VI00000969

- 탈춤을 추는 사람은 탈 쓰고 함께 ‘추는사람’이다. A masked dancer is someone who 'dances' with a mask on. - 탈춤을 추는 사람은 탈 난 것 들‘추는사람’이다. A masked dancer is someone who 'accents' what is wrong. - 탈춤을 추는 사람은 내리고, 올려 맞‘추는사람’이다. A masked dancer is someone who is 'enharmonic' with others. #1 정자 : 0:00:05 ~ 0:01:18 Gwanno Mask Theater of Gangneung : Jangjamari mask Andong Hwahoe Byeolsinguttalnori : I mae mask Yangju Byeolsandae Nori : Yeon ip mask Gangryeong mask dance : So mu mask #2 대청마루 : 0:01:18 ~ 0:03:33 Gwanno Mask Theater of Gangneung : Jangjamari mask Andong Hwahoe Byeolsinguttalnori : I mae mask Yangju Byeolsandae Nori : Yeon ip mask Gangryeong mask dance : So mu mask #3 나무숲 : 0:03:34 ~ 0:05:09 Gwanno Mask Theater of Gangneung : Sisittakttaki mask Andong Hwahoe Byeolsinguttalnori : Hal mi mask Yangju Byeolsandae Nori : Om jung mask Gangryeong mask dance : Hal mi mask #4 공연장 0:05:09 ~ 0:06:29 Gwanno Mask Theater of Gangneung : Sisittakttaki mask Andong Hwahoe Byeolsinguttalnori : Hal mi mask Yangju Byeolsandae Nori : Om jung mask Gangryeong mask dance : Hal mi mask #5 공연장 0:06:29 ~ 0:07:07 Gwanno Mask Theater of Gangneung : kim mun gyeom Andong Hwahoe Byeolsinguttalnori : Lee juwon Yangju Byeolsandae Nori : KIM JIHOON Gangryeong mask dance : Park insun [출연진] 천하제일탈공작소(The greatest masque) 김문겸 kim mun gyeom 이주원 Lee juwon 김지훈 KIM JIHOON 박인선 Park insun

07:18
Republic of Korea 2021

VI00000350

Katta Ashula (literally ‘big song’) is a type of traditional song that forms part of the identity of various peoples of the Ferghana Valley in Uzbekistan, which is also home to Tajiks, Uyghurs and Turks, and of some regions of Kyrgyzstan, Tajikistan and Kazakhstan. It covers a range of subjects, from love to philosophical and theological concepts of the universe and nature, while leaving some room for improvisation. Transmitted orally from master to pupil from one generation to another during a demanding apprenticeship, it is interpreted by a minimum of two and a maximum of five singers. It is incribed in the UNESCO Representative List of Humanity in 2009.

06:03
Uzbekistan 2017

VI00000349

Katta Ashula (literally ‘big song’) is a type of traditional song that forms part of the identity of various peoples of the Ferghana Valley in Uzbekistan, which is also home to Tajiks, Uyghurs and Turks, and of some regions of Kyrgyzstan, Tajikistan and Kazakhstan. It covers a range of subjects, from love to philosophical and theological concepts of the universe and nature, while leaving some room for improvisation. Transmitted orally from master to pupil from one generation to another during a demanding apprenticeship, it is interpreted by a minimum of two and a maximum of five singers. It is incribed in the UNESCO Representative List of Humanity in 2009.

03:17
Uzbekistan 2017

VI00000348

Chorgokh was made in the Middle Ages, and the song tells the story that Allah is great and unique. Katta Ashula (literally ‘big song’) is a type of traditional song that forms part of the identity of various peoples of the Ferghana Valley in Uzbekistan, which is also home to Tajiks, Uyghurs and Turks, and of some regions of Kyrgyzstan, Tajikistan and Kazakhstan. It covers a range of subjects, from love to philosophical and theological concepts of the universe and nature, while leaving some room for improvisation. Transmitted orally from master to pupil from one generation to another during a demanding apprenticeship, it is interpreted by a minimum of two and a maximum of five singers. It is incribed in the UNESCO Representative List of Humanity in 2009.

