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ICH Elements 9
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The Lullaby of Siti Fatimah
Siti Fatimah’s Lullaby is a poem believed to have originated from the Arabian land and began since the era of Prophet Muhammad (peace be upon him). This poem is sung by nine angels for the Prophet’s children. The poem was continued by the Prophet’s daughter Saiyidatina Fatimah to put to sleep her sons Saidina Hassan and Saidina Hussin. The poem was then known as Siti Fatimah’s Lullaby. The poem contains lyrics that praise Prophet Muhammad (peace be upon him), relates about the time a baby is in the womb, the hardship faced by the mother in carrying the baby and giving birth, and continues with the mother loving and caring for the baby from a toddler till adulthood. This poem also contains words of advice to a child, especially not to forget both the parents’ deeds. The original lyrics were in Arabic. However, the poems sung in this country were translated to the Malay language and adapted to suit local conditions.
Malaysia -
Traditional Pottery: Labu Sayong
Sayong clay is a material for craft making of the traditional pottery in Malaysia. The pottery work crafted as a water vessel adapting the form of pumpkin/bottle gourd is called Labu Sayong. Further inspired by the nature, the decoration on Labu Sayong body used the flora and fauna as main motif. Such motifs that can be found as ornamentation on the labu sayong are designs based on local flowers (bunga tanjung, bunga pecah empat), spices (clove, star anise) and leaves (bamboo shoots). It is even believed that the drinking water stored in the labu sayong has certain health properties to cure common ailments like cough and fever. The beautiful workmanship present in each labu sayong can be attributed to the fine skill of the craftsmen as well as the high quality of clay used in the process. These days, the traditional pottery is crafted as a decoration and souvenir.
Malaysia -
The Lenggok Dance
During its early appearance, this dance that’s full of courtesy and gentleness originated from the palace, performed during festivities at the palace and among the nobles only. In due course this dance was brought out of the palace and performed to the public. During dancing the dancers sway their bodies and move their hands as well as heads parallel to the beating of the hand-held drum, the ‘rebana’. They dance while sitting down on their knees without standing up. The musicians beat the ‘rebana’ while chanting or singing religious songs.
Malaysia -
Silat
Silat is a combative art of self-defense and survival rooted from Malay archipelago. It was traced at the early of Langkasuka Kingdom (2nd century CE) till the reign of Melaka (Malaysia) Sultanate era (13th century). Silat has now evolved to become part of social culture and tradition with the appearance of a fine physical and spiritual training. There are many styles of Silat which inspired by the movements of human anatomy, nature and animal in which the name of the Silat would be known, for instance, Silat Harimau (Tiger) inspired by the movement of tiger been creatively forms the art of self-defence and attack by initiating a tiger in positioning one's hands, legs and body texture movement. The imitation in an aesthetic rhythmic motion which actually portray the art of the particular Silat. There a variety of Silat styles. In Malaysia alone, there are more than 150 known Silat styles such as "Seni Silat Gayang Lima" "Seni Silat Pukul Buah" "Silat Gayong", "Silat Bunga", "Silat Melayu", "Silat Cekak", "Silat Pulut' and so on. Silat is a martial arts that consists of bodily, spiritual, intellectual and aesthetic emotional movements. The learning of Silat fosters agility, skill, thoughtful, strategic, bold, confident, diligent, creative and courteous. The names of different types of Silat which identify each of its community is derived from the names of natural elements such as animal, plants or any existent found in the environment of Malay nature itself.
Malaysia 2018
ICH Materials 15
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The Lenggok Dance
During its early appearance, this dance that’s full of courtesy and gentleness originated from the palace, performed during festivities at the palace and among the nobles only. In due course this dance was brought out of the palace and performed to the public. During dancing the dancers sway their bodies and move their hands as well as heads parallel to the beating of the hand-held drum, the ‘rebana’. They dance while sitting down on their knees without standing up. The musicians beat the ‘rebana’ while chanting or singing religious songs.
Malaysia -
Ghazal Parti
Ghazal Parti is a combined performance of music, songs, dance and comedy that obtained its influences from the Middle East. Its songs have elements of Arabian rhythm with lyrics in Arabic and Malay. The word ‘Parti’ means the ‘merriment of the ghazal performance’. This arts form expanded in the states of Penang Island, Kedah and Perak in Peninsular Malaysia. Ghazal Parti is often performed at wedding events in the village and at official ones in the city. In wedding events the performance starts from early evening to midnight and sometimes stretches to dawn. A performance in a wedding event is inside a reception hall that faces the newly-wed couple’s house so that the couple’s family members and guests can watch the show. There are eight to 12 musicians depending on the availability of musical instruments that are an accordion, two violins, an oud, a flute, bass guitar, drum, hand-held drum, bongo, tambourine, and maracas. The singers possess academic background in Arabic; some studied at private or public religious schools. The songs are Arabian in Arabic rhythms originating from Egypt. In the beginning the dancers were men in ladies’ clothing wearing scarf, batik sarong and baju kurung with thin make-up, as ladies were not allowed to become dancers. In the 1950s there appeared dancers among the transgender. Another component in Ghazal Parti is comedy that functions to fill in the break time of the musicians and singers. In a performance they rest twice to thrice and it is at this juncture the space is utilized by the comedians bringing themes of current issues.
Malaysia
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2017 Sub-Regional Meeting for ICH Safeguarding in Southeast Asia
The 2016 Sub-Regional Meeting for Intangible Cultural Heritage Safeguarding in Southeast Asia: Enhancing Viablity in Intangible Cultural Heritage Community, jointly organized by ICHCAP and George Town World Heritage Incorporated, was held on 18 and 19 September 2017 in George Town, Penang Malaysia.\n\nThis report is composed of twenty presentation papers delivered at the meeting by national representatives, NGOs, UNESCO Office in Bangkok, and facilitators of UNESCO Capacity Building Workshop. In addition, the outcome document of the meeting is also affixed to put it on record the adopted recommendations of the participants in moving forward together.
South Korea 2017 -
ICH Courier Vol.31 Traditional Gardening and Landscapes
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 31 is 'Traditional Gardening and Landscapes.'
South Korea 2017
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ICH and Gender (Indonesian)“ICH and Gender” introduces the mutual relationship between gender norms and ICH and emphasizes that understanding the intimacy between ICH and gender is important for effective ICH safeguarding and gender equality.Year2018NationIndonesia
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Mak YongThis ancient theatre form created by Malaysia’s Malay communities combines acting, vocal and instrumental music, gestures and elaborate costumes. Specific to the villages of Kelantan in northwest Malaysia, where the tradition originated, Mak Yong is performed mainly as entertainment or for ritual purposes related to healing practices.YearNationMalaysia