Dr. Ming Chee Ang is a general Manager of George Town World Heritage Incorporated and a Facilitator of UNESCO Global Network of Facilitators on Intangible Cultural Heritage. Born and raised in the inner city of George Town, she carries her duties with much passion and fervour, incorporating innovative ideas and holistic management on World Heritage Site for the benefit of the local people. Specialized in resource mobilization, policy making, project management and risk assessment, she has incorporated built conservation, with elements of disaster risk reduction and intangible cultural heritage safeguarding to create a sustainable heritage city for the people who live in, work in and use George Town. Ang also showcases active participation in leading projects, programs and panels, as Executive Producer for George Town Heritage Celebrations, Chairperson for Sia Boey Archaeological Advisory Panel, Chairperson for Penang Public Arts Review Panel, Deputy Chairperson for Penang Island City Council’s Technical Review Panel, Committee for Guar Gepah Archaeological Advisory Panel, lead researcher for “Field Survey of the Intangible Cultural Heritage Safeguarding Efforts in the Asia-Pacific Region” and “Feasibility Studies on the Introduction of Rent Regulation Enactment”, as well as project manager for “Sia Boey Integrated Management Plan” and “Supporting Community-Based Management and Sustainable Tourism at Melaka and George Town”

As one of the most complete surviving historic city centers with a multicultural living heritage on the Straits of Malacca, George Town was inscribed as a World Heritage Site by the UNESCO World Heritage Committee in 2008, together with Melaka. To manage, monitor, and promote the George Town World Heritage Site, George Town World Heritage Incorporated (gtwhi.com.my) was established in 2010 by the state government of Penang.\nGTWHI works closely with the council and community to overcome day-to-day challenges with regard to promoting sustainable tourism, revitalizing traditional trades, remodeling local market ecology, redefining the use of space, and driving residents back to the city center. We also accumulate baseline data through systematic and scientific research to develop mid- and long-term heritage conservation programs and policies. Our approaches are highly organic and community based, and we take serious commitments to sustain the coexistence of diversity, which is divided according to geographical area, linguistic groups, religious identity, and social status.

Arts-ED is a non-profit organisation based in Penang, Malaysia. It provides innovative communitybasednarts and culture education in rural and urban communities. Our programmes focus on thentheme of arts, culture, and heritage, utilising creative educational approaches that encouragenlearning around real issues.\nSince its inception in 1999, it has worked with over 15,000 young people in Penang. Thenorganisation is known for its creative and innovative approaches to education, developed over 19nyears of experience and through exchange and learning with organisations within Malaysia as wellnas regionally.

Introduction\n\nIn Malaysia, there is a living traditional art where a storyteller develops the oral\ntradition, otherwise known as oral literature.\nOral tradition is the original source of Malay literature and translated into\nwritten literature. One of the practitioners of this oral tradition is known as\n'Awang Batil'. Apart from specialised storytellers such as Awang Batil, there are\nother transmissions of oral literature throughout the country, especially in\nvillages through folk stories or stories of elders that are collected, rewritten and\nmade into collections for children to read.\n\nAwang Batil\n\nAwang Batil is a storyteller who provided entertainment and education to the\npeople, especially to the villagers and local community. Awang Batil entertains\nand educates the community through many classic stories that he inherited.\nThrough those stories, the community is entertained and educated.\nOnce upon a time, Awang Batil functioned as a story book, novel, radio,\ntelevision, movie or video as it is now. He would travel from house to house,\nvillage to village, state to state including the state of Kedah, Penang and some\nareas in the Southern Region of Thailand, especially the Setol Region.

'Sepak Raga' is a traditional game played in the Malay states and neighbouring coutries. 'Sepak' is Malay for "kick" and 'Raga' is the ‘rattan ball’ used in the game. Traditionally, sepak raga was played by forming circle to kick, shoulder or head a rattan ball to the opposing players much like the current Volleyball drills.\nThe Objective was for the players to keep the ball in the air for as long as possible. The game can played as a team, group, or even solo.\nLater in 1945, the net was introduced and the game it is played today came into being. The first official competition with the net and new rules was held at a Swim Club of Penang on May 16, 1945. It was the called Sepak Raga Jaring or Snwith reference to the addition of the net. Sepak raga jarring spread quickly throughout the rest of the Malay Peninsula and South East Asia. In 1965, The South East Asia Peninsular Games Committee eventually agreed that the sport would be known as "Sepak Takraw". Takraw is the ‘woven ball’ in Thai.\nFor Sepak Takraw, two opposing teams of three players each play the game, each team is permitted to hit the ball three times before it must cross the net, rather like in Volleyball. The difference is that it can be hit three times by some player.\nKicking is the most crucial factor in deciding the outcome of the game, a fluid overhead acrobatic kick to smash the ball.

Introduction\n\nIn Malaysia, there is a living traditional art where a storyteller develops the oral tradition, otherwise known as oral literature.\n\nOral tradition is the original source of Malay literature and translated into written literature. One of the practitioners of this oral tradition is known as 'Awang Batil'. Apart from specialised storytellers such as Awang Batil, there are other transmissions of oral literature throughout the country, especially in villages through folk stories or stories of elders that are collected, rewritten and made into collections for children to read.\n\n\nAwang Batil\n\nAwang Batil is a storyteller who provided entertainment and education to the people, especially to the villagers and local community. Awang Batil entertains and educates the community through many classic stories that he inherited. Through those stories, the community is entertained and educated.\n\nOnce upon a time, Awang Batil functioned as a story book, novel, radio, television, movie or video as it is now. He would travel from house to house, village to village, state to state including the state of Kedah, Penang and some areas in the Southern Region of Thailand, especially the Setol Region.

ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 33 is 'Village Guardian Rituals and Communities.'

ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 43 is 'MASK DANCE.'