Institute for Sustainable Development Strategy (ISDS) has been established in 2012. ISDS programs reach out to youth, especially those who live in remote rural areas, and empower young people to become biocultural diversity leaders to create positive change in their communities based on continuous intergenerational exchange.\n\nSince 2012, over 200 initiatives have been supported, of which more than 50% are covered by the revival and preservation of historical and cultural heritage. ISDS’ priority topics are the following: \n(1) Cultural identity, values, and traditional wisdom; \n(2) Well-being and sustainability of local communities; \n(3) Lands, territories, and access to natural resources; \n(4) Agrobiodiversity and food sovereignty.\n\nIn 2020-2021, ISDS participated in the “Visionary Local Communities” study jointly “Taalim Forum” Public Fund supported by the Japanese Center for ICH. The study was based on ICH safeguarding in the remote mountainous regions (Chon-Alai district of Osh province – southern part of Kyrgyzstan where ISDS focused on safeguarding patterned handweaving and establishing a community ethnographic museum). ISDS is an active member of regional and global indigenous movements for the conservation of cultural and natural heritage.

The Kyrgyz Alliance of Midwives (KAM) is an independent professional association in the Kyrgyz Republic, which represents the interests and rights of midwives in the Kyrgyz Republic. KAM was created in 2011 and unites more than 2,500 midwives from all provinces of the Kyrgyz Republic. They are actively involved in strengthening the role of midwives in safeguarding traditional medicinal knowledge. In 2014, the Alliance became a Member of the International Confederation of Midwives.\n\nKAM regularly organizes activities to improve the skills and capacity of midwives, implements and monitors programs and projects such as Safe Motherhood, cooperates with the Kyrgyz State Medical Institute of Postgraduate Education to update the curriculum for midwives, etc. Moreover, the Alliance is engaged in safeguarding and promoting the traditional midwifery knowledge of Kyrgyz and supports communities and individual bearers including those from far mountainous areas. \n\nKyrgyz traditional midwifery knowledge and skills have been safeguarded and passed down through generations. From ancient times, the midwives played an important role in the communities as they possess knowledge and skills pertaining to childbirth, care for the mother and the newborn, as well as rituals and ceremonies dedicated to children. Moreover, midwives support women during pregnancy, childbirth, and the afterbirth period. They also share their knowledge about childcare and traditional remedies for mothers and their children and that is why they have been always respected by the Kyrgyz.\n\nIn 2021, the Alliance was actively taking part in preparing the multinational nomination file "Midwifery: knowledge, skills and practices", which was submitted from 8 countries (Colombia, Cyprus, Germany, Kyrgyzstan, Luxembourg, Nigeria, Slovakia, and Togo) for the possible inscription to the UNESCO Representative List of ICH of Humanity in 2023.\n\nThe Kyrgyz Alliance of Midwives collaborates with various stakeholders such as the Ministry of Health of the Kyrgyz Republic, the National Commission of the Kyrgyz Republic for UNESCO, the Ministry of Culture, etc. as well as various development partners such as WHO, UNICEF, UNFPA, GIZ, AgaKhan Foundation to improve the quality of health services, strengthen the capacity of the Alliance and promote traditional medicinal knowledge.\n

4. Cord and ironwood stake at tug-of-war ground & The rattan cord will be tugged back and forth through a ironwood stake' s hole. Rattan cord used in Hương Canh tug-of-war festival must be at least 45m in length and has a diameter of 3-4cm

9. Tug-of-war of Giáy ethnic minorities in Lào Cai province at Xuống đồng (starting a new crop festival)

New rice festival of the La Chí ethnic group (Lùng Vi village, Nà Khương commune, Quang Bình district, Hà Giang province)\nNà Khương commune is located 31 kilometers far from the southwestof Quang Bìnhdistrict center; Like many other ethnic groups in the Northern mountainous region of Vietnam, the La Chí in Nà Khương communecultivate wet rice and other crops in fertile terraced fields.\n

The various forms of traditional Tajik dances can be differentiated according to region, from Pamir state, to the mountainous region, Bukhra, Khatlon region in the south, Hissar valley, and northern Tajikistan. Huboni Khatlon is a traditional dance of the Khatlon region in southern Tajikistan, bordering Afghanistan. True to the title which means ‘Beautys of Khatlon’, the dance depicts young women living in Khatlon. The dancers wear beautiful traditional costumes called ‘chakan’, which is elaborately embroidered with the bright colors of spring flowers.\n\nCharacteristics:\n·Dance performed by dancers wearing chakan, a traditional costume decorated with colorful embroidery\n\nPerformed by Bazmoro Tajikistan National Dance Ensemble\nDirected by Qurbonali Kholov

The traditional musical instruments of Myanmar were prominent throughout the nation’s history. The instruments were developed as early as the Pyu Era, Bagan Era and many were dominant features of music during the Innwa Era and Konbaung Era.\n\nWhile some of these instruments have been preserved and are used today, others have been lost to history.\nIn an attempt to preserve the traditional musical instruments of Myanmar, the Ministry of Culture displayed traditional instruments and distributed the books about the instruments during an exhibition in 1955. This research shows thirty-three kinds of instruments. Moreover, in a 2003 celebration of traditional instruments, the Ministry of Culture exhibited over two hundred traditional instruments at the national museum.\nWhile the instruments on display were representative of many regions and states, many instruments were not included.\nBecause of this lack of full representativeness, additional research through field studies is required. This project proposal addresses this need.\n\nTo create a preliminary basis towards developing a national ICH inventory of craftsmanship and performing arts of traditional musical instruments in Myanmar. To safeguard ICH related to the craftsmanship and performing arts of traditional musical instruments and to promote cultural diversity among multi- ethnic groups in Myanmar. To raise awareness of the Myanmar public on the importance of ICH. To expand networking and information sharing between Myanmar and Korea.

