Materials
COVID-19
ICH Materials 171
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Lim Soo Ngee, A Wooden Sculptures Wearing the Masks, Singapore(Woman Beneath the Mask)
Lim Soo Ngee, a Singaporean sculptor, captures “alternative identities” of contemporary people through wooden sculptures that poetically portray various figures. The artist recreates contemporary people who are subordinated to the flow of time in a state of torpor by putting on masks during COVID-19, or notes the fact that many people wear different “masks” whenever they face various situations in their lives. The facial expressions and gestures of those figures depicted in various ways remind us that life is full of humor, inconsistency, irony, romance, and irrationality.\n\n
Singapore -
Lim Soo Ngee, A Wooden Sculptures Wearing the Masks, Singapore(Man Beneath the Mask)
Lim Soo Ngee, a Singaporean sculptor, captures “alternative identities” of contemporary people through wooden sculptures that poetically portray various figures. The artist recreates contemporary people who are subordinated to the flow of time in a state of torpor by putting on masks during COVID-19, or notes the fact that many people wear different “masks” whenever they face various situations in their lives. The facial expressions and gestures of those figures depicted in various ways remind us that life is full of humor, inconsistency, irony, romance, and irrationality.\n
Singapore -
Lim Soo Ngee, A Wooden Sculptures Wearing the Masks, Singapore(A Day in April of 2020)
Lim Soo Ngee, a Singaporean sculptor, captures “alternative identities” of contemporary people through wooden sculptures that poetically portray various figures. The artist recreates contemporary people who are subordinated to the flow of time in a state of torpor by putting on masks during COVID-19, or notes the fact that many people wear different “masks” whenever they face various situations in their lives. The facial expressions and gestures of those figures depicted in various ways remind us that life is full of humor, inconsistency, irony, romance, and irrationality.
Singapore -
Lim Soo Ngee, A Wooden Sculptures Wearing the Masks, Singapore(Green Bird)
Lim Soo Ngee, a Singaporean sculptor, captures “alternative identities” of contemporary people through wooden sculptures that poetically portray various figures. The artist recreates contemporary people who are subordinated to the flow of time in a state of torpor by putting on masks during COVID-19, or notes the fact that many people wear different “masks” whenever they face various situations in their lives. The facial expressions and gestures of those figures depicted in various ways remind us that life is full of humor, inconsistency, irony, romance, and irrationality.\n
Singapore
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ICH in the South-Western Alps: Empowering Communities through Youth Education on Nature and Cultural Practices
The South-Western Alps, across Italy and France are an area of long-lasting and significantly dense presence of diverse intangible cultural heritage expressions, resulting from the peculiar forms of relation and adaptation between the communities and the mountain ecosystems. But now, this area faced a number of challenges, Alessio Re & Giulia Avanza introduced the projects for building up resilience on the South-Western Alps territory.
South Korea 2020-11-16 -
Challenges and Opportunities for Teaching ICH as a Core Knowledge Requirement and Practice within Heritage Education
A competencies framework for cultural heritage management in Asia and the Pacific has been recently developed by the UNESCO Regional Office (Bangkok) with the help of many partners and contributors. While it is acknowledged that some people will be knowledge bearers themselves, and others will have highly specialized disciplinary knowledge and skills in ICH, it also sets out the ICH competency expected at other ‘levels’ of work in heritage management. Alongside this work, an important network of Universities and other Higher Education institutions in the region involved specifically in ICH was formed in 2018, recognizing that the University sector has a role to play in fostering ICH competencies. Surveys by ICHCAP and other institutions has demonstrated that higher education teaching and learning in ICH is provided in diverse programs across the region, and should be strengthened. And in 2020, our thinking about strategies to enhance ICH teaching in the region has been greatly affected by the many impacts of the COVID-19 pandemic. In this context, Kristal Buckley shares her experience on education in the field of intangible cultural heritage focusing on heritage education with digital literacy responding to pandemic.\n\nKRISTAL BUCKLEY AM is a Lecturer in Cultural Heritage at Deakin University (Melbourne, Australia). She has professional qualifications in archaeology, anthropology and public policy, and has worked in private practice, government, teaching and research. Her work has a focus on World Heritage, naturecultures, and urban landscapes. Ms. Buckley served as an international Vice-President of ICOMOS from 2005-2014, and works as an ICOMOS World Heritage Advisor.
