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Manage No, Sortation, Country, Writer ,Date, Copyright Manage No EE00000012 Country Vietnam ICH Domain Performing Arts Social practices, rituals, festive events Address According to the inventory result of 2014, there are 1,376 people (870 males and 506 females) in 86 teams, groups and clubs practising Bài Chòi in nine provinces of Quảng Bình, Quảng Trị, Thừa Thiên Huế, Quảng Nam, Quảng Ngãi, Bình Định, Phú Yên, Khánh Hòa and Đà Nẵng. In Bình Định and Quảng Ngãi provinces, Bài Chòi has strongly developed with 37 clubs, 27 families and 106 folk artists practising Bài Chòi and these areas exert a large influence on the other seven provinces. The art of Bài Chòi exhibits three distinct music styles which are specific to three areas in Central Việt Nam. Bài Chòi tends to be: "slower" and more "simple" in the area of Quảng Bình, Quảng Trị and Thừa Thiên-Huế; "gentle", "lyrical" and "light and flowing" in Quảng Nam, Quảng Ngãi, and Đà Nẵng; and more "dramatic" in Bình Định, Phú Yên and Khánh Hòa. Year of Designation 2014

Description | Bài Chòi is a diverse art form combining music, poetry, stage acting, painting and literature. It takes two main forms: "Bài Chòi games" and "Bài Chòi performance". "Bài Chòi games" are played during Lunar New Year by Việt people of Central Việt Nam. To play Bài Chòi, nine or eleven bamboo huts are built in a U-shape within a temple yard or in a vacant ground. The hut placed at the bottom of the U shape is called "main hut" (chòi cái), and the game leaders, who can be either male or female, are called Hiệu artists. The game leader takes a card out of a tube of cards, and then sings for people to guess what the card is. This part is called "Hô Thai". Players buy three cards and wait in the hut. Anyone whose three cards match the cards sung by the Hiệu artists will be declared the winner and given the prize. A new session will then restart. "Bài Chòi performance", male and female Hiệu artists perform on a rattan mat. They either travel from place to place to perform, or otherwise are invited to play for private families, forming rattan-peforming or mobile Bài Chòi styles. A single artist may also perform "solo Bài Chòi". In this case, the artists performs a number of theatrical roles. For some artists, Bài Chòi performances are a mean of earning a living. Musical instruments accompanying Bài Chòi include the two-stringed fiddle, clappers, shawm and war drums. |
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Social and cultural significance | The art of Bài Chòi is an important form of culture and recreation within the village community, providing entertainment as well as a context for socialising and enjoyment of the arts. Through listening to Bài Chòi, members of the community have a chance to understand folklore and to share their feelings, knowledge and life experiences with each other. Bài Chòi stories include lessons on morality, compassion, as well as love for the village, nation and national unity. Bài Chòi performances are tragicomic, providing a humorous commentary on life in general and on bad habits, which enable audiences to both reflect and laugh. Bài Chòi activities provide a context for artistic creativity, while at the same time preserving the folk art, performing styles and cultural values of each region. The cultural and artistic elements in Bài Chòi, which include poetry, music, painting, language and customs, are naturally and simply transmitted to audiences in a way that easily grabs attention, becoming a popular and essential cultural activitiy in central of Việt Nam. The preparation and organisation of Bài Chòi performances brings people together artists and members of the community. This creates an opportunity for artists to exchange different performance styles, and connects Bài Chòi practitioners with each other and with their audiences. |
Transmission method | Most male and female Hiệu performers learn the folllowing skills within their family. People who play Bài Chòi have a deep knowledge of folk poetry and stories which they apply to their performances. Besides enriching their own individual knowledge of poems and stories, Bài Chòi artists thus also transmit this knowledge to the public through performances. People learn to play musical instruments through oral transmission. A wide range of performance skills are transmitted in this way including: the technical skills; methods to express complex feelings; and how to support other performers. Folk artists who specialise in playing music and singing also transmit Bài Chòi at clubs, schools and associations. The way to build and decorate huts, and to make cards, flags and bamboo percussion instruments are learnt by practising these techniques in villages. |
Community | The people who maintain, practise and transmit the art of Bài Chòi are: Hiệu artists, solo Bài Chòi performers, card-making folk artists, hut-making folk artists who participate in the Bài Chòi game. Male or female Hiệu artists have beautiful voices and know many folk melodies and stories. They are also talented at telling stories and improvising poems, and are humurous entertainers and performers. Notable performers of the art include Ms. Nguyễn Thị Đỉu, Ms. Lê Thị Ngảnh, Mr. Nguyễn Văn Đáng, Ms. Lê Thị Đào; Mr. Trần Rí; Ms. Trần Thị Hằng and Mr. Hồ Thanh Châu. Apart from practising Bài Chòi, performers are also responsible for: - Leading and conducting performances, creating a good quality game, and expressing the different styles of Bài Chòi which are found in the different regions; - Inspiring audiences to enjoy and develop a passion for learning and playing Bài hòi; - Conserving and promoting the literature and folk art of the Central Việt Nam for the benefit of people living locally and in other regions. In addition to performing Bài Chòi on a day-to-day basis, Bài Chòi folk artists thus also continuously transmit this heritage to the next generation through families, clubs and schools. |
