“Lbaeng Veay Kon Koal” is a kind of game that is played in many countries. They have played the game from ancient times to the present day, especially in India. This game has two types: "Horseback Rider" and "Pedestrian Runner". But today in Cambodia, this horse-riding golf is gone, no one has ever seen or heard of it, only the sculpture on the terrace of the north corner of Angkor Thom, which is probably built during the late 12th century or early 13th century. On foot, golf is still played today, for example, in Prek Sangke village, Koh Sor Tin district, Kampong Cham, and Kampong Speu provinces. This Veay Kon Koal game can be called in different names by different districts or regions across Cambodia. Those names are "Veay Kon Koal", "Veay Bror Dum" or “Leng Pek.” To play the game, People have to divide themselves into two groups to compete like in football. The number of people is not limited, more or less, depending on whether there are people or not. This game is often played in rice fields or farm fields that have been harvested, along the wide trails or sometimes in the fields with water up below the knee. The main equipment for this game is golf/ball and sticks. The golf (or so-called "Kon Bror Dum" are usually made of light spruce wood, such as Derm Ror Lous or Derm Kor Chang to be rounded and dried. Otherwise, they use coconut or palm fruit. The sticks or hooks for beating, are made from the branch of a palm tree or Kandol tree, Sangke tree, Trabek tree, Krasang tree or any wood that as big as the size of Kid’s wrist. The stick should be smooth and the grip should bend in order to make it easy to hold or they can use Russey Ping Pung, Russey Prech, Russey Prei, Pdoa which has a curve trunk. This game can be played both day and night, and if played at night, they burn the golf ball almost become live coal, which is then called the "fireball". Before playing, they set a "goal" on either side of each group, depending on the size of the yard, and plugged in a piece of wood to mark the place. At the start of the game, both teams line up facing each other with golf balls which is in the middle of the playing field and each team has to choose a representative to stand in the middle in front of the golf ball. Then the two of them hold the stick and raise the interface or confront each other to be ready "Kae", hit gently, changing from right to left and from left to right 3 times. Then both players hit the ball and run past the opponent’s goal. If the player runs past any team, that team is lose. This game does not allow the players to use their hands, but they can use their feet, instead. The game will be in vain and the golf ball will have to be Kae again.

Art metal processing works made by masters found in museum funds of Kyrgyzstan and those that are passed from generation to generation shows that the Kyrgyz possessed metal processing techniques from the ancient times. The Kyrgyz metalwork masters are named as ‘usta’ or ‘zergher’. Distinct features of different techniques of metalworking can be observed in the works of the Kyrgyz masters, such as forging, molding, appliqueing, notching metal with silver, engraving, minting, pattern plating, pelleting, fretwork and black finishing. Silver is the most common metal used by the Kyrgyz. Masterpieces distinct to the Kyrgyz jewelry making have been created with a help of simple tools used in metalworking. The kit of jeweler’s main instruments included an anvil, hammers for different purposes, dies, stamps, chisels, puncheons, mandrels, cutters, poin-tools, etc. Motives of the ornaments used in jewelry and metal works are very diverse. Of a particular interest are the Kyrgyz traditions of metalworking expressed in details of the horse equipment. They are richly decorated with metal braces covering joints of belts made by embossing technique and notching. Kyrgyz jewelers broadly used the technique of denting, that is coating notched iron plates with silver. Such coated plates of different size and forms were then used to embellish harness elements, man’s belts, knives, fire stones, trunks, cases for dishes, etc. Quite often jewelry articles were framed with granules. This technique was primarily used in woman’s adornments, such as ear-rings, rings, seal-rings, bracelets, and etc. Like formerly, granulation was combined with filigreeing and incrustation. Community of craftspeople metalworking was a purely masculine craft, but women zergers are also known.

Jewellery art (kaz. 'zergerlyk') - is knowledge and skills in the field of traditional Kazakh art manufacturing of silverware. Since ancient times, there were produced a variety of silver jewelry: rings, earrings, necklaces, bracelets, pendants, buckles and much more. Especially highly prized precious silver vessels, such as jugs, bowls, mugs, decorated with engraved images. Archeological findings suggest that Kazakh people achieved a higher level in the development of jewellery making. Chylik findings were made using such techniques as stamping, engraving, true grain, incrustation (VII-V century BC); Issyk finding included “Golden warrior” (IV-III century BC); Berel kurgan findings (IV-VI century BC) from Eastern Kazakhstan are the testimony of a unique “animal style” in jewellery making. Jewellery is mainly made with silver. This craft is widespread across Kazakhstan but each region has its specifications concerning technique and design. Jewelry sets are made for men, women, and children; as well jewellery making is used for decorating musical instruments, household items, weaponry and horse gears; some made for rituals, others have symbolic or sacred value. Zergerlyk used for making details in men’s clothing, rider’s gear, horse riding gear, for example, horse equipment (er-tuman), traditional belts (beldyk, kyseh beldyk and kyemer belbeu), sword and knives’ handles and scabbards, powder flask (okhshantai), snuffboxes (nasybai). Women’s decorative items include forehead jewellery (shekelyk), braid jewellery (shashbau), earrings (syrgha), necklaces (alkhah, onirzhiyek, tumar), bracelets and cuffs (bilezyk), rings (zhuzyk), belt buckles (khapsyrmah), buttons (tyuime), personal hygiene items (tyss tazlaghysh, khulakh tazlaghysh), tools for crafting, spindle (urshykh), thimble (oymakh). Zergers also make child’s cradle set: bessyk (cradle), shumek (tube to flow urine), syldyrmakh (rattle), yemyzik (pacifier), tumar (amulet, charm) and other items. The jewelry pieces in the form of circle, oval, triangle, half oval, rectangular, petal, peak and beak are frequently combined to make a larger piece, for example pectoral decorative items onzhyrek and alkah are made of several triangle and rectangular plates, khudaghy zhuzik (a special large double ring presented when marriage brokerage occurs) and bes-blezyk (a bracelet connected with chains with three rings). Geometric style from Western Kazakhstan is famous for large-scale decorative items that are assembled from pre-made pieces that are joined together by soldering (plates, borders, solar symbols, grain). Most common techniques include true grain, plated filigree, stamping, embossing, engraving, niello, enamel, casting, forging, and incrustation with precious and semi-precious stones. Stone (tas) are sliced flat and are called eye (koz) as they considered to be protection charms. The most popular stone is cornelian (akhykh) as it symbolizes prosperity and joy.

Acknowledgment of the role of a horse is expressed in traditional horse equipment, which is divided into protective equipment and items that provide comfortable and safe position of the rider. Significant attention was also paid to an artistic decoration of details. Items of the horse equipment are made of metal, leather and wood, and decorated with stylized plant and animal motifs. Soft types of wood are used to make a saddle. Pine, poplar and beech timber possess suppleness; they do not crack or break easily. Peculiarity of the Kyrgyz saddle is a long front pommel (kash). This detail serves to tie the bridle. A good saddle is necessarily covered with leather and decorated. Stirrups for saddle can be made of leather or metal. Horse girth represents a wide durable leather belt. Metallic parts of the harness are also richly decorated. Kamchy (horsewhip) is composed of elegant handle and whip made of tightly intertwined leather.