Festivals
ICH Exhibition 5
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EVENTS
Inviting New Partner Organizations for ichLinks
ICHCAP invites the new partner organizations for the ichLinks, an Integrated ICH Information-Sharing Platform in the Asia-Pacific Region (www.ichlinks.com).
The partner organizations are key actors who collect and share the ICH information in their respective countries and utilize the shared information to enhance the visibility of ICH and cultural diversity.
Last year, ICHACP designated five partner organizations in Malaysia, Mongolia, Kazakhstan, Uzbekistan, and Vietnam. The selected partner organizations shared their ICH data through the ichLinks, and ICHCAP supported them to build their own ICH database as well as to develop digital content.
This year, ICHCAP will designate the 2nd group of partner organizations. The selected organizations are supposed to share their ICH information and may get the financial and/or technical support upon their requests.
Those who wish to be the ichLinks’ partner organization, please send us your application (attachment 3) with the recommendation letter from the related government authorities by 15 June 2021. Among the applied partner organizations, those who need financial and/or technical support, please send us your project proposal (attachment 5) by the same date as above.
For any inquiries on the project, please contact the ichLinks secretariat at ichlinks.secretariat@gmail.com.
04/09/2021
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NEWS
Inviting the New Partner Organizations for ichLinks
ICHCAP is recruiting the new Partner Organizations for ichLinks, an ICH Information-Sharing Platform in the Asia-Pacific.
ichLinks was opened in March 2021 as an online platform(www.ichlinks.com) that provides services related to ICH in cooperation with UNESCO Member States in the Asia-Pacific region. So far, about 9,000 archive data and 38 special contents are being serviced.
Partner Organizations are designated among the representative institutions in charge of collecting and managing ICH data of each country. So far, ichLinks has partnered with 12 organizations in 12 countries, and the list of current Partner Organizations can be found here.
When designated as a Partner Organization, it can take part in the Executive Committee, and share the ICH data possessed by the organization through ichLinks. Moreover, it can receive the financial and technical supports for building an ICH database, developing ICH content, recruiting project staff, purchasing necessary equipments or IT consultation, upon their request.
Organizations wishing to apply can fill out the attached application form and submit it to the ichLinks Secretariat (ichlinks.secretariat@gmail.com) by 25 March 2022 (Fri).
We look forward to your participation.
02/22/2022
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NEWS
Basanta Panchami: Arrival of Spring
Sister teaching younger brother to write on the wall within the premise of temple. © Monalisa Maharjan
On 16 February 2021, Hindu Buddhist population of Nepal celebrated Basanta Panchami also known as Shree Panchami or Sarashwoti Puja. This day marks the arrival of spring that could be seen with blooming peach trees and other flowers in the neighborhood. This day falls on the fifth day of shukla pakshya (waxing moon phase) of the Nepali month of Magha. So literally basanta panchami means spring on the fifth day of waxing moon.
On this day, the special event is organized in an ancient palace—Hanumandhoka Durbar Square of Kathmandu known as Basanta Shrawan. According executive director of the Hanumandhoka Museum, Mr. Sandeep Khanal, this event has continued since the Malla period (1100 to 1769 CE). At that time and until the monarchy was abolished in 2008, the king used to attend the ceremony. Even though in the Malla period, the ceremony was not known as Basanta Shrawan, but the inscriptions mention about worshipping the god Kamadeva.
Wall of deity full of writings of kids during the worshiping. © Monalisa Maharjan
The president of Nepal as a head of state attends this ceremony accompanied by the prime minister and other VIPs. The ceremony welcomes the spring, the second stanza of book Geet Govinda is recited. From this recitation this ceremony is named Basanata Shrawan. Along with Geet Govinda, Byachali raag is also recited. Priest performs the special worshiping on the auspicious time set by the panchanga samiti (group of astrologers who sets time and date for the auspicious occasions of major events). Normally the auspicious times are in morning and this year the auspicious time was set on 10:17 am. A group of musicians also play sitar in this event.
It is also celebrated as Saraswati Pooja, worshiping the goddess of knowledge, music, art, speech, wisdom, and learning. On this day, early morning parents are seen with the kids learning to write on the walls of temple of Goddess Sarashwoti with chalk. This is the symbolic meaning for asking blessing from Goddess Sarashwoti to read and write. On this day many parents start initiating teaching alphabets to the kids. Schools around the country also organize events to worship goddess with various other entertainment programs.
Buddhist in Nepal believes Maha Manjushree arrived to Kathmandu from Lasha on this day. Manjushree is associated with the legends of formation of Kathmandu Valley. Manjushree came to worship the light in the lotus blooming at the center of lake. He could not reach there so, cut the hill (which is now believed to be chovar) with his sword and let water out of the lake. After the drainage of water settlement in the valley stated. Manjushree is one of the Bodhisattva that symbolizes wisdom and worshiped on this day. So along with the Sarashwori Temple, the temples of Manjushree are crowded as well.
