ALL
marionette puppets
ICH Elements 2
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Puppet art and puppet-making
Puppetry is a form of theatre or performance that involves the manipulation of puppets – inanimate objects, often resembling some type of human or animal figure, that are animated or manipulated by a human called a puppeteer. Such a performance is also known as a puppet production. Uzbek puppetry is considered to be a traditional art genre, which evolved in the form of an ancient traditional theatre of people. Folk puppeteers used "qol qoghirchoq" (puppet played with hands or gloves), "ip qoghirchoq" (puppet-marionette), "mayda qoghirchoq" (small puppet) or "katta qoghirchoq" (big puppet). Main feature of the puppetry is that main heroes are puppets and an actor, who manipulates them, hides behind the scene. The puppet show, which combined traditional as well as contemporary ideas, was staged together with folk pantomime dances, under accompaniment of music of national instruments. In the ХХ century there were more than 40 troupes of traditional puppet theatre in Uzbekistan. Most of them were engaged in hand puppet ("Chodir jamol"), the marionettes theatre ("Chodir hayol"), on the other hand, it was possible to see only rarely in Tashkent, Bukhara, Qoqand, Samarkand and Khiva. At present this art is being revived again thanks to the activity of craftsmen, who make puppets and actors-puppeteers. Puppet making is an ancient type of folk applied art. This type of art was evolved as a result of human’s relationship with the nature. Initial puppets were animalshaped and made of clay. They became more complicated step by step. Central Asian people mainly occupied with agriculture and cattle-raising and their art was associated with their lifestyle. Uzbek people have always loved children. Children always need dolls and puppets. Such puppets as sheep, lamb, duck, geese, roosters, fish, shell whistled and others were among them.
Uzbekistan -
Teochew Puppetry
The Teochew Puppetry tradition of Penang is a distinct and increasingly rare form of puppetry that narrates folk tales and legends through a skillful play of marionette puppets. It is a more traditional and challenging form of opera, requiring fast and fluid animation of puppets to imitate human-like gestures. Traditionally, puppetry troupes consist of nine members divided into groups of three to handle puppets, sing and play musical instruments. The orchestra comprises of gongs, drums, er hu and cymbals. Each puppet takes about two to three weeks to make and are hand-crafted from wood, clay and paper, weighing several kilograms each. Older puppets are made of tightly-packed bundles of hay. The puppets are controlled by iron-rods attached to the back and limbs. Each character would have its own newly-made costume, richly detailed, just like those of a regular Chinese opera performer.
Malaysia
ICH Materials 6
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Intangible Cultural Heritage in Tajikistan
This Promotional book is a result of researches done by researchers of the Research Institute of Culture and Information and it was published by finance assistance of the International Information and Networking Center for Intangible Cultural Heritage in the Asia-Pacific Region under auspices of UNESCO (ICHCAP). The Promotional book contains of elements of the Intangible Cultural Heritage of Tajiks described in seven chapters with fresh and colorful illustrations.
Tajikistan 2017 -
2012 Field Survey Report: Intangible Cultural Heritage Safeguarding Efforts in Turkey
Based on the ICHCAP Field Survey on Intangible Cultural Heritage Safeguarding Efforts in some South Asian countries (2010–2013), this summary provides a brief overview on the ICH situation in Nepal, Bhutan, Bangladesh, Pakistan, and Sri Lanka . The summary focuses mainly on ICH safeguarding systems, safeguarding policies, and ICH inventories as well as on pending issues and the urgent safeguarding needs of these countries. Moreover, information on the main entities in charge of ICH safeguarding and opinions of each country on the issue of community involvement are provided. To give a quick overview these countries’ participation in ICH safeguarding at the international level, some additional information related to UNESCO is specified as well. Some information on the ICH safeguarding status of Pakistan is updated, based on Periodic Report No.00794/Pakistan on the implementation of the Convention and on the status of elements inscribed on the RL submitted to UNESCO on December 2012. This survey report offers a large sample of the diverse ICH situations in South Asian countries. Each country has a different background on the issue of intangible heritage. Although all the participating countries are concerned about the threats facing ICH, most of the countries participating in the survey haven’t defined the ICH and haven’t established national ICH lists and/or ICH inventories.However, each country expresses a high degree of motivation and encouragement for safeguarding o ICH, sharing experiences, and cooperating internationally. A common point noticed among them is that they tend to pay more attention to traditional performing arts in comparison to other ICH domains. Apart from the main subject, information on the situation of intellectual property related to ICH safeguarding in each country is included. However, this issue is very briefly reflected, so it is necessary to go through the ICHCAP Field Survey on Intellectual Property Issues in the Process of ICH Information Building and Information Sharing (2011–2012) to obtain more comprehensive and concrete information on this topic.\n\n- Ratified the ICH Convention in 2006; conducted survey in 2013.\n- As of December 2014, has twelve ICH elements on the RL and ten accredited NGOs.
Turkey 2013