South Korea 2020-07-02 -
The ties and tides of knowledge: Living as a community, living as the sea people
Traditional coastal communities possess marine knowledge that enable them to live with and live on resources in different eco-niches like intertidal strands, mangroves, mudflats, beach forest, and coral reefs. After the Covid 19 broke out, Traditional coastal communities reflected how the often neglected knowledge and skills became the inspiration and hope for urban populations who rely on purchased food from convenient stores or modern trade stores, during which the semi-lockdown affected the distribution and sales of food.
South Korea 2020-10-29 -
Documentary Film and Narrative Techniques for Architecture Students’ Understanding of Local Cultural Heritage
Digital is becoming new normal after COVID 19 pandemic situation. But digital cannot be the only way of going with the community and ICH. and For reaching the balance of digital and ICH community, Nikhil Joshi shares the experience of documentary filming and narrative techniques of three schools in Singapore.\n\nNIKHIL JOSHI is a Senior Lecturer in the Department of Architecture at the National University of Singapore (NUS). Educated at the University of Pune (India), University of York (UK), and National University of Singapore (Singapore). His research interests include cultural heritage management; traditional building materials and techniques; and community participatory approaches.
South Korea 2020-07-04
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2020 World Forum for Intangible Cultural Heritage - Human, Nature, and Intangible Cultural Heritage
2020 World Forum for Intangible Cultural Heritage - Human, Nature, and Intangible Cultural Heritage\n\nSession1: Re-defining the Relationship Between Humanity and Nature\n\nKeynote Presentation :'Re-defining the Relationship Between Humanity and Nature' by Ernesto Ottone Ramirez, Assistant Director-General for Culture of UNESCO\n1. 'Intangible Cultural Heritages in the Anthropocene' by Buhm Soon Park, Director, Center for Anthropocene Studies at KAIST\n2. 'Sustainable Agriculture in Nature, Micronesian Agroforestry' by Francis Reg, Head of the Yap States Historic Preservation Office (HPO)\n3. 'Intangible Cultural Heritage as Protection, Avalanche Risk Management' by Michael Bruendl, Head Research Group Avalanche Dynamics and Risk Management, WSL Institute for Snow and Avalanche Research SLF\n4. 'Pacific Islands of the Anthropocene' by Elizabeth DeLoughrey, Professor of University of California, Los Angeles\n\nSession2: Humanity's Response to the Crisis and Intangible Cultural Heritage\n\nSpecial Lecture : 'Future of Humanity, Ecological Turn, and the Role of ICH' by Jae Chun Choe, Chair Professor of Ewha Womans University, Former Chair of UN Convention of Biological Diversity\n1. 'Mitigating “Nature Deficit”: lndigeneous Language and Oral Literature' by Chidi Oguamanam Professor of Law at University of Ottawa\n2. 'India's Disaster Reduction and Management through ICH' by Rahul Goswami, UNESCO ICH Facilitator\n3. 'Sea Ethics as Intangible Cultural Heritage' by Kumi Kato, Professor of Faculty of Tourism, Wakayama University, Japan\n4. 'Building Ecosystem and Community Resilience in Asia and the Pacific Region' by Sinikinesh Beyene Jimma, Regional Coordinator, United Nations Environment Programme (UNEP)\n\nSession3: Intangible Cultural Heritage in Our Daily Lives, Towards a New Age\n\nSpecial Lecture : 'Role of Communities in Promoting Environmental Sustainability and ICH' by Micheael Mason Director, Smithsonian Center for Folklife and Cultural Heritage\n1. 'The Role of NGOs in Safeguarding ICH and Environmental Sustainability' by Greg Mitchell, President and Chairman of the Board of the Pacific Blue Foundation, Professor Emeritus of UCSD\n2. 'Nature, Intangible Cultural Heritage and Law' by Anita Vaivade, Assistant Professor of Latvian Academy of Culture\n3. 'Role of the State in ICH Safeguarding in the COVID-19 Pandemic' by Eric Babar Zerrudo, Assistant Professor of University of Santo Tomas\n4. 'Joining our Voices in ICH Youth Network' by ICH Youth Network (Korea National University of Cultural Heritage)\n
South Korea 2020 -
ICH Webinar Series on Maritime ICH: Maritime Living Heritage-Building Sustainable Livelihood and Ecosystems in the Asia-Pacific Region
