ALL
rubab
ICH Elements 6
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Sho-na/Thing-sho: Art of Blue paper making
Sho-na or in other words Thing-sho is an especial product of De-zo with blue or indigo colour and shining black writing surface. This paper is particularly manufactured for gold, silver, copper and bone ink. Though the making process is quite identical, the unique is it uses indigo colour while making paper pulp. For making Sho-na, it requires different tools, ingredients and processes that most of the paper makers don’t know therefore, it is expensive compared to ordinary daphne paper. Unlike ordinary paper, Sho-na usually comes in manuscript form with three different sizes mainly in length base; 1)\tDatshedma (length of an arrow) 2)\tTershedma (a foot) 3)\tDomang and Bum (nearly a metre) Examining the records of golden scriptures (Ser-dri-ma) that were held in Dzongs, monasteries, temples and even in some wealthy individuals across the country, the oldest of all according to its oral sources is the 9th century golden scripture was brought from Tibet. However, in Bhutan, the writing golden scriptures thrived in the late 17th century after numerous Spiritual Masters had initiated writing their master’s biography or autobiography in gold using Sho-na paper. It is not that one cannot write golden scriptures in an ordinary Daphne paper but, the visibility will be poor as gold and paper’s colour does not match very well. Therefore, to make clear visibility Sho-na are used for writing gold, silver and copper inks. The papers are normally prepared on demand by the Sho-na makers. Sho-na making seems to be disappearing and there are only countable manufacturers in the country. The cause of declining no of the practitioner is due to the rarity of the Gold Script writing project.
Bhutan -
RAHPO, rapo
A kind of traditional dance which is performed through small steps and moving feet. In this dance are used local musical instruments like rubab, setor and daf
Tajikistan -
VAKHANI MAN DANCE
This dance is performed accompanying with melodies of local musical instruments like rubab, soz, ghijjak and daf in the wedding parties and other social gatherings.
Tajikistan -
RUBOBNAVOZI, rabobnavozi
Skills of playing in string musical instrument rubab.
Tajikistan
ICH Materials 24
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Bukhara Shashmaqom
In 2015, ICHCAP with the National Commission of the Republic of Uzbekistan for UNESCO and the Fine Arts Institute of the Academy of Sciences of the Republic of Uzbekistan released the CD collection Melodies from Uzbekistan as part of its cooperation project to restore and digitize analogue resources on ICH.\n\nThis selection of audio resources are aged audio recordings stored at the Fine Arts Institute of the Academy of Sciences that have been restored and converted into a format suitable for storage and playback in media used today. The audio tracks in the collection consist of folk music recorded from field research conducted in Uzbekistan and border regions from the 1950s to the 1980s as well as studio recordings made from the 1930s to the 1970s. The eight CDs contain Uzbek songs related to work, animal rearing, rituals, and other important parts of day-to-day life in the region; instrumental music featuring various traditional Uzbek musical instruments, such as the dutor and g'ajir nay; and important Islamic oral traditions, such as maqoms and dostons.\n\nAlthough the traditional music of Central Asia may be unfamiliar to listeners from other parts of the world, the CDs come with information booklets in Uzbek, English, and Korean to provide an engaging experience for people from outside the region.\nThe selection represents the diverse and rich musical traditions of Uzbekistan and will be invaluable resources in the field of ICH education and promotion.
Uzbekistan 2015 -
Dostons from Karakalpakstan
In 2015, ICHCAP with the National Commission of the Republic of Uzbekistan for UNESCO and the Fine Arts Institute of the Academy of Sciences of the Republic of Uzbekistan released the CD collection Melodies from Uzbekistan as part of its cooperation project to restore and digitize analogue resources on ICH.\n\nThis selection of audio resources are aged audio recordings stored at the Fine Arts Institute of the Academy of Sciences that have been restored and converted into a format suitable for storage and playback in media used today. The audio tracks in the collection consist of folk music recorded from field research conducted in Uzbekistan and border regions from the 1950s to the 1980s as well as studio recordings made from the 1930s to the 1970s. The eight CDs contain Uzbek songs related to work, animal rearing, rituals, and other important parts of day-to-day life in the region; instrumental music featuring various traditional Uzbek musical instruments, such as the dutor and g'ajir nay; and important Islamic oral traditions, such as maqoms and dostons.\n\nAlthough the traditional music of Central Asia may be unfamiliar to listeners from other parts of the world, the CDs come with information booklets in Uzbek, English, and Korean to provide an engaging experience for people from outside the region.\nThe selection represents the diverse and rich musical traditions of Uzbekistan and will be invaluable resources in the field of ICH education and promotion.
