ALL
copper water container
ICH Elements 2
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Culture of Çay (tea), a symbol of identity, hospitality and social interaction
Tea culture is an essential part of social and cultural life and is an important social practice aiming to show hospitality, celebrate important moments in lives of communities and helping them to build and maintain social relationships and enjoy moments by drinking tea for social exchange and interaction. It also represents knowledge, traditions and skills linked to cultivating, preparing and drinking tea by communities in Turkey and Azerbaijan. Tea is an agricultural plant the leaves and buds of which are used to make beverage. Tea plant transforms into dried leaves after steps such as plucking, withering, disruption, oxidation and drying. Although there are different types and brewing techniques in both countries, communities harvest and consume mostly the black tea. Traditional techniques used in preparing and harvesting tea led to development of special tools and vessels such as teapots, samovars, silver tray, woven tea baskets and tea plucking shear. Communities brew tea by using a great variety of kettles, produced in traditional craftsmanship, called “çaydan” or “çaynik” in Azerbaijan, a double container called "çaydanlık" (tea pot) in Turkey and samovar in both countries. Water is boiled in the larger pot and tea leaves are added to the smallest pot. Samovar is a traditional copper, clay, metal or brass container used to heat and boil water for brewing tea in smaller teapot, which is put on samovar. This method allows people to drink tea as they desire: strong or light. In rural areas especially, communities use metal samovars or “çaydanlık” heated with wood. Tea is traditionally served in special pear-shaped cups called “armudu” (literally, “pear-like”), made from glass, porcelain, faience, and silver in Azerbaijan and similarly small tulip-shaped glass, which is called “ince belli bardak” (thin waist glass) in Turkey. Communities traditionally serve tea freshly, brewed and hot, accompanied with various sweets, pastry, sugar, slices of lemon, jams and dried fruits. In different regions of Azerbaijan, communities also add local spices and herbs to tea, such as cinnamon, ginger and thyme. There is a special style of drinking tea with sugar called “kıtlama” or “dishleme” in both countries. In this style, tea is drunk by placing a piece of sugar between tongue and chin instead of pouring sugar directly into glass.
Azerbaijan,Turkey 2022 -
Awang Batil
Awang Batil is a story-teller only found in the state of Perlis. Originally he was known with the name ‘Awang Belanga’ because he used the ‘belanga’ or cooking pot as his music accompaniment. As cooking pot is covered with charcoal, it was then replaced with ‘batil’ that is copper water container. Thus the story-teller is called ‘Awang Batil’. The storyteller also plays other instruments such as the violin, serunai, rebana and gendang terinai. In yesteryears, Awang Batil travelled village to village and from house to house, especially houses that held wedding feasts, to tell his stories. Awang Batil inherits lots of folk stories. A story is in series and with continuities that drags to many evenings. Comedy elements are inserted in his story-telling while beating the copper water container with his fingers. The most commonly told stories of the Awang Batil are Raja Dewa Lok, Raja Bersiung, Raja Berdarah Putih, Anak Lang Pak Belang, Jabat Jabit, Abu Nawas, Cerita Angan-Angan and Awang Ada Duit Semua Jadi. At certain Acts Awang Batil wears a mask to relate the character of a ‘Hulubalang’ (Soldier) and the ‘Wak Nujum’ (Fortune Teller). Both are used when suitable characters appear in the stories to attract the audiences’ attention. The mask is made of wood and usually painted red and white. At a house that holds wedding feast Awang Batil performs in a small hut with a height of three to four meters. The audiences sit encircling the hut listening to his stories with laughter.
Malaysia
ICH Materials 31
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Malaysia, Awang Batil(Topeng Hulubalang (Hulubalang’s Mask))
Awang Batil is a storyteller only found in the state of Perlis. He narrates a story by tapping a Batil (copper water container). In addition to the Batil, the storyteller also plays various instruments such as the violin, serunai, rebana, and gendang terinai. His performances are predominantly held in homes during wedding feasts and can sometimes span several days. Throughout his narration, he wears two masks representing the characters of a 'Hulubalang' (soldier) and the 'Wak Nujum' (fortune teller). These masks, typically made of wood and painted in red and white, add depth to his storytelling. Today, with the advent of digital media, the Awang Batil’s role has diminished, but the Perlis-based storyteller still entertains people with his delightful wit.\n\nThis mask is made from 'tui' wood. This mask is used when awang batil is telling stories about the character of hulubalang. It is painted in red and white.
Malaysia -
Malaysia, Awang Batil(Topeng Wak Nujum (Wak Nujum’s Mask))
Awang Batil is a storyteller only found in the state of Perlis. He narrates a story by tapping a Batil (copper water container). In addition to the Batil, the storyteller also plays various instruments such as the violin, serunai, rebana, and gendang terinai. His performances are predominantly held in homes during wedding feasts and can sometimes span several days. Throughout his narration, he wears two masks representing the characters of a 'Hulubalang' (soldier) and the 'Wak Nujum' (fortune teller). These masks, typically made of wood and painted in red and white, add depth to his storytelling. Today, with the advent of digital media, the Awang Batil’s role has diminished, but the Perlis-based storyteller still entertains people with his delightful wit.\n\nThis mask is made from 'tui' wood. This mask is used when awang batil is telling stories about the character of Wak Nujum. It is painted in red and white.
Malaysia
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Field Survey on IntellectualProperty Issues in the Process ofICH Information Building andSharingPakistan
Pakistan 2011~2012
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2020 Intangible Cultural Heritage NGO’s Strategy in Achieving Sustainable Development: Goal 2. Zero Hunger
"“Intangible Cultural Heritage NGO’s Strategy in Achieving Sustainable Development: Goal 2. Zero Hunger” is the 3rd outcome of ICHCAP’s Project PINA, or Project Promoting ICH Safeguarding Activities of NGOs in the Asia-Pacific Region.\n\nThis book is a collection of eight selected NGO activities on ICH that are vital to achieving food security from six countries namely, Bangladesh, India, Indonesia, Nepal, Tajikistan, and Viet Nam. It provides an opportunity to look into community-based NGO activities and experience that greatly contribute to the promotion of local communities’ welfare by revitalizing and transmitting ICH. Significantly, their approach emphasizes the relationship between ICH and SDG 2: Zero Hunger through their projects on food security and improved nutrition, and sustainable agriculture.\n\nICHCAP hopes that local, regional, and global public awareness about NGOs and their ICH safeguarding activities in the Asia-Pacific region will be substantially raised by this book."
South Korea 2020