ICH Webinar Series on Maritime ICH: Maritime Living Heritage-Building Sustainable Livelihood and Ecosystems in the Asia-Pacific Region\n\nSession1: Traditional Maritime Skills and Knowledge for Inclusive Social and Economic Development\n\n1. 'Maritime Living Heritage and the Decade of Ocean Science for Sustainable Development' by Athena Trakadas, National Museum of Denmark / Ocean Decade Heritage Network\n2. 'The ties and tides of knowledge: Living as a community, living as the sea people' by Narumon Arunotai, Social Research Institute, Chulalongkorn University, Thailand\n3. 'Strengthening Women Fisherfolk Empowerment toward Social Inclusion in Coastal Environment of Malolos, Bulacan, Philippines' by Elmira Thrina C. Pelayo, Bulacan State University, Philippine\n4. 'Traditional Maritime Skills and Knowledge of Social and Economic Development in Inle Lake' by Thu Thu Aung, Department of Archaeology and National Museum, Myanmar\n5. 'Preserving Maritime Cultural Values and Promoting Community Cohesion: From the Viewpoint of Cau Ngu (Whale Worship) Festival in Thanh Hoa Province' by Thao Phuong Le, Vietnam Museum of Ethnology, Vietnam Academy of Social Sciences, Vietnam\n6. 'Fisherwomen across Bay of Bengal region and the extension of their profession in ICH- Understanding the contributions of a vital part of the community and their symbolisms of sustainability, survival, and continuity' by Lopamudra Maitra Bajpai, Symbiosis International University, India\n\nSession2: Traditional Maritime Skills and Knowledge for Environmental Sustainablity and Resilience\n\n1. 'Evidence from the Social Economic Impact Acessment of COVID-19 in the Pacific: The Contribution of ICH in human-centered development' by Ellen Lekka, Cultural Officer, UNESCO Apia Office\n2. 'The Coastal Cultural Landscape of Yap and Marine Ecological Conservation' by William Jeffery, University of Guam, Guam\n3. 'Korean National Important Fisheries Heritage System for Strengthening Sustainability:' by Hyunjong Jong, Ministry of Ocean and Fisheries, Republic of Korea\n4. 'Voicing Culture after Nature : Traditional Knowledge and Marine Resource Management in the Sulawesi Islands' by Dedi Supriadi Adhuri, Indonesian Institute of Sciences (LIPI), Indonesia\n5. 'O le Va‘a Tā Palolo – The Palolo Fishing Canoe' by Galumalemana Steve Percival, Tiapapata Art Centre inc., Samoa\n6. 'Maritime Cultural Heritage of Matsushima Bay Japan:' by Alyne Delaney, Center for Northeast Asian Studies, Tohoku University, Japan\n\n\n\n
South Korea 2020 -
ICH Webinar Series on Higher Education Session 4: Inter-regional Field Experiences on Curriculum Development for ICH Safeguarding
ICHCAP, in collaboration with UNESCO Bangkok Office, held the Intangible Cultural Heritage Webinar Series from June to August 2020 with a total of four sessions. The 23 speakers from 18 countries met with the public to grapple with alternative practices and emergent modes of delivery in various areas such as heritage education in the universities, networking amongst educational institutions for ICH safeguarding, development of ICH curricula in times of crisis, as well as inter-regional cooperation for cross-cultural instruction and learning.\n\nWhile the entire world is struggling with the impacts of the COVID-19, the ICH sector also has been hit hard by numerous public health measures such as the cancellation of major festivals and events, temporary shutdown of museums, and places of cultural activities, as well as the indefinite halting of formal and informal heritage transmission activities. How can ICH safeguarding and transmission thrive in the midst of an unprecedented pandemic, and what role can higher education institutions play to ensure the viability of living heritage in our times? ICHCAP organized this webinar series to answer these urgent questions that we all face today.\n\nIn the last session of the series on 12 August 2020, education experts from Uganda, Fiji, and Belgium were invited to discuss the development of ICH-related education modules and curricula; different contexts were discussed to show a multidimensional picture of how heritage education curriculum is drafted and implemented.\n\nPresentation1 Inter-regional Field Experiences on Curriculum Development for ICH Safeguarding: Experience from Uganda by Emily Drani, Executive Director, Cross Cultural Foundation of Uganda\nPresentation2 Strengthening Heritage Management Capacity in the Pacific Islands by Dr. Frances C. Koya Vaka’uta, Director, Oceania Centre for Arts, Culture and Pacific Studies, The University of the South Pacific\nPresentation3 From the Blue Book to a Blue Ocean Strategy in Higher Education by Dr. Marc Jacobs, Professor, University of Antwerp
