ALL
folksong
ICH Elements 56
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Singing art
Singing art is one of the important areas of folk performing art. The folk song reflects the life of people: their work, thoughts, moods, feelings, skills and knowledge. People need a folk song as an art form that creates beauty with original expressive means: musical, dynamic, rhythmic and audible. By these means, she serves a person in life, helping in work and holidays, in sorrow and joy. The Uzbek singing art has different directions.
Uzbekistan -
Olan (Singing)
Olan is one of the well-preserved types of folk song art in Uzbekistan. The beauty of them lies in the possibilities of improvisation, the simplicity of rhythms, and paying special attention to the text when performing. Aytys available to the brotherly Kazakh and Kyrgyz peoples has a connection with our Olan. Olans are executed without instrumenttal tracking. Olans are alternate singing and the exchange of lines between a guy and a girl. Replicas can also be exchanged between performer groups. Various topics are used, mainly love.
Uzbekistan -
Traditional music of the Morin khuur
Mongols have traditionally shown a great respect for the horse, honoring it in their national standards and symbols (flags and emblems) and in their folk songs. Morin khuur clearly belongs to this symbolic tradition. Morin khuur, so named for the ornamental horse-head carving at the top of its neck, is a unique two-stringed musical instrument developed by the nomadic Mongols. The strings of both the bow and fiddle are made from the hair of a horse’s tail. Most significantly, there is a tradition of playing the morin khuur at all ritual and ceremonial events. No discussion of the morin khuur would be complete without having considered the folk ‘long song’, for which it provides the principal accompaniment. Besides Bii Biylgee and folk long song, many other folk artistic forms such as Ülger (tales), Tuuli (epic), Yörööl (benediction), Magtaal (ode) and others can always be performed with morin khuur.
Mongolia 2008 -
DUTORNAVOZI dumbranavozi
Dutor is a traditional musical string instrument. Tajik people have many melodies of some of which accompanied with folksongs.
Tajikistan
ICH Materials 89
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Water Puppetry of Hong Phong(KOR)
The traditional village troupe performs the puppet shows in countryside at the traditional village festival and for tourists. The puppeteers manipulate the puppets by hand with string. The puppet shows with music and story tell about the farmer’s life and countryside activities. The film demonstrates the connection between the puppetry and the worship of the communal god that the show is an important performance at the traditional village festival.
Viet Nam 2019 -
Secret of Hair’s Melody
Traditional Art of Morin Khuur Music (Horse-Head Fiddle) Mongolia (Representative List of the Intangible Cultural Heritage of Humanity, 2008) \nThe morin khuur, a unique two-stringed musical instrument with a horse-head, is an aggregation of traditional Mongolian culture. The strings and bow are made of horse-tail hair and can produce an expansive musical range, excellent sound expressions, and a perfect harmonization of tune and melody.
Mongolia 2017
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Mời trầu(Treating betel leaves and areca nuts)
Song “Mời trầu” is performed as a response to “Mời nước”. A quid of betel and areca nut express a woman’s hope that her man can understand how much she misses him.
Viet Nam 1996 -
Yor-Yor by Yoqutkhon Jo`raboyeva and Elmira Jonibekova
O`lan is a genre of people's oral creation. Mainly, it is performed by women with or without doira accompaniment. At Uzbek parties and celebrations, the o`lan is sung by a girls' team on one side and a boys' team on the other side, or it is sung by two people who take opposing sides so they can perform as though they are having a dialogue.
Uzbekistan 2015
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TRADITIONAL MUSIC OF THE MORIN KHUURThe Mongols have traditionally shown great respect for the horse, honoring it in their national values and symbols (flags and emblems) as well as in folk songs. The morin khuur, so named for the ornamental horse-head carving at the top of its neck, is a unique two-stringed musical instrument developed by nomadic Mongols. The strings of both the bow and fiddle are made from the hair of a horse’s tail.Year2010NationSouth Korea
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GANGNEUNG DANOJE FESTIVAL, ANCIENT EVENTS REVITALISING DOWNTOWNThe Gangneung Danoje Festival has maintained typical elements of ancient festivals that were held in May (seedtime) and in October (harvest time) during the Samhan period (around 300 CE). In the fifth lunar month, which includes Dano day, local people perform rituals for driving away evil spirits and welcoming the fortune and participate in traditional games and activities. The main deities of the festival are the mountain god, Kim Yusin, who was the general of Shilla and the United Three Kingdoms, and the royal tutor tutelary deity, Beomil, who was a Shilla monk. The first documented record of Dano folklore appears in the Samguksagi (A History of the Three Kingdoms). Other records indicate that Dano has commonly been referred to as ‘Suri’ in local dialects.Year2012NationSouth Korea