So, this day is considered auspicious. For the start of new ventures, building houses or getting married according to the Nepali culture, people check the auspicious date with the astrologers. This day Of Basanta Panchami is considered to be so auspicious that people don’t need to consult for an auspicious date. Therefore, on this day we can see many marriages taking place and people starting new houses or constructing new houses.
As in other many festivals and rituals, this day is also an example of syncretism of Hinduism and Buddhism in Kathmandu Valley.
03/12/2021
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NEWS
Drangyen, Bhutanese Instrument and Lessons
Two drangyens of Bhutan at Linden Museum (public domain image)
The Bhutanese lute, the drangyen, is the oldest and most well-known instrument of Bhutan. The word drangyen itself roughly translates to “hear the melody,” where dra means “melody,” and ngyen means “listen.” The drangyen is often used in religious festivals accompanied by folk dances and stories. Some date back to the eighth century CE when Buddhism was introduced to Bhutan.
The instrument is made from wood (preferably from cypress trees), leather, and yak bone and is about one meter long. Structurally, the top or head is intricately shaped like a sea monster to scare away evil spirits that may be attracted to the beautiful music that the instrument makes. The head stands upon a long fretless neck that attaches to a rounded body that pictures the goddess of music. The seven strings, which are made from the bark fiber of the jute tree, are played with a triangular plectrum made of wood or bone.
Kheng Sonam Dorji is a master folk musician of Bhutan. He has assembled a series of videos that show how the drangyen is made and how to play it. They are available in several lessons on YouTube. Visit the following links to find out more about the drangyen.
Drangyen Lesson -1: Brief Introduction ( with Eng Sub) – YouTube
Drangyen Lesson – 2(A) : Note Introduction & Tunning – YouTube
Drangyen Lesson – 2 (B) : Note Introduction & Tunning – YouTube
Drangyen Lesson – 3: Octave/Yangduen/ Saptak – YouTube
Drangyen Lesson – 4: Fingering & Note familiarization. – YouTube
03/12/2021
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NEWS
Festival for Building Resilience
Shola craft at Surul © Banglanatak dot com
This year, 2021, is the Year of Creative Economy for Sustainable Development. banglanatak dot com, headquartered in Kolkata and specializing in culture and development, was supported by the British Council to hold the Ripples Festival—Reveling in the Rarh (https://ripplesfestival.com/) between 15 and 17 January 2021. The Ripples Festival promoted an interesting model of integrating heritage and place-making and develop responsible tourism where the local communities are positively impacted. Santiniketan at Bolpur, embodying the first Asian Nobel Laureate Rabindranath Tagore’s vision of universalism and heritage sensitive development, is a popular tourist destination. The Ripples Festival created opportunities for people to interact directly with the folk artists and craftspersons living in the villages in and around Bolpur. It offered a rich experience of art, craft, beautiful landscape of river and red soil, along with exchanges of perspectives and ideas for building a resilient and creative future. Baul songs are inscribed on the UNESCO Representative List of Heritage of Humanity. They propound the philosophy of searching within and universal brotherhood to attain the divine. In the festival, the Bauls of Bolpur, Ilambazar and Joydev Kenduli, performed and shared their philosophy. Women held workshops and exhibitions on making Kantha embroidery—a quilting tradition of recycling old clothes and beatifying embroidery with simple run stitches. Craftspersons who make intricate crafts from the spongy white stem of the Shola plant held workshops. A theater festival, Tribute to Shakespeare, explored telling the timeless stories using traditional folk drama forms.
Raibenshe performance in About Caliban © Banglanatak dot com
The festival also reached out to art lovers through online components. The rural artists enjoyed their first opportunity of sharing their art form and village on a global platform. Videos and live interactions provided a unique experience to people connecting online. The webinars were held on the themes of Heritage and Festivals, Heritage and Creative Economy, and Heritage Resilience. The speakers were from India and the UK with extensive experience in theater, music, craft, and art as well as multicultural collaboration and exchange. They included Simon Broughton, Chief Editor of the prestigious Songlines magazine; designer, Amber Khokar; artist-entrepreneur, Ali Pretty; Dr. Joseph Lo with extensive experience in the world of craft; theater exponent, Parnab Mukherjee; founder of Tapantar, Kallol Bhattacharya, along with Dr. Debanjan Chakrabati and Jonathan Kennedy from the British Council. The webinars have helped in creating global awareness on the art forms and gathering international perspectives on key needs for building resilient creative economy. Different speakers stressed the need to look at festivals and heritage as integral components to fostering inclusive and sustainable development. The festival highlighted the importance of cultural collaboration and exchange for rejuvenating art forms and creating new markets and audiences. It empowered rural artists with new digital skills and highlighted technology’s power in bringing the world closer with online participants.
Ripples Festival video: https://youtu.be/CGdfuuAgYNI
03/12/2021