South Korea 2020 -
ICH Webinar Series on Higher Education Session3: (Inter-)Regional Collaboration amongst Higher Education Institutions for ICH Safeguarding
ICHCAP, in collaboration with UNESCO Bangkok Office, held the Intangible Cultural Heritage Webinar Series from June to August 2020 with a total of four sessions. The 23 speakers from 18 countries met with the public to grapple with alternative practices and emergent modes of delivery in various areas such as heritage education in the universities, networking amongst educational institutions for ICH safeguarding, development of ICH curricula in times of crisis, as well as inter-regional cooperation for cross-cultural instruction and learning.\n\nWhile the entire world is struggling with the impacts of the COVID-19, the ICH sector also has been hit hard by numerous public health measures such as the cancellation of major festivals and events, temporary shutdown of museums, and places of cultural activities, as well as the indefinite halting of formal and informal heritage transmission activities. How can ICH safeguarding and transmission thrive in the midst of an unprecedented pandemic, and what role can higher education institutions play to ensure the viability of living heritage in our times? ICHCAP organized this webinar series to answer these urgent questions that we all face today.\n\nThe third session on 30 July 2020 was an opportunity for the participants, both the invited speakers and the audience, to have a better understanding of networking efforts amongst universities in Europe, Latin America, Africa, and the Asia-Pacific. This session, in particular, was a clearer call for inter-regional support and cooperation to push for cross-cultural demonstration of heritage education.\n\nPresentation1 Network of Higher Education Institutions for ICH Safeguarding in Europe by Dr. Cristina Ortega Nuere, Professor, University Oberta of Catalunya\nPresentation2 Network of Higher Education Institutions for ICH Safeguarding in Southern Africa by Dr. Jacob Mapara, Acting Director, Institute of Lifelong Learning and Development\nStudies, Chinhoyi University of Technology\nPresentation3 ReCAPCILAC: A Co-Construction Experience for ICH Safeguarding by Prof. Mónica Guariglio, National University of Avellaneda – UNDAV (Argentina)\nPresentation4 Network of Higher Education Institutions for Heritage Management and ICH Safeguarding in the Asia-Pacific by Injee Kim, Culture Programme Officer, UNESCO Bangkok Office
South Korea 2020
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Bringing Living Heritage to the Classroom in Asia-Pacific
Promote Transformative Education Through Integrating Living Heritage in Schools\n\nIntegrating living heritage in school teaching and learning can enhance education quality, enliven the experiences of students and teachers, and contribute to keeping this heritage alive for current and future generations. In addition, as the ongoing pandemic Covid-19 has also demonstrated, living heritage can play an important role in ensuring the well-being and resilience of the communities.\nUNESCO encourages countries to safeguard living heritage through formal and non-formal education. From the end of 2019 to early 2022, UNESCO has been working with partners to implement a pilot project “Teaching and Learning with Living Heritage in Schools” in six countries in Asia and the Pacific - including Cambodia, Kazakhstan, Kyrgyzstan, Nepal, Republic of Korea and Thailand. Over 1900 students from 21 schools had the opportunity to participate in these innovative classes. Throughout the process, 86 teachers, with more than two thirds being women, have developed and tested 101 lesson plans and activities.\nThis Resource Kit provides step-by-step guidance and key resources on why and how to integrate living heritage in lessons and extracurricular activities in schools. \nWhoever you are – policy-maker, school director, teacher, student, parent, heritage practitioner – you have a vital role to play in this process.
Kyrgyzstan,Cambodia,South Korea,Kazakhstan,Nepal,Thailand 2023 -
Bringing Living Heritage to the Classroom in Asia-Pacific (Khmer)
Promote Transformative Education Through Integrating Living Heritage in Schools\n\nIntegrating living heritage in school teaching and learning can enhance education quality, enliven the experiences of students and teachers, and contribute to keeping this heritage alive for current and future generations. In addition, as the ongoing pandemic Covid-19 has also demonstrated, living heritage can play an important role in ensuring the well-being and resilience of the communities.\nUNESCO encourages countries to safeguard living heritage through formal and non-formal education. From the end of 2019 to early 2022, UNESCO has been working with partners to implement a pilot project “Teaching and Learning with Living Heritage in Schools” in six countries in Asia and the Pacific - including Cambodia, Kazakhstan, Kyrgyzstan, Nepal, Republic of Korea and Thailand. Over 1900 students from 21 schools had the opportunity to participate in these innovative classes. Throughout the process, 86 teachers, with more than two thirds being women, have developed and tested 101 lesson plans and activities.\nThis Resource Kit provides step-by-step guidance and key resources on why and how to integrate living heritage in lessons and extracurricular activities in schools.\nWhoever you are – policy-maker, school director, teacher, student, parent, heritage practitioner – you have a vital role to play in this process.
Kyrgyzstan,Cambodia,South Korea,Kazakhstan,Nepal,Thailand 2023 -
Bringing Living Heritage to the Classroom in Asia-Pacific (Thai)
Promote Transformative Education Through Integrating Living Heritage in Schools\n\nIntegrating living heritage in school teaching and learning can enhance education quality, enliven the experiences of students and teachers, and contribute to keeping this heritage alive for current and future generations. In addition, as the ongoing pandemic Covid-19 has also demonstrated, living heritage can play an important role in ensuring the well-being and resilience of the communities.\nUNESCO encourages countries to safeguard living heritage through formal and non-formal education. From the end of 2019 to early 2022, UNESCO has been working with partners to implement a pilot project “Teaching and Learning with Living Heritage in Schools” in six countries in Asia and the Pacific - including Cambodia, Kazakhstan, Kyrgyzstan, Nepal, Republic of Korea and Thailand. Over 1900 students from 21 schools had the opportunity to participate in these innovative classes. Throughout the process, 86 teachers, with more than two thirds being women, have developed and tested 101 lesson plans and activities.\nThis Resource Kit provides step-by-step guidance and key resources on why and how to integrate living heritage in lessons and extracurricular activities in schools.\nWhoever you are – policy-maker, school director, teacher, student, parent, heritage practitioner – you have a vital role to play in this process.
Kyrgyzstan,Cambodia,South Korea,Kazakhstan,Nepal,Thailand 2023 -
Bringing Living Heritage to the Classroom in Asia-Pacific (Nepali)
Promote Transformative Education Through Integrating Living Heritage in Schools\n\nIntegrating living heritage in school teaching and learning can enhance education quality, enliven the experiences of students and teachers, and contribute to keeping this heritage alive for current and future generations. In addition, as the ongoing pandemic Covid-19 has also demonstrated, living heritage can play an important role in ensuring the well-being and resilience of the communities.\nUNESCO encourages countries to safeguard living heritage through formal and non-formal education. From the end of 2019 to early 2022, UNESCO has been working with partners to implement a pilot project “Teaching and Learning with Living Heritage in Schools” in six countries in Asia and the Pacific - including Cambodia, Kazakhstan, Kyrgyzstan, Nepal, Republic of Korea and Thailand. Over 1900 students from 21 schools had the opportunity to participate in these innovative classes. Throughout the process, 86 teachers, with more than two thirds being women, have developed and tested 101 lesson plans and activities.\nThis Resource Kit provides step-by-step guidance and key resources on why and how to integrate living heritage in lessons and extracurricular activities in schools. \nWhoever you are – policy-maker, school director, teacher, student, parent, heritage practitioner – you have a vital role to play in this process.
