ALL
weaving
ICH Elements 40
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Kiyiz basu - the tradition of making felt
'Kiyiz' is a valuable felt material used by nomads in everyday life since immemorial time. Felt is manufactured from sheep, camel or goat wool by felting. Felt is made from wool using various methods to compress the wool fibers to form a thick, durable and warm material. Felt processing and products remains as one of the most popular crafts in the decorative art of the Kazakhstan steppes and other Central Asian countries. It was the major craft in Kazakh nomadic life as well as a significant work of women. Felt in Kazakhstan used mainly for flooring as a carpet well as covering a yurt. Nowadays one can get also a Kazakh felt souvenir toy. Warm slippers, vests, scarves and much more. Kazakhs used two basic types of felt, which differ in their method of manufacture and function. Kazakhs used coarse felt to cover the yurt and the dirt floor inside. Felt often decorated ornament. There are different methods of ornamentation: applique, ornamental stitch and many others. Skilled workers typically cover the entire surface of the felt track patterns, using a contrasting color. Kiiz is a simple felt carpet made of white, brown or grey wool, used as a foundation for making other products or to cover various parts of the yurt. Syrmak is a floor carpet, made by designing on a basis (kiiz) ornamental aptterns cut out of think multicolor felt which are then adjusted to the basis and sewed with color lace along the contour of the pattern, Tekemet is the Kazakh felt carpet with inserted color pattern on the top of each other before rolling. Different tribes in Kazakhstan each have their designs. Tuzkiiz ia a wall carpet, made by sewing ornamental compositions on felt or solid color fabric like velvet or silk, and then sewing them to the felt basis.
Kazakhstan -
Tekemet-kiyiz - tradition of making felt carpet
Tekemet is the Kazakh felt carpet with inserted color pattern on the top of each other before rolling. Different tribes in Kazakhstan each have their designs. Tekemets similar to syrmak (another type of felt carpet), but has a vague and soft forms in connection with the peculiarities of production technology. Tekemets decorated by double horns ("qos muyіz") - horn curls arranged in a cruciform shape, usually within a rhombus and oval. White or grey ornaments were selected, which bursted on the brown main background of felt. In West Kazakhstan can be found "eki tekemets" (“ekі tekemet"), which are decorated on both sides. Patterned felting is one of the oldest types of Kazakh ornamentation. It is handmade from one color of felt (light or dark), combined with the natural color of camel's wool. Masters of Central Kazakhstan felt ornaments in different colors.
Kazakhstan -
Syrmakh - tradition of making felt carpet
Syrmakh (syru means “stitch”) is another iconic wall and floor carpet made in traditional nomadic technique. There are around 20 syrmakh making techniques. To name but a few: akh syrmakh (white rug), oyuly syrmakh (colourful inlay pattern rug), oyistyrylghan/tyor syrmakh (solid color fabric appliqué on a white felt), syru (stitched pattern on felt), zhyiek syrmak (stitched felt rug with borders), kestelyi syrmakh (a felt rug embroidered with satin stitch). A pattern can be stitched to the background using bitpes (hand twisted cord), or zhyiek (hand weaved cord). An artisan can make syrmakh using a combination of techniques. The size of syrmakhs can vary from 1 to 6 meters and consist of 5 parts stitched together (1 bas or central part and 4 khol or borders). An artisan will spend from several weeks up to one year to make one syrmak. Traditional felt making is practiced by the artisans of southern and western Kazakhstan. The Union of Artisans of Kazakhstan revitalises the tradition by conducting trainings and master-classes on felting and its popularisation. Tekemets and syrmakhs are widely used in official celebrations, during holidays, for yurt decorations and in rituals. As well, modern interior and fashion designers use traditional techniques and materials in their work.