Type of UNESCO List | Representative List of the Intangible Cultural Heritage of Humanity |
Incribed year in UNESCO List | 2017 |
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Vietnam National Institute Culture and Arts Studies (VICAS)
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EE00002607
The Art of Bài Chòi
Bài Chòi is a form of card playing with 32 cards in 9 huts made of bamboo and thatched roofs. 9 huts are built according to the eight trigram formation with 8 huts corresponding to the eight gates of Tàng, Tốn, Đoài, Cảm, Ly, Trống, Cống, Côn and 1 hut in the middle, called the middle hut. Bài Chòi is hosted in large, shaded spaces during festivals and from the first day of the New Year until the end of January. The celebration begins with ceremonies performed by the elderly and dignitaries in which they worship the land, the gods, and the tutelary god while offering prayers for a peaceful new year full of bountiful harvests and wealthy villages. Ms/Mr "Hiệu" is the leader and chairperson of the Bài Chòi festival, understands the rules of the game, is good at singing, and talented in dialogue. Players not only understand the rules of the game but also must know many proverbs and know how to sing folk songs. Bài Chòi art has four basic activities: playing - hitting - shouting - singing. These activities are supported by tools such as cards, bamboo tubes, chipmunks, war drums, adoring drums, small drums, flags, etc. The rules of the game are as follows: each card has 3 leaves, and each leaf is a letter. The main card is the Tam Cúc deck of 27 pairs. One half is put into the tube for the person to chant, and the other half will be divided into 9 huts, each hut includes 3 leaves. For each card drawn, the person who wins that card will shout. If they win 3 cards, they will be the winner.
Vietnam 2017 -
EE00002606
The Art of Bài Chòi
Bài Chòi is a typical cultural activity of people in the South Central region in general, and in Phu Yen in particular, taking place during holidays. The Bài Chòi Festival usually takes place from the first day of the New Year to the day the Ritual Pole is taken down, which is the seventh day of Tet. At the beginning of the festival, elders and officials in the village hold a ceremony to worship the God of agriculture, the Tutelary God, and Earth gods, etc., Bài Chòi Festival consists of 9, 11, or 13 high bamboo huts with stairs leading up for players to sit. Each hut has a bamboo tube to hold cards and a punch to type out announcements. There are many forms of building huts. First, there are nine huts constructed in the shape of an octagon, or eight trigrams. Second, construct the eleven huts in accordance with the cans. Third, construct one of the 13 huts based on the animal of the zodiac. The middle hut is reserved for elders and dignitaries; The remaining huts are chosen by the players. The bamboo stall is set up in the middle, opposite the middle hut, for the orchestra of the elders. On the stall, there is a tray inlaid with conch containing wine, betel, areca nut, and money to bring to offer whenever a hut wins. A card game will have the participation of the following characters: A signer is a person who can play a game of cards well, understands the rules, can dance and sing well, and has an improvisational flair. An individual who operates the request of the signal is known as a sign operator. The card player call the card's leg. Start, a sign distributor distributes cards to the huts; shouts the signal to shake the tube, draw a card, and shouts a sentence for the card players to guess; sign operator receives cards; The card players strike the bell; run the check mark and hand over the card to the player that guessed correctly; When a hut has three cards, the signal is given to beat the war drum and the adoring drum, and the orchestra pours in congratulations; Call to the winning hut to collect the main card and three small cards for presentation; Carrying a tray of prize money, betel and areca nuts, wine and prize flags and giving them to the player in the winning hut; shouted congratulatory songs; The signal operator collects all the cards in the remaining huts to prepare for the next play. If "Hiệu" calls a card that matches the card in the tube, the player knocks 3 times. When he reaches the game, meaning there are no cards in the tube, he knocks for a long time. The deck of playing cards includes 27 or 33 spleen cards and 9 or 11 small bamboo cards, painted or printed with simple names, such as Nhứt Nọc, Nhì Nghèo, Tam Quăng, Tứ Cẳng, Ba Gà, Bảy Thưa, etc., The deck is divided into 3 sections: the "văn" section, the "vạn" section, and the book section. Mr. "Hiệu" usually controls the game like an actor, has a strong voice, and can read or improvise witty sentences to respond to the name of the card being called. In addition to entertainment, Thai verses also have the effect of educating people about morality, personality, love for the homeland, love for couples, etc.
Vietnam 2017