ALL
riddle
ICH Elements 13
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Children folklore
Children's folklore is a specific area of oral artistic creativity, which, unlike adult folklore, has its own poetics, its own forms of existence and its bearers. The common practice of children's folklore is the relationship of the artistic text with the game. It is a kind of tool for the socialization of a child, an area of traditional folk culture, including verbal genres and forms of children's creativity, as well as adult folklore addressed to children. It has its own genre system and aesthetic specificity. Children's folklore is one of the directions of oral folk art.
Uzbekistan -
Culture of Çay (tea), a symbol of identity, hospitality and social interaction
Tea culture is an essential part of social and cultural life and is an important social practice aiming to show hospitality, celebrate important moments in lives of communities and helping them to build and maintain social relationships and enjoy moments by drinking tea for social exchange and interaction. It also represents knowledge, traditions and skills linked to cultivating, preparing and drinking tea by communities in Turkey and Azerbaijan. Tea is an agricultural plant the leaves and buds of which are used to make beverage. Tea plant transforms into dried leaves after steps such as plucking, withering, disruption, oxidation and drying. Although there are different types and brewing techniques in both countries, communities harvest and consume mostly the black tea. Traditional techniques used in preparing and harvesting tea led to development of special tools and vessels such as teapots, samovars, silver tray, woven tea baskets and tea plucking shear. Communities brew tea by using a great variety of kettles, produced in traditional craftsmanship, called “çaydan” or “çaynik” in Azerbaijan, a double container called "çaydanlık" (tea pot) in Turkey and samovar in both countries. Water is boiled in the larger pot and tea leaves are added to the smallest pot. Samovar is a traditional copper, clay, metal or brass container used to heat and boil water for brewing tea in smaller teapot, which is put on samovar. This method allows people to drink tea as they desire: strong or light. In rural areas especially, communities use metal samovars or “çaydanlık” heated with wood. Tea is traditionally served in special pear-shaped cups called “armudu” (literally, “pear-like”), made from glass, porcelain, faience, and silver in Azerbaijan and similarly small tulip-shaped glass, which is called “ince belli bardak” (thin waist glass) in Turkey. Communities traditionally serve tea freshly, brewed and hot, accompanied with various sweets, pastry, sugar, slices of lemon, jams and dried fruits. In different regions of Azerbaijan, communities also add local spices and herbs to tea, such as cinnamon, ginger and thyme. There is a special style of drinking tea with sugar called “kıtlama” or “dishleme” in both countries. In this style, tea is drunk by placing a piece of sugar between tongue and chin instead of pouring sugar directly into glass.
Azerbaijan,Turkey 2022 -
Traditional Ahlat stonework
Traditional Ahlat Stonework is the knowledge, methods, skills and aesthetic understanding, transmitted from generation to generation for centuries and based on the extraction of volcanic Ahlat stone from the quarries around Ahlat by the stone miners, shaping and ornamenting of the Ahlat stone by stone carvers, and constructing structure and creating artefacts by the practitioners of the element. Ahlat Stone is a volcanic stone extracted by traditional methods from the foothills of the Mountain Nemrut located near to Ahlat, district of Bitlis province. Stones are extracted from quarries through the "nailing technique" which has been used for centuries. In this technique, the iron wedges are hammered into the rock mass in a straight line and the rock mass is extracted in the desired size and removed as a block. Folk calendar and traditional knowledge of nature have important roles in the extraction of the stone by the stone miners. The extracted stone is cut and shaped then ornamented by stone carvers with hand-tools. The ornamentation on Ahlat stone is formed by scraping, relief and carving techniques. They are generally used vegetal, geometric and calligraphic shapes that reveal a certain aesthetic understanding transmitted from generation to generation. Building a structure by using Ahlat stone requires special technique and knowledge. The construction of the buildings starts and ends in periods determined according to the traditional folk calendar. Besides the architectural works such as houses, mosques, mausoleums and bridges; the stones are also used in tombstones, inscriptions, fountains and today in various artefacts.
Turkey 2022 -
CHISTON-BULBULON
Traditional oral game similar to riddles. A participant will ask other questions.
