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shamanistic dance
ICH Elements 2
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Jeju Keungut(The grand shamanistic ritual, Jeju lsland)
National Intangible Cultural Heritage, Republic of Korea The Grand Jeju Ritual is a comprehensive form of shamanistic performance incorporating music, dance, and games into a single event. The largest in scale among the shamanistic rites held on Jeju Island, this time-old tradition involves more than five shamans and goes on for seven to fifteen days. This longstanding Jeju tradition is believed to demonstrate an original form of shamanistic ritual. The diverse local performance types encompassed by the Grand Jeju Ritual present great potential for academic research. This shamanistic performance is considered to exemplify a complete ritual that starts with the descending of gods, proceeds to rites to welcome and entertain them, and then sends them off. The narrative songs of the Grand Jeju Ritual reflect local beliefs regarding life and death and the creation of the universe. Its dialog is delivered in a pure form of the Jeju dialect, making the tradition a significant material for linguistic studies as well. Considering all these points, the Grand Jeju Ritual has been designated as National Intangible Cultural Heritage.
South Korea -
Taepyeongmu (Dance of Peace)
National Intangible Cultural Heritage, Republic of Korea Taepyeongmu is a dance performed to pray for peace and prosperity of the country. It is said that Han Seong-jun, a famed dancer and drummer of the 1900s, created this dance by reconfiguring a shamanistic dance of Gyeonggi-do. A male and a female dancer disguised as the king and the queen display grand and gorgeous movements. Rhythms of the dance are more complicated and individual than those of other dances. This dance features delicate and graceful movements. The version performed by Yi Dong-an displays harmony between joyousness, chic and grandeur as well as a mixture of folksy plainness and aristocratic quality. The version performed by Gang Seon-yeong is redolent of solemnity and grandeur, displaying expansive steps together with gracious and gorgeous arm movements. Taepyeongmu is said to be the dance with the most gracious footwork among Korean traditional dances. It also features high artistic quality.
South Korea
ICH Materials 61
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Benedictions
Benedictions\n\nMongolian well-wishing is a powerful expression of the miraculous capacity of words. It is one of the genres of Mongolian oral poetry that uses melodies. Briefly, benedictions (well-wishing) propitiate people’s future happiness and well-being through skilfully composed and recited poems. There are thousands of benedictions on various subjects. For instance there are benedictions recited while beating the sweat cloth of a saddle, while distilling milk vodka, while celebrating a birth, and while cutting an infant’s hair for the first time. Besides ancient benedictions, many contemporary benedictions are being kept at the ILL. These include benedictions for a new ger, weddings, a child’s first haircut, endowment practices, mare-milking ceremonies, foal-branding ceremonies, the People’s Revolution, and others for the military.
Mongolia 2012 -
Folk Short Songs
Folk Short Songs\n\nMongolian folk songs are divided in three different categories, such as long songs, short songs and the authors’ songs. Folk songs are shorter than other forms of expressions with average durations of one to five minutes, but there is a high volume of them. Thus, restoring, categorising, and digitising folk songs were the most time-consuming tasks compared to others. Within the framework of the project, just under forty-eight hours of songs were restored and digitised.
Mongolia 2012
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ICH Courier Vol.45 Oral Tradition of The Asia-Pacific Communities
Oral tradition consists of diverse narratives. It is passed on by word of mouth as everyday wisdom and transmitted through the generations. After that, it becomes infused in a region’s history, philosophy, and way of life, thus forming the foundation for a community’s knowledge systems. This volume introduces traditional tales in Sri Lanka, Palau, Kyrgyzstan, and Vietnam.
South Korea 2020 -
2011 Field Survey Report: Intangible Cultural Heritage Safeguarding Efforts in Kyrgyzstan
Based on the ICHCAP Field Survey on Intangible Cultural Heritage Safeguarding Efforts in some East and Central Asian countries from 2009 to 2012, this summary provides a brief overview on the ICH situation in Uzbekistan, Tajikistan, Kyrgyzstan, and Kazakhstan . The summary focuses mainly on ICH safeguarding systems, safeguarding policies, and ICH inventories as well as on pending issues and the urgent safeguarding needs of these countries. Moreover, information on the main entities in charge of ICH safeguarding and opinions of each country on the issue of community involvement are provided. To give a quick overview these countries’ participation in ICH safeguarding at the international level, some additional information related to UNESCO is specified as well. This survey report offers a large sample of the diverse ICH situations in East Asian and Central Asian countries. Although each country has a different background on issue of intangible heritage, depending on its cultural, economic, and socio-political situation, the countries participating in the survey share a commonality: They are post-communist countries that were once under the Soviet system. Moreover, they share a traditional culture shaped by nomadic pastoralism that offers a variety of cultural similarities. For instance, they keep an ancient and rich tradition of epic singing, and they are highly concerned about this oral heritage as it is on the brink of disappearance. In this sense, they have much to exchange and share in regards to safeguarding ICH. The countries participating in the survey are concerned with the threats against their ICH, but most of these nations are in the early process of defining ICH and establishing independent national ICH lists. At the same time, each country expresses a high degree of motivation and encouragement for safeguarding ICH, sharing experiences, and participating in international cooperation programmes. Apart from the main subject, a brief glimpse is taken on the situation of intellectual property in ICH safeguarding in each country. Compared to the Southwest Asian countries that participated in the field survey, the East Asian and Central Asian countries provided little information on intellectual property issues, so it is recommended that ICHCAP undertake the Field Survey on Intellectual Property Issues in the Process of ICH Information Building and Information Sharing in some countries to see their status on this subject.\n\n- Ratified the ICH Convention in 2011; survey conducted in 2012\n- As of December 2014, has two ICH elements on the RL and two accredited NGOs
Kyrgyzstan 2011
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Oral Tradition Its Status and Prospects in the Digital Platform Erahe upheaval and extinction faced by traditional culture is a core issue in today’s world. It has brought us to the realization that we are living in an important transition period where the future of humanity will be determined. In particular, the advent of digital platforms has provided a communication channel to link people together; the importance of these platforms seems poised to become much greater. In this era, in which means of communication are facing remarkable qualitative changes, oral tradition is under considerable threat. In past eras where humankind created languages and memories to resolve all kinds of issues and share information, speech was a way to achieve totality. Through speech, people delivered their thoughts and opinions, created new things, and embraced differences to become one. As such, spoken language became an absolute means and solution to maximize the immense capacity of humankind. People discovered interests and meanings through conversations; they combined work and enjoyment by singing; they wore masks and gave movement-based performances accompanied by amusing anecdotes. By reciting and dedicating bonpuri, a ritual song to pray to deities and receive oracles, their creations became content passed down through oral culture.Year2020NationSouth Korea
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Vitality and Sustainability of the Silk Roads ICH FestivalsAlisher Ikramov reviews information collected through a survey funded by ICHCAP. While his work primarily reviews ICH festivals, he is also able to gain insights into ways that networks can promote ICH along the Silk Roads. Looking at the importance of local communities and the popularity of such festivals locally, there is concern about a lack of a network to encourage larger tourist attendance. However, there are feelings that festivals do not authentically represent local traditions and products. Therefore, this could lead to an undesirable level of commoditization and as a result lower the quality of the event.Year2020NationSouth Korea