07:53
Uzbekistan 2017

VI00000347

Gulbahor va tanovar is a song played only by folk instruments. It consists of two movements, Gulbahor (meaning flowers and spring) and Tanovar (meaning courage and strength).

05:31
Uzbekistan 2017

VI00000346

This is instrumental Shashmaqam that sings for Allah. Shashmaqam (means the six Maqams (modes)) is a Central Asian musical genre (typical of Tajikistan and Uzbekistan) which firstly developed in Bukhara. Shashmaqom (in Farsi - "Six maqoms") is a leading musical-cyclic genre of musical heritage of Uzbek and Tajik people. It includes a cycle of complex and perfect instrumental as well as vocal compositions encompassing different types of melos, forms, usuls (rhythmic formulae) and performances. It is inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008.

05:22
Uzbekistan 2016

VI00000345

It shows making Sumalak in Nowruz holiday. Sumalak is a long-term heating of rye buds. It tastes sweet like grain syrup, and the villagers cooperate to make it and share it.

07:39
Tajikistan 2017

VI00000344

Nuri Khujand, an ensemble from the Academy of Shashmaqam of the Republic of Tajikistan is playing Shashmaqam. Shashmaqam (means the six Maqams (modes)) is a Central Asian musical genre (typical of Tajikistan and Uzbekistan) which firstly developed in Bukhara. Shashmaqom (in Farsi - "Six maqoms") is a leading musical-cyclic genre of musical heritage of Uzbek and Tajik people. It includes a cycle of complex and perfect instrumental as well as vocal compositions encompassing different types of melos, forms, usuls (rhythmic formulae) and performances. It is inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008.

05:48
Tajikistan 2016

VI00000343

Nuri Khujand, an ensemble from the Academy of Shashmaqam of the Republic of Tajikistan is playing Shashmaqam. Shashmaqam (means the six Maqams (modes)) is a Central Asian musical genre (typical of Tajikistan and Uzbekistan) which firstly developed in Bukhara. Shashmaqom (in Farsi - "Six maqoms") is a leading musical-cyclic genre of musical heritage of Uzbek and Tajik people. It includes a cycle of complex and perfect instrumental as well as vocal compositions encompassing different types of melos, forms, usuls (rhythmic formulae) and performances. It is inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008.

04:52
Tajikistan 2016

VI00000342

Nuri Khujand, an ensemble from the Academy of Shashmaqam of the Republic of Tajikistan is playing Shashmaqam. Shashmaqam (means the six Maqams (modes)) is a Central Asian musical genre (typical of Tajikistan and Uzbekistan) which firstly developed in Bukhara. Shashmaqom (in Farsi - "Six maqoms") is a leading musical-cyclic genre of musical heritage of Uzbek and Tajik people. It includes a cycle of complex and perfect instrumental as well as vocal compositions encompassing different types of melos, forms, usuls (rhythmic formulae) and performances. It is inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008.

04:15
Tajikistan 2016

VI00000340

Nuri Khujand, an ensemble from the Academy of Shashmaqam of the Republic of Tajikistan is playing a song. Shashmaqam (means the six Maqams (modes)) is a Central Asian musical genre (typical of Tajikistan and Uzbekistan) which firstly developed in Bukhara. Shashmaqom (in Farsi - "Six maqoms") is a leading musical-cyclic genre of musical heritage of Uzbek and Tajik people. It includes a cycle of complex and perfect instrumental as well as vocal compositions encompassing different types of melos, forms, usuls (rhythmic formulae) and performances. It is inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008.

04:00
Tajikistan 2016

VI00000339

Zulfi Pareshon is a traditional song of Tajikistan that sings the love story between lovers with lyrics written by Mirza Abdul-Qadir Bedil. Shashmaqam (means the six Maqams (modes)) is a Central Asian musical genre (typical of Tajikistan and Uzbekistan) which firstly developed in Bukhara. Shashmaqom (in Farsi - "Six maqoms") is a leading musical-cyclic genre of musical heritage of Uzbek and Tajik people. It includes a cycle of complex and perfect instrumental as well as vocal compositions encompassing different types of melos, forms, usuls (rhythmic formulae) and performances. It is inscribed in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2008.

04:05
Tajikistan 2016