Tajikistan
ICH Materials 18
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Aytiz
Aytiz is one unique form of oral expressions of Kazakh people to sing in pairs. According to its contents, aytiz is classified into basic aytiz, jar jar aytiz, aytiz of animals and humans, aytiz for this life and the life after death, riddle aytiz and aytiz for rituals and practices. Among these forms, the aytiz for rituals and practices is well developed and widely spread. Dombor (Kazakh traditional stringed instrument) players with good voices compete with each other in poetic manners. When pairs are singing Aytiz, they reflect good and bad personality of each other, and compliments the good things and criticize the failures in their community /bagh, soum, city and country/ in a way of debating to compromise the opposite person. n
Mongolia -
Aytiz
Aytiz is one unique form of oral expressions of Kazakh people to sing in pairs. According to its contents, aytiz is classified into basic aytiz, jar jar aytiz, aytiz of animals and humans, aytiz for this life and the life after death, riddle aytiz and aytiz for rituals and practices. Among these forms, the aytiz for rituals and practices is well developed and widely spread. Dombor (Kazakh traditional stringed instrument) players with good voices compete with each other in poetic manners. When pairs are singing Aytiz, they reflect good and bad personality of each other, and compliments the good things and criticize the failures in their community /bagh, soum, city and country/ in a way of debating to compromise the opposite person. n
Mongolia
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2009 Field Survey Report: Intangible Cultural Heritage Safeguarding Efforts in Vietnam
Based on the ICHCAP Field Survey on Intangible Cultural Heritage Safeguarding Efforts in some South-East Asian countries (2009-2012), this summary provides a brief overview on the ICH situation in Cambodia, Thailand, Viet Nam, Indonesia, the Philippines, Laos, and Myanmar . The summary focuses mainly on ICH safeguarding systems, safeguarding policies, and ICH inventories as well as on pending issues and the urgent safeguarding needs of these countries. Moreover, information on the main entities in charge of ICH safeguarding and opinions of each country on the issue of community involvement are provided. To give a quick overview these countries’ participation in ICH safeguarding at the international level, some additional information related to UNESCO is specified as well. Apart from the main topic, information on the situation of intellectual property related to ICH safeguarding in each country is included. This survey report offers a large sample of the diverse ICH situations in South-East Asian countries. Each country has a different background on the issue of intangible heritage. \n\nFor instance, Indonesia is the only country participating in the field survey that has a programme in the Register of Best Practices. Viet Nam developed ICH-related definitions in its Law on Cultural Heritage; whereas the Philippines has a strong legislative background and solid network of public structures protecting cultural heritage. Cambodia recognises the link between cultural heritage and development of national economy and runs relevant activities on promoting traditional culture while maximizing its economic benefits to the country. For Laos, training local artists rather than researchers in ICH safeguarding, including IPR, is deemed to be essential, as the artists are the important resources that master their arts. Among the South-East Asian participants, Thailand and Myanmar are the newest to approach ICH safeguarding. Although all countries are concerned about the threats ICH faces, most countries participating in the survey haven’t defined ICH and haven’t established national ICH lists. Meanwhile, drawing up an inventory of traditional cultural expressions in different forms—register, cultural map, or database—is a common activity in these countries. Moreover, each country expresses a high degree of motivation and encouragement for safeguarding ICH, sharing experiences, and promoting international cooperation.\n\n- Ratified the ICH Convention in 2005; conducted survey in 2009 and updated in 2015.\n- As of March 2018, has 11 ICH elements on the RL, 1 element on the USL, and 2 accredited NGOs.\n
Viet Nam 2010 -
2010 Field Survey Report: Intangible Cultural Heritage Safeguarding Efforts in Tajikistan
Based on the ICHCAP Field Survey on Intangible Cultural Heritage Safeguarding Efforts in some East and Central Asian countries from 2009 to 2012, this summary provides a brief overview on the ICH situation in Uzbekistan, Tajikistan, Kyrgyzstan, and Kazakhstan . The summary focuses mainly on ICH safeguarding systems, safeguarding policies, and ICH inventories as well as on pending issues and the urgent safeguarding needs of these countries. Moreover, information on the main entities in charge of ICH safeguarding and opinions of each country on the issue of community involvement are provided. To give a quick overview these countries’ participation in ICH safeguarding at the international level, some additional information related to UNESCO is specified as well. This survey report offers a large sample of the diverse ICH situations in East Asian and Central Asian countries. Although each country has a different background on issue of intangible heritage, depending on its cultural, economic, and socio-political situation, the countries participating in the survey share a commonality: They are post-communist countries that were once under the Soviet system. Moreover, they share a traditional culture shaped by nomadic pastoralism that offers a variety of cultural similarities. For instance, they keep an ancient and rich tradition of epic singing, and they are highly concerned about this oral heritage as it is on the brink of disappearance. In this sense, they have much to exchange and share in regards to safeguarding ICH. The countries participating in the survey are concerned with the threats against their ICH, but most of these nations are in the early process of defining ICH and establishing independent national ICH lists. At the same time, each country expresses a high degree of motivation and encouragement for safeguarding ICH, sharing experiences, and participating in international cooperation programmes. Apart from the main subject, a brief glimpse is taken on the situation of intellectual property in ICH safeguarding in each country. Compared to the Southwest Asian countries that participated in the field survey, the East Asian and Central Asian countries provided little information on intellectual property issues, so it is recommended that ICHCAP undertake the Field Survey on Intellectual Property Issues in the Process of ICH Information Building and Information Sharing in some countries to see their status on this subject.\n\n- Ratified the ICH Convention in 2010; survey conducted in 2010 and updated in 2014.\n- As of March 2018, has 3 ICH elements on the RL and no accredited NGOs.
Tajikistan 2010
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Mobilizing communities to document their intangible cultural heritageYear2009NationThailand
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Shared Heritage of India and Pakistan: A Case of Gujharat and AjrakhKutch is a frontier district in the state of Gujarat in western India, situated on the border of India and Pakistan. Covering an area of 45,674 km², it is the largest district of India. It is surrounded by the Great and Little Rann of Kutch on the North, South, East, and the Arabian Sea on the West. In the beginning of the twelfth century, Kutch was ruled by Chavda, Sama, Sanghar, Kathi, and Solanki dynasties. From 1147 AD to 1947 AD, Kutch was ruled by the Jadejas, whose ancestors migrated to Kutch from Sindh (now in Pakistan). Sindh is one of the four provinces of Pakistan. Located in the southeast of the country, it is the third largest province of Pakistan. Sindh is bordered by Balochistan province to the west and Punjab province to the north. Sindh also borders the Indian states of Gujarat and Rajasthan to the east and Arabian Sea to the south. The influence of Sindhi culture is very prominent in Kutch due to the history of migration of pastoralists as well as artisanal communities. The current paper aims to explore the cross border cultural relationships between local communities of Kutch, India and Sindh, Pakistan by critically examining their shared oral tradition of Gujharat and a significant traditional textile craft practice called Ajrakh.Year2021NationSouth Korea