ALL
shamanistic rites
ICH Elements 2
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Thangka Bonko: Bon Festival
Bonko is a form of Bon tradition. Bon practices existed in Bhutan in pre-Buddhist times, and were rooted in the worship of nature and the spirits or gods that inhabited it. Bonism originated in Tibet and is characteristic of animistic and shamanistic practices. The Thangka bonko is a celebration in memory of Miwo Tenpa Shenrab (Buddha of Bon), who introduced the Bon tradition to their community. The commemoration is celebrated with religious rites dedicated to and invoking the local deity Zamshingpa. Bonko literally means the practice of Bonpo, who roams the villages, teaching Bonism and blessing the people (Bon kor). Long before the arrival of Buddhism, Bon-nag was a practice that involved the sacrifice of animal life. The Bonko Thangka was a Bon-kar. Although it was a Bon practice, it did not involve animal sacrifice. In the 11th century, the first disciple of Terton (treasure discoverer) Rigzin Jatshen Nyingpo (1585–1656), Terton Dorji Lingpa (1346-1405), established Yu-tog Goenpa (monastery) and established Buddhism in the area. Later, he established his seat in the village of Zhingkana. At present, the deity Zamshingpa is pacified in the Buddhist way in Zhingkana nagtshang. And also during the Bonko, the Pazaps receive their Lha-dhar (giant prayer flag) and Tsan-dhar (deity’s flag) from the Nagtshang (manor of an aristocratic family). It is celebrated for four days, from the 13th to the 16th day of the 11th month of the Bhutanese calendar, by the villagers under Shaba Gewog. The main event is held in an open area in Thangka, locally known as Lha-chim (deity’s shrine). On the 8th day of the 11th month of the lunar calendar, the Lholinga and Jishing Bonko is held in Lholinga village. And on the 11th day of the 11th month of the lunar calendar, the Zhelngo Bonko takes place. On the 15th day, the Thangka Bonko is celebrated.
Bhutan -
Jeju Keungut(The grand shamanistic ritual, Jeju lsland)
National Intangible Cultural Heritage, Republic of Korea The Grand Jeju Ritual is a comprehensive form of shamanistic performance incorporating music, dance, and games into a single event. The largest in scale among the shamanistic rites held on Jeju Island, this time-old tradition involves more than five shamans and goes on for seven to fifteen days. This longstanding Jeju tradition is believed to demonstrate an original form of shamanistic ritual. The diverse local performance types encompassed by the Grand Jeju Ritual present great potential for academic research. This shamanistic performance is considered to exemplify a complete ritual that starts with the descending of gods, proceeds to rites to welcome and entertain them, and then sends them off. The narrative songs of the Grand Jeju Ritual reflect local beliefs regarding life and death and the creation of the universe. Its dialog is delivered in a pure form of the Jeju dialect, making the tradition a significant material for linguistic studies as well. Considering all these points, the Grand Jeju Ritual has been designated as National Intangible Cultural Heritage.
South Korea
ICH Materials 42
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ICH Courier Vol.45 Oral Tradition of The Asia-Pacific Communities
Oral tradition consists of diverse narratives. It is passed on by word of mouth as everyday wisdom and transmitted through the generations. After that, it becomes infused in a region’s history, philosophy, and way of life, thus forming the foundation for a community’s knowledge systems. This volume introduces traditional tales in Sri Lanka, Palau, Kyrgyzstan, and Vietnam.
South Korea 2020 -
Conference on Exploring and Safeguarding the Shared Intangible Cultural Heritages in East Asia (ENG)
The Conference on exploring and safeguarding shared ICH in East Asia jointly organized by ICHCAP and the UNESCO Beijing Office and hosted by the Mongolian National Commission for UNESCO, was held on 10 September 2021.\n\nThis report is composed of eight case studies of East Asian Member States—namely China, Japan, Mongolia, and ROK.
Northeast Asia 2021
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Oral Tradition Its Status and Prospects in the Digital Platform Erahe upheaval and extinction faced by traditional culture is a core issue in today’s world. It has brought us to the realization that we are living in an important transition period where the future of humanity will be determined. In particular, the advent of digital platforms has provided a communication channel to link people together; the importance of these platforms seems poised to become much greater. In this era, in which means of communication are facing remarkable qualitative changes, oral tradition is under considerable threat. In past eras where humankind created languages and memories to resolve all kinds of issues and share information, speech was a way to achieve totality. Through speech, people delivered their thoughts and opinions, created new things, and embraced differences to become one. As such, spoken language became an absolute means and solution to maximize the immense capacity of humankind. People discovered interests and meanings through conversations; they combined work and enjoyment by singing; they wore masks and gave movement-based performances accompanied by amusing anecdotes. By reciting and dedicating bonpuri, a ritual song to pray to deities and receive oracles, their creations became content passed down through oral culture.Year2020NationSouth Korea
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Intangible Cultural Heritage and Civic Life in KoreaAncient Koreans first adopted Chinese characters (hanja, 漢字) for widespread use in the middle of the 4th century, with the establishment of educational institutions and the import of Chinese books as textbooks. The Korean way of pronouncing Chinese characters was called dongeum (東音), and differentiated from the Chinese way. In 1443, Koreans created their own characters (hangeul). Since then, hangeul, Korean-Chinese words and Chinese characters have been used in combination.The mother tongue (vernacular) of Koreans from the ancient to the present has been part of the Altaic family. This mother tongue can be called the indigenous language (native Korean), distinct from Korean-Chinese (dongeum) words. Needless to say, Korean culture and indigenous language predate Korean-Chinese words. Thus, it is a meaningful task to seek the origins of intangible cultural heritage (hereinafter intangible heritage) in indigenous language.Year2019NationSouth Korea