ALL
life cycle
ICH Elements 4
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Betashar – Kazakh wedding
Beautiful rite of 'Betashar' (kaz. 'open face') symbolizes inclusion of a bride into a groom’s family clan. First bride’s mother arranges Kazakh traditional headwear “Saukele” on her daughter’s head covering her face with veil called “jelek”. The groom’s eldest sisters-in-law (“jenge”) bring the bride under their arms to the guests. Then the bride puts her feet on a white carpet with an image of Tengrian calendar embodying the Universe or lamb fleece – the symbols of fertility. Masters of improvised music poetry Akyns start the ritual by singing a bridal song “Betashar jyr” to the accompaniment of Dombyra. The song praises groom’s family ancestors, parents and all relatives in dedicated couplets. In return the bride with her sisters-in-law bow to every relative and family listed, thus giving her respect and greeting – “Salem beru”. The relatives, whom the bride has just bowed, reward Akyn with money for his performance. After introducing all the relatives and expressing good wishes, Akyn lifts the bride’s veil with the neck of his Dombyra, thus revelaing the bride’s face to everybody. Mother-in-law (“Ene”) takes off the veil, kisses and welcomes new member of the family. Then the groom takes the bride by the hand showing her to all guests. At this moment elder relatives shower the newlyweds with sweets and coins (“Shashu” ritual), wishing them happiness and abundances. In some regions Betashar includes: bride’s stepping over the fire, fumigation of bride with harmala (“adiraspan”) smoke and pouring oil on fire to endear the Spirit of fire.
Kazakhstan -
Tussau kessu – Kazakh family rite
Tussau kessu (kaz."Tussay kessu") is one of the most common traditions and customs among the Kazakh nation, which has ethnographic features. This custom is considered one of the most significant events in the child's life. The origin of the custom is associated with magical belief in the hidden strength of the fetters that hold back unstable steps of a toddler. And if they are cut, then the toddler begins to walk confidently. This belief is found among many people of the world. In particular, it has been preserved to this day among the people of Central Asia. There is another belief, that if toddler takes his first steps and reached the family not stumbling then he would be very capable. The main purpose of giveaways is association of aul neighbors, relatives, friend around the principles of humanity and respect. Gifts are also given to the toddler. If he is a boy, then a horse might be given as a gift.
Kazakhstan -
Mushel Kayiru - the 12-year calendar of the animal cycle
Kazakhs since ancient times to the beginning of the twentieth century used the ancient folk calendar. Traditional Kazakh annual calendar consists of twelve year animal cycle, called 'mushel' ("mushel"). It was this: 'tyshqan zhyly' (year of a mouse); 'siyr zhyly' (year of a cow); 'barys zhyly' (year of snow leopard); 'qoyan zhyly' (year of a hare); 'ulu zhyly' (year of a dragon); 'zhylan zhyly' (year of a snake); 'hylqy zhyly' (year of a horse); 'qoi zhyly' (year of a sheep); 'meshin zhyly' (year of a monkey); 'Tauyq zhyly' (year of a hen); 'eit zhyly' (year of a dog); 'dongyz zhyly' (year of a pig). The choice of these animals was mainly linked to them due to its sacral meaning.
Kazakhstan -
Chàng slaw Paper Cutting of the Nùng Dín
It is a profession of making paper-cut paintings, associated with the community's life-cycle customs, done when organizing funerals. The product is an offering to pay tribute to the deceased. The set of paintings for a funeral includes: Funeral, money tree, paper horse and canopies... The chiseling is the most important step with two ways: chiseling directly on the paper size, or, perforating according to the patterns. They used tools including scissors, awls, chisels, and hammers. The art of using color has its own distinct characteristics, from the technique of mixing and dyeing to the mixing of colors. The pattern motif depicts people's concept of the underworld. They worship the ancestors of the profession and the teachers of the profession. Before accepting the job for any family, they all have to make a ceremony to ask permission from the teacher and the job group.
Viet Nam
ICH Materials 4
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Betashar – Kazakh wedding
Beautiful rite of 'Betashar' (kaz. 'open face') symbolizes inclusion of a bride into a groom’s family clan.\nFirst bride’s mother arranges Kazakh traditional headwear “Saukele” on her daughter’s head covering her face with veil called “jelek”. The groom’s eldest sisters-in-law (“jenge”) bring the bride under their arms to the guests. Then the bride puts her feet on a white carpet with an image of Tengrian calendar embodying the Universe or lamb fleece – the symbols of fertility.\nMasters of improvised music poetry Akyns start the ritual by singing a bridal song “Betashar jyr” to the accompaniment of Dombyra. The song praises groom’s family ancestors, parents and all relatives in dedicated couplets. In return the bride with her sisters-in-law bow to every relative and family listed, thus giving her respect and greeting – “Salem beru”. The relatives, whom the bride has just bowed, reward Akyn with money for his performance.\nAfter introducing all the relatives and expressing good wishes, Akyn lifts the bride’s veil with the neck of his Dombyra, thus revelaing the bride’s face to everybody. Mother-in-law (“Ene”) takes off the veil, kisses and welcomes new member of the family. Then the groom takes the bride by the hand showing her to all guests. At this moment elder relatives shower the newlyweds with sweets and coins (“Shashu” ritual), wishing them happiness and abundances.\nIn some regions Betashar includes: bride’s stepping over the fire, fumigation of bride with harmala (“adiraspan”) smoke and pouring oil on fire to endear the Spirit of fire.
Kazakhstan -
Betashar – Kazakh wedding
Beautiful rite of 'Betashar' (kaz. 'open face') symbolizes inclusion of a bride into a groom’s family clan.\nFirst bride’s mother arranges Kazakh traditional headwear “Saukele” on her daughter’s head covering her face with veil called “jelek”. The groom’s eldest sisters-in-law (“jenge”) bring the bride under their arms to the guests. Then the bride puts her feet on a white carpet with an image of Tengrian calendar embodying the Universe or lamb fleece – the symbols of fertility.\nMasters of improvised music poetry Akyns start the ritual by singing a bridal song “Betashar jyr” to the accompaniment of Dombyra. The song praises groom’s family ancestors, parents and all relatives in dedicated couplets. In return the bride with her sisters-in-law bow to every relative and family listed, thus giving her respect and greeting – “Salem beru”. The relatives, whom the bride has just bowed, reward Akyn with money for his performance.\nAfter introducing all the relatives and expressing good wishes, Akyn lifts the bride’s veil with the neck of his Dombyra, thus revelaing the bride’s face to everybody. Mother-in-law (“Ene”) takes off the veil, kisses and welcomes new member of the family. Then the groom takes the bride by the hand showing her to all guests. At this moment elder relatives shower the newlyweds with sweets and coins (“Shashu” ritual), wishing them happiness and abundances.\nIn some regions Betashar includes: bride’s stepping over the fire, fumigation of bride with harmala (“adiraspan”) smoke and pouring oil on fire to endear the Spirit of fire.
Kazakhstan