Intangible cultural heritage (ICH) is transnational in nature. It is necessary to spread the perception that ICH transcends geographical spaces and national borders, creating dynamic relations, connectedness, and continuity, which is why it is a timeless bearer of cultural diversity, the foundation of the heritage of humanity. However, as the modern structure of nation-state determines the boundaries of culture with national borders, forming the concept of “culture within the country”, subsequently led to the perception that the ownership of culture belongs to the state.\n\nThe concept of exclusive ownership of culture is often controversial in the UNESCO listing process, particularly in instances where cultural heritage and cultural domains have been shared for a long time by two or more nation-states. Such conflicts lead to excessive competition for nomination, overshadowing UNESCO’s fundamental purpose of contributing to peace and security in the world by promoting collaboration among nations, as well as the very spirit of the 2003 Convention for the Safeguarding of the Intangible Cultural Heritage that promotes international cooperation and assistance in the safeguarding of ICH as a matter of general interest to humanity.\n\nConsequently, UNESCO encourages multinational inscriptions of shared intangible cultural heritage to promote regional cooperation and international safeguarding activities, preventing conflicts among countries and coping with already existing ones. By emphasizing joint nominations of shared ICH, UNESCO revised its implementation guidelines three times to deal with conflicts between countries due to the cultural property rights. In addition, States Parties are encouraged to develop networks among relevant communities, experts, professional centres, and research institutes, particularly with regard to their ICH, to cooperate at the sub-regional and regional levels.\n\nAt the 13th Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage held in the Republic of Mauritius in November 2018, Traditional Korean Wrestling was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity as the first joint designation by the Democratic People’s Republic of Korea and Republic of Korea. This milestone in the life of the Convention demonstrates that ICH contributes to the peace-building, reconciliation, mutual understanding, and solidarity among peoples. Indeed, only when acknowledging that shared cultural values are empowering characteristics of ICH, the true perspective of the unifying agent of the cultural diversity can be achieved, and that it is the cornerstone of reaching peace among nations.\n\nCountries in the Asia Pacific region are deeply connected by a long history of interactions, exchanges, flows of people, goods, and ideas that have shaped shared values, practices, and traditions. Having a balanced view, advocating for cultural diversity, and recognizing the commonalities among individuals, communities, and countries as a strength are virtuous tenets in the present time.\n\nIn this regard, APHEN-ICH Secretariat, ICHCAP, and UNESCO Bangkok Office are inviting the APHEN-ICH member institutes and public to this seminar under the theme of Diversity and Distinctiveness: Looking into the Shared ICH in the Asia-Pacific, to re-assess that while fragile, intangible cultural heritage is an important factor in maintaining cultural diversity, connecting bounds, and enhancing international dialogue and peace.

I met a group of nomads leading simple lives in Ushar village of mountainous Boysun. This is a recording of the music shepherds play on reed pipes while herding their sheep.

Uzbekistan in Central Asia is mostly grassland and desert, and much of its population is nomadic. However, there are also several oasis regions where people have settled into agricultural lifestyles. Uzbekistan used to be a strategic point in the Silk Road where the cultures of East and West met. There are several Kazakh and Tajik groups living in Uzbekistan and its borders are open to traders and nomads. Uzbeks love to sing and dance. Local folk performance groups called ensembles are a long standing tradition in Uzbekistan and lead all festivals and events. They compile and edit traditional folk songs and instrumental music to stage song and dance performances. The Boysun Festival is held annually in Boysun City, Southeastern Uzbekistan, and ensembles from all across the nation participate.\n\nTo hear the unadulterated versions of Uzbek folk songs, one has to ride a donkey into remote mountain villages. The mountains offer beautiful scenery and warm hospitality on top of humble folk songs. Boysun district in Uzbekistan is an example of such a mountainous region.\n\nA noteworthy characteristic of Uzbek folk songs is the large number of children’s songs. The children of Uzbekistan still sing as many children’s songs as we used to in the past. Another important genre of Uzbek folk music is the grand epic song sung by professional epic singers called bakhshi.

The southwestern provinces of Guangxi , Guizhou , and Yunnan make up a mountainous region with the greatest cultural diversity in China. The Zhuang people who live in Guangxi Zhuang Autonomous Region enjoy singing shange in pairs or groups of five to six people. While majority of shange are about love between a man and a woman, some narrate epic tales. They can also be improvised in surprising ways to match the situation.\n\nThe Miao people, characterized by the unique hairstyles of the women, are scattered around Guangxi Province, Guizhou Province, and other parts of southwestern China. They have a unique singing technique that involves drawing out a single note as long as possible. Using this technique, they sing feige that sounds like flying birds and jiuge . The lusheng music played by men is also worth a listen.\n\nThe Kam (Dong) people live in Guizhou and are well known in China as the most vocally gifted tribe. Each village has several singing groups comprised of several dozen people, organized by gender and age. These groups sing dage , which are traditional polyphonic songs. The gulou and dage are such famous symbols of the Kam people and are used in tourism programs as well.\n\nAlthough there are many ethnic groups in Yunnan province, the Yi people are well known for their singing. Yi women sing songs with extremely high pitches to the accompaniment of yueqin played by the men. The Yi are also famous for their mass dances and singing parties during summer bonfire festival.

ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 28 is 'ICH and Sacred Cultural Spaces.'

2019 World Forum for Intangible Cultural Heritage