in sequence with the number of performers: 1, 2, 3, 4, 5… On the morning of the 13th, there is a ceremony in the main hall. On the morning of the 14th, there is a Tuc yet ceremony to welcome the gods. Special offerings include a shaved pig, 1 cup of blood, 1 cup of hair. After the celebrant reads the Van Te, it is burned. On the morning of the 15th, there is a Chanh Te ceremony, the most important ritual in the temple worship ceremony. This is a ceremony to worship the Gods during the Thuong Dien festival, to thank the Gods, to worship the Ancestors, and to worship the Later Ancestors. The offerings to the Gods are a white pig, a cup of blood and other offerings. After the Chanh Te ceremony is the Ton Vuong ceremony performed by the opera actors of the Ban Te Tu Dinh. Next is the Son Quan worship ceremony at Son Quan temple, also known as Ong Ho temple. In addition to the rituals and performances of traditional opera, Binh Thuy Communal House Festival also organizes activities such as: sticky rice blowing contest, local cuisine performance, traditional opera singing, along with folk games such as: boat racing, tug of war, pot smashing (blindfolded), sack jumping... attracting many participants. The Kỳ Yên Peace Begging Festival at Bình Thủy Communal House with its humanistic rituals is an opportunity to unite the community, people gather to have fun and relax to start the new crop. The Kỳ Yên Peace Begging Festival at Bình Thủy Communal House is an important testament to the history of Vietnamese settlement in this land. The royal decree and the communal house worshiping Thanh Hoang show the recognition of the monarchy in terms of administration and the formation of villages and communes. With its typical value, the Kỳ Yên Peace Begging Festival at Bình Thủy Communal House was included in the List of National Intangible Cultural Heritage by the Ministry of Culture, Sports and Tourism in 2018.
Viet Nam -
Ok Om Bok Festival of the Khmer
Ok Om Bok Festival (steaming rice nuggets), also known as the moon worship festival, is held on the 15th day of the Kdoeh month according to the Buddhist calendar (October of the lunar calendar), after the harvest is completed, to give thanks to the Moon - lord of the harvest. Families in a hamlet invite each other to set up an altar to worship the moon at the beginning of the hamlet, displaying flat rice flakes, fruits, incense, and pairs of cotton slathons, covered with layers of golden paper, sparkling magically. Taking the altar as the center, children sit in the inner circle, elderly people sit in the middle circle and young people sit in the outer circle. When the moon rises, the oldest person in the village steps up to preside over the ceremony of burning incense and praying to worship the moon. After that, the subject performs the ritual of feeding flat rice to young children. After filling the child's mouth with nuggets, the master of ceremonies asked "What do you dream about?". The children's dreams are the prayers of the Khmer people to the Moon, the Buddha. After breaking the feast, there is the release of wind lanterns - a folk game that is both entertaining and seasonal. The Moon worshiping ceremony in the alleys was completed, and people gathered at the temple grounds to attend the ceremony. Groups of people sing and dance, telling historical stories about Buddha, Phum Soc, and their homeland. The next day, the Phum Socs organized Ghe ngo (boat) racing. Ghe ngo is a cultural symbol, the race is for the honor and glory of the Phum Soc.
Viet Nam -
Hải Thượng Lãn Ông Festival
Hải Thượng Lãn Ông Festival is held on the full moon day of January every year, which is also the taboo day of famous physician Lê Hữu Trác (1720 - 1791), who made great contributions to Vietnam's traditional medicine. The festival is held at two main locations: the grave site (Sơn Trung commune) and the church (Quang Diệm commune) of the famous doctor. The ceremony was held with many solemn rituals such as representatives of the government and people offered incense at the grave site; procession of offerings to the Great Physician from the grave to the church with the participation of 12 processions; Worshiping ceremony on the taboo day - held at the church of the great physician Lê Hữu Trác in Quang Diệm commune, Hương Sơn district with offerings including incense, candles, fruits, betel and areca nuts, water, sticky rice, chicken, wine, ghost money; Ceremony to pray for peace and health (performed by monks, nuns, and Buddhists at the grave site or at the monument of the great physician), releasing flower lanterns at the dragon wharf on Ngàn Phố River. The festival part includes activities such as the Ngàn Phố River Traditional Boat Racing Festival; Hải Thượng flute kite display; arm wrestling competition; wrapping and cooking Chung cake contest; Stick pushing, tug of war, volleyball competitions; Displaying local products, etc attracts a large number of people to participate. Main rituals include Sacrifice; a Ceremony to pray for good health, pray for national peace and prosperity, and a ceremony to release lanterns. The festival included traditional art performance activities such as folk songs, songs, rhymes, vi giam, and folk games that attracted a large number of people to participate. This is a big festival in Hương Sơn region, Hà Tĩnh province.
Viet Nam
ICH Materials 32
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2015 Sub-regional Information and Network Meeting for Intangible Cultural Heritage in the Pacific
The sixth sub-regional networking meeting took place in Pacific Harbor, Fiji, in April 2015. The meeting was organized by ICHCAP and the Department of Heritage and Arts of Fiji in collaboration with the UNESCO Office in Apia.\nThis meeting report includes presentation materials from the sub-regional meeting as well as summaries of the meeting with the intent of providing information to promote international cooperation among experts and institutions in the ICH safeguarding field in the Pacific region.
South Korea 2015 -
ICH Courier Vol.1 GODDESSES FROM ASIA & THE PACIFIC
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the 1st Vol is 'GODDESSES FROM ASIA & THE PACIFIC'.
South Korea 2009
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Supporting Identification and Documentation for Information Building"This paper considers some of the challenges around inventory making for intangible cultural heritage from a European perspective. It will outline the work that is currently being undertaken in Scotland to develop an online inventory using a wiki-based approach. Scotland as a devolved nation within the UK has its own cultural policies that embrace the concept of intangible cultural heritage (ICH); however, at a UK level, there appears to be resistance to the ratification of the 2003 UNESCO Convention on ICH. Scotland has taken an inclusive and participatory approach to the creation of an inventory that reflects the broad and open definition of ICH that has been adopted. This approach has brought some challenges as we begin to operationalize the identification and future safeguarding of ICH in Scotland. In managing the process, we are beginning to encounter some ethical questions. The digital inventory format of the wiki promotes grassroots community ownership, which means that data is user generated. Our challenges are around how this data should be moderated whilst adhering to the principles of a community approach, but also ensuring that we do not actively promote ICH that contravenes the basic human rights that the Convention is designed to uphold."Year2012NationSouth Korea
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The Role of NGOs in Safeguarding Intangible Cultural Heritage and Environmental SustainabilityMany non-governmental organizations (NGOs) concern themselves with biological conservation but fewer explore the need for conservation of intangible cultural heritage (ICH). Pacific Blue Foundation focuses both on biological and cultural conservation, primarily in Fiji, and recognizes fundamental linkages between the two. For example, traditional marine resource governance at the community level often created “tabu” (pronounced tamboo) on their reefs that restricted or prohibited fishing. Modern ecologists who propose marine protected areas (MPAs) recognize Fijian cultural tradition as knowledge the ancestors understood to be healthy for the ecosystem. Pacific Blue Foundation (PBF) has sought to learn the stories of ancestral tabu areas to assist creation of new MPAs. One of the most iconic elements of Fijian ICH is their more than 3,000 years of construction, and navigating double-hulled sailing canoes. Here we briefly explore the role these traditional sailing canoes had in the human migration into Oceania, and the effort PBF has made in the past 15 years to revitalize the construction of these canoes and to envision their role in providing sustainable livelihoods in the future.Year2020NationSouth Korea