Bay Batabor is one of the most important offerings among other offerings, as the old people in the fields often do when preparing offerings for various festivals, large or small, for example, birthday celebrations, funerals, Tes moha cheadok festival, and rainmaking ritual. How to make Bay Batabor may be slightly different from one to the next, it depends on the festival, community, or area. What we are sharing here is how to make rice cakes for cremation in Daun Ov village, Leang Dai commune, Angkor Thom district, Siem Reap province. First, they place ripe bananas and palm sugar which are wrapped in conical banana leaves in a bowl. Then take another bowl and place it on top of the bowl. On top of that bowl, there are 12 pieces of sticky rice and some spread sticky rice. Then, fold 12 banana leaves into a conical shape and put them around the 12 pieces of sticky rice. The top of the sticky rice bowl is called the middle part of Bay Batabor. It is where they place a banana corm right in the middle and they cover it with banana leaves in a conical shape. With that, they also put 12 areca palm nuts on it. On the top of the cone, there are 12 folded betel leave, 12 candles, champa flowers, yellow flowers, a paper bag of the dried areca palm, red and white paper flags, and riel banknotes. According to the elders who make Bay Batabor, they made the rice offering to put on the ceremony’s donation table. However, during the rain-making ritual at Neak Porn temple, the rice offerings are placed on the altar in front of other offerings. Before it can be placed on the table of the ceremony, those female elders, sit around the circle, make three rounds of Batabor bowls to dedicate to the Preah Shak muni stupa, and chanting for 3 times, “Tong Teng Kroleng Bopha Tok Moung Vey Bay Moung Va we are offering candle, incense, betel leaf and areca palm nut to Preah Shak muni stupa. The elders also mentioned that The Batabor rice bowl represents the mother’s body, and the 12 betel leave and the 12 candles represent the mother's breast, which has six holes in each side.

The Linh Sơn Thánh Mẫu Mother Goddess's Birthday Celebrations at Ba Den Mountain is held for 3 days starting from the 4th and ending at noon on the 6th of May (lunar calendar) every year - a major folk festival in Tay Ninh in particular and the Southeast region in general with a harmonious combination of Buddhist and folk rituals. Inside the main hall of Ba Den Mountain Pagoda is the statue of Ba Den with altars of the Four Mountain Gods and the girls and boys standing on both sides. The unique feature of the Linh Sơn Thánh Mẫu Mother Goddess's Birthday Celebrations at Ba Den Mountain is the offering ritual performed by monks accompanied by music, both graceful and solemn, full of convention and sophistication. After the worship ritual is the worship program, folk art performances on the 4th, at Ba Temple take place the following rituals: singing puppetry to invite, singing comedy "Dia Nang", dancing to offer flowers, offering five-color trays, dancing with toys (dancing with jars, dancing with water hyacinths, dancing with lilies...). The most typical and sacred ritual is the Ba bathing ceremony (taking place on the night of May 4). At the Ba Temple, the bathing ritual takes place behind the forbidden palace gate by women. The bathing water is pure water soaked with fragrant flowers (jasmine, roses, lilies, orchids, etc.). After the Ba bathing ritual, thousands of people come to the Ba Temple to receive the Holy Mother's blessings. The 5th is the official Via festival. The most important of these is the "Trinh thap cung" ceremony. During this ritual, people offer 10 offerings to Ba, and monks take turns chanting continuously in front of the Ba altar. The 6th is for worshiping wandering souls, unlucky children, and offering alms to the people, followed by the salt offering ritual. In addition to the ritual, on the evening of the 4th and 5th of the 5th lunar month, many unique art programs and performances took place in the area of Dien Ba and Linh Son Tien Thach Pagoda such as: dragon dance, dragon horse dance, four-lantern dance, shadow singing and special excerpts from Cai Luong about the legend of Linh Son Thanh Mau. The Linh Sơn Thánh Mẫu Mother Goddess's Birthday Celebrations at Ba Den Mountain with bustling and sacred folk art activities has contributed to creating a rich spiritual and cultural life, meeting the spiritual and cultural needs of the people of the South. In 2018, " Linh Sơn Thánh Mẫu Mother Goddess's Birthday Celebrations at Ba Den Mountain " was recognized by the Ministry of Culture, Sports and Tourism and included in the list of National Intangible Cultural Heritage.

Pa Dung, also known as "Pa Dung" or "Pao Dung", is a folk song of the Dao people. These are songs composed and passed down by the people, born a long time ago, originating from production labor and ancestor worship. Pa Dung, meaning singing Vi, is a popular folk music form of the Dao people. Pa Dung has two singing styles: daily Pa Dung and religious Pa Dung. Daily Pa Dung includes: lullabies, singing for fun, singing love songs, singing between men and women, singing lament...; Religious Pa Dung - customs includes songs used in traditional ceremonies of the Dao people such as coming of age ceremony, wedding ceremony, funeral or full month offering,… Singing in the daily style mainly relies on the "improvisation" talent of the singer, based on a number of available melodies, depending on the circumstances and the audience, a theme has different lyrics. In "Pao Dung", the Dao people divide singing into three forms. The first is singing (Pao dung), in this form, people sing with the longest breath; the second is reading singing (To dung), which is a form of singing with average breath, not taking as much breath as "Pao dung"; the third is speaking singing (Coong dung), this is the fastest form of singing, almost like talking to each other, sometimes with chanting and prolonging the voice. Through singing Pa Dung, Dao people express their thoughts, feelings, and wishes for a better life. Therefore, Pa Dung has a very important spiritual and cultural value for Dao people. With its typical value, Pa Dung of Dao people was included in the List of National Intangible Cultural Heritage by the Minister of Culture, Sports and Tourism under Decision No. 4069/QD-BVHTTDL dated October 30, 2018.

‘Berendoi’ (to lulluby) originates from the word ‘endoi’ of the Perlis Malay dialect meaning a hammock to put a baby or child to sleep. This custom is as the family’s thanksgiving after receiving a newborn baby. This custom too develops in Kedah especially in districts sharing the same boundaries as Perlis such as Bukit Besar, Kota Sarang Semut, Kubang Rotan and Bukit Kerengga. Berendoi has elements of the Islamic teachings with at least three or four participants chanting rythmatically during the ‘bercukur’ or shaving of a week-old baby’s hair. Among the activities in the berendoi ceremony still around today are mouth splitting, lulluby and Lulluby Above The Coconut Tree Shoot Or Make A Vow. Every performance is usually held together with a thanksgiving feast and ‘akikah’ (slaughtering of an animal usually a goat for the baby) with the goat’s meat as the main dish. Berendoi starts after the meal is served. The Berendoi group consists of a number of men adorning the Malay attire with pelikat sarung and songkok (head gear), or women in either a uniform of baju kurung or baju kebaya attire with head scarf. The Berendoi group starts their performance by chanting verses praising Prophet Muhammad (peace be upon him) and then the group leader cradles the baby and places him in the hammock. The song usually sung first is Ya Rabbi in the Arabic and Malay languages with the lyrics full of praises of the Prophet.