Experience in Preserving the Traditions of Doira Performance in Uzbekistan
  • Manage No, Sortation, Country, Writer ,Date, Copyright
    Manage No EE00002831
    Country Uzbekistan
    ICH Domain Performing Arts
    Address All regions of Uzbekistan, with strong traditions in Samarkand, Bukhara, Khorezm, Fergana Valley, and Tashkent.
    Year of Designation 2023
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Description The tradition of doira performance in Uzbekistan is an integral part of the nation’s musical heritage and identity. The doira is a circular frame drum made from a wooden rim covered with leather, often fitted with metal rings or jingles. It produces a wide range of tones and rhythmic effects, serving as both a solo and accompanying instrument. In Uzbek culture, doira is played in various contexts: to accompany classical music genres such as maqom and ashula, at weddings and festive gatherings, and as a key rhythmic foundation in folk dances. Master performers develop a deep understanding of usul (rhythmic cycles), improvisation, and expressive performance techniques. Beyond its musical role, the doira represents the artistry, craftsmanship, and communal traditions of Uzbekistan, uniting people in celebration and cultural expression.
Social and cultural significance The doira is central to Uzbekistan’s musical and social life. It provides the rhythmic pulse for dances, folk songs, and theatrical performances. At weddings, navro‘z celebrations, and other community events, its sound brings people together, encouraging participation and joy. The tradition also strengthens intergenerational connections, as older masters teach younger players. Doira music reflects the diverse influences in Uzbek culture, linking it to wider Central Asian and Middle Eastern rhythmic traditions while maintaining a distinct national style.
Transmission method Doira performance is traditionally passed down through the ustoz–shogird (master–apprentice) system. Learners develop their skills by observing and imitating their teachers during rehearsals, ceremonies, and concerts. In recent decades, music schools, universities, and cultural centers have introduced formal training programs in doira playing. Additionally, festivals such as “Sharq Taronalari” and national competitions have played an