Uzbekistan 2015
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ICH Courier Vol.37 ICH and Water Management
ICH Courier is the quarterly magazine on ICH in the Asia-Pacific region issued by ICHCAP since 2009. Every issue has its own theme under the title of the Windows to ICH, and the theme of the Vol 37 is 'ICH and Water Management.'
South Korea 2018 -
2018 Asia-Pacific ICH NGO Conference Report
Co-orgarnized by ICHCAP and Hue Monuments Conservation Centre (HMCC), this year’s Asia-Pacific ICH NGO Conference was held in Hue, Vietnam under the theme of ICH NGOs towards Sustainable Development of Communities.\n\n
South Korea 2018
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Session 3: ICH safeguarding and community developmentCo-orgarnized by ICHCAP and Hue Monuments Conservation Centre (HMCC), this year’s Asia-Pacific ICH NGO Conference was held in Hue, Vietnam under the theme of ICH NGOs towards Sustainable Development of Communities.Year2018NationIndia,Myanmar ,Pakistan,United States of America,Viet Nam
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Music from Pakistan’s Far North: Performing ICH for Sustainable Development in Gilgit-Baltistan and ChitralMusic occupies a significant position as intangible cultural heritage. In fact, 56 out of 470 cultural practices and expressions on the UNESCO Lists from 2008 to 2017 can be categorized as music; it should be noted as well that many elements on the Lists are performed with musical accompaniment, such as folk dances and traditional games. Music has helped generations circulate traditional knowledge not only for continuity but also for social cohesion and intergenerational solidarity.\n\nThe power of music lies on its capacity to enthrall, connect people, and emphasize—from a sense of shared belonging and repetitive participation—a community or a group of people not to be mistaken as homogenous but rather compelled by various thoughts and inclined to music-related activities for different purposes. This is particularly true for the Leif Larsen Music Centre, one of the flagship programs of Ciqam, a project of the Aga Khan Cultural Services Pakistan. Ciqam (a Burushaski word meaning “prosperity”) was established in Hunza district to provide income-generating opportunities to empower people, more specifically women and the youth, in Gilgit-Baltistan and Chitral, the northern region of Pakistan. Formerly known as Community Music Centre, Leif Larsen Music Centre is named after a Norwegian ambassador, Leif Holger Larsen, who was supposed to visit the facility in May 2015, but regrettably the plane he was boarded on crashed on the way. He was a key figure in the process of realizing the initiative.\n\nAt present, there are thirty-five musicians at the Centre; twelve are considered the core team or those whose knowledge on music from the region is sufficient to train others; all of them are young people. Two common attributes among the young musicians are (1) their interest in producing and disseminating local music culture and (2) their experience of economic marginalization. While the Centre provides free informal music education, and through that and other related activities safeguards intangible cultural heritage, it also supports the musicians’ annual tuition fees in their respective formal school, books, and uniform. The Centre’s humanitarian aim, particularly to find ways for people in this region to overcome poverty and gain livelihoods, is strongly commendable because at the same time central to it is valuation of heritage.\n\nUnlike in other postcolonial countries, music in Pakistan remains to be resistant to Western influences. People generally appreciate locally produced music, nostalgic songs that find their roots in the time and imagination before the rupture of the Indian subcontinent, i.e. separation of India and Pakistan. This strong enthusiasm for the local is reflected in the kind of music created and transmitted at the Leif Larsen Music Centre. Through the efforts of women working at Ciqam, they produce their own traditional musical instruments such as rubab, sitar, chaarda, zigini, tumbak, and daf. Furthermore, their musicians’ repertoire is based on local languages such as Burushaski, Wakhi, Shina, Khuwar, and Balti. This is meaningful in terms of symbolically enabling the people of Gilgit-Baltistan and Chitral, considering that their safeguarding efforts are situated in a challenging time. Nevertheless, the musicians and cultural managers at the Centre and largely at Ciqam continuously work in pursuit of gender equality, affirmative action, and poverty alleviation. Their laudable grassroots effort is a strong testament to the possibility of intangible cultural heritage as a vehicle for sustainable development.\n\nTo connect with the Leif Larsen Music Centre, please contact Aqeela Bano, Manager of Ciqam, at +92 3445 001234 or +92 5813 457345 or via e-mail (aqeela.bano@ciqam.com.pk).\n\nPhoto : CONTRIBUTED BY B.B.P. HOSMILLOYear2018NationPakistan