Kyrgyzstan,Cambodia,South Korea,Kazakhstan,Nepal,Thailand 2023
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Traditional Performing Arts in Times of a PandemicThe novel coronavirus fears have affected various sectors of the economy, politics, society, and culture. Notably, the cultural sector has been directly and substantially affected by the coronavirus crisis. Most of the public cultural facilities, including museums and art galleries, were temporarily shut down, and many cultural events and performances have been canceled or postponed due to the outbreak. The crisis has wreaked havoc on the performing arts industry. With measures taken to curb the spread of the coronavirus by preventing mass gatherings, concert halls, and theaters have been closed to help people avoid close contact with others.\n\nThe pandemic is also tough on traditional performing arts. It should be noted, however, how the performing arts community is trying to overcome this difficult time and use the crisis as an opportunity. They are looking for various ways to get through the health crisis. The National Gugak Center (https://www.youtube.com/user/gugak1951) and the Seoul Donhwamun Traditional Theater (https://www.youtube.com/channel/UCr2aWbG8Hz-EAl7cznvGO5Q), for example, are streaming live performances without audiences via Naver TV and YouTube. And several classical music companies around the world, including the Paris National Opera and the Bolshoi Ballet, are trying to bond with fans, using advanced technologies, by, for example, sharing videos of dancers practicing within the confines of a studio.\n\nLivestream performances provide audiences with virtual content they can partake in from home. Artists can have a live chat with viewers and be inspired to perform free improvisations, making audiences feel as if they were sitting in the front row. By using video technologies, online concerts offer audiences various views, unlike in-person theaters, where spectators can watch the stage from specific angles and distances. Livestream performances also enhance audience convenience. Viewers can enjoy great art while enjoying snacks and drinks from the comfort of their own homes. They can also talk to the people beside them and share their feelings with other audiences in real time while watching shows.\n\nHowever, there are some downsides. Audiences might find it difficult to concentrate on a performance when they experience it via screens and speakers. And although the latest technologies are used to deliver high-quality images and sounds, there are still limitations in bringing the full force of actual performances. This situation raises doubts about whether live streams can appeal to audiences with the same intensity that they might have in physical theaters.\n\nThe coronavirus pandemic has changed many aspects of life. It has also led to noticeable changes in the performing arts. Although there are still varying opinions about the audience’s absence, which is one of the most fundamental elements of performances, the recent proliferation of live streams can be considered a significant leap forward and have shown the possibility of further development.\n\nLivestreaming of traditional performances via online platforms is expected to play a significant role in lowering physical and emotional barriers and increasing accessibility to traditional culture, especially among young people who are more exposed to pop culture. Traditional performing arts will hopefully survive this crisis and come out of it stronger.\n\nPhoto : ‘Ogomu’ Traditional Performing Arts of Korea ⓒ Shutterstock/Jack Q.Year2020NationSouth Korea
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Discussion 4Moderator to Participants: If you will allow me, because of a shortage of time, one question can be applied to everybody. Mr. Park this question is related to the one I asked you. The issue is related to challenges and is related to artificial intelligence. Because as Mr. Kwon Huh mentioned earlier in his presentation that we have to continue networking both online and offline. And if we are talking about online networking, I think one of the possible challenges in front of us is artificial intelligence, which is coming to every site and from your point of view, what is the extent of artificial intelligence could be an essential tool for promoting this ICH Silk Roads network? To what extent do we have to consider? I know that Krista Pikkat was looking after a communications center, so she knows very well about artificial Intelligence, and she has many ideas on artificial intelligence. It is coming; it is coming everywhere already. So, my question to you, from your point of view, artificial intelligence and the Silk Roads network. What can be the challenges here and what would be your proposal?Year2020NationSouth Korea