Kazakhstan -
Kazakh woven carpets
Kazakh woven carpets fall into three general categories: pile carpets (tuktyi), flat-woven carpets (takhyr), functional and decorative tent bands for yurts (baskur, bau) made in a combination-technique. Other textiles include hand woven tuskyesteh, wall carpets (tuskiyiz) with heavy hand embroidery, saddle bag (khorzhyn), hand woven tassels (shashakh) for decoration of clothes and the yurt, hand woven men’s outerwear (shekpen), mats made off needlegrass (shiy), and many other ceremonial and textile products. Traditional wall felt carpets were decorated with mosaics, velvet applique, woolen cloth (with a U-shaped border) or embroidery made with colored thread made of different materials (woolen cloth, velvet, cotton) which was then sewn on the felt base. Tuz kiiz differ in that they, apart from solar signs, featured unusually rich and colorful flora (winding stems, leaves, trefoils, lotus flowers, buds, trees, pomegranates) that were to magically foster happiness and prosperity of the family.
Kazakhstan
ICH Materials 95
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Traditional Kazakh Felt Manufacturing
Felt making is one of the oldest traditions, bearing an artistic and aesthetic value and symbolism closely associated with folk customs and rituals. The process of collecting wool is twice a year—in autumn and in spring. A story about the historical value and ubiquitous use of rams’ skins. The process and the staged technique of felting. One way to preserve traditional felt making. It is a question of the ecological value of felt, the methods of extraction from natural materials (plants and stones), and the use of certain ornaments associated with nature and animals.
Kazakhstan 2017 -
Kishuthara (The Silken Kira (Bhutanese women dress)
Kishuthara (the silken kira), is a native intricate patterned silk textile woven on Thakshing (backstrap loom). particularly Khoma Gewog (block) under Lhuentse Dzongkhag (district) where it become the production hotspot of the Bhutanese woven textile in the country.
Bhutan 2021-11-28
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THE METALLIC THREAD OF MALAY EMBROIDERYHistorically, Malaysia (the Malay Peninsula) was known as the Golden Chersonese, and in the past, Malay populations lived in riverine and coastal settlements, which were some of the most important trading hubs in Southeast Asia. The Malay maritime empire was once a large kingdom, stretching from the coast of Vietnam and Cambodia to Southern Thailand, the Malay Peninsula, Singapore, Borneo, Sumatra, Riau, Sulawesi, and Southern Philippines. Across the Malay-speaking world, fabrics embellished with gold were for the rich and powerful, such as the ruler of the kingdom. Besides the golden fabric, songket, Malay embroideries were mostly used by nobility and royals. In the fifteenth century, the Melaka Sultanate instituted sumptuary laws governing the types of ornaments and colors for interior and soft furnishings, such as curtain fringes, bolster ends, cushions, prayer mats and other items. Across the Malay world, the numbers of dais, bolsters, and layers of siting mats, were associated with a certain hierarchy, varying across the regions.Year2018NationSouth Korea
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Shital Pati: A Traditional Handicraft of BangladeshShital pati (literally “cool mat”) is an age-old traditional handicraft item of Bangladesh, which is sometimes used as alternative to bed sheets. For generations, people living in the Northeastern districts in the country, such as Sylhet, Moulvibazar, Habiganj, Sunamganj, Netrokona, and Brahmanbaria, have been making the popular craft item either from the finest types of cane or murta plants (Schumannianthus dichotomus) growing near bodies of water in the region.\n\nAs a traditional craft practice, the making of shital pati is championed by families. It becomes the the only means of livelihood of around 8,000 people in the prolonged monsoon when cultivable lands in the vast low-lying areas go under water. Every member of shital pati–weaving–families takes part in preparing the raw materials and in the actual process of weaving.There are three varieties of shital pati: normal, jamdani, and nakshi pati (“decorated mat”).\n\nTypically, it takes five days to make a normal one; eight to nine days to make a jamdani mat; almost a month to weave an embroidered mat. Their price varies from Tk 500 to Tk 2,500, depending on design and size. The product is sold throughout the year in the rural market and outlets of different chain stores located in the posh areas.\n\nThe craft item was inscribed on the national list of Intangible Cultural Heritage by People’s Republic of Bangladesh in 2007. The country has also applied to UNESCO for its inscription on the Representative List of Intangible Cultural Heritage of Humanity with the title “Traditional Art of Shital Pati Weaving of Sylhet”. The application will be examined in the twelfth session of the Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage to be held in December 2017 in the Republic of Korea.\n\nPhoto : Weavers in Sylhet pose with a shital pati © New AgeYear2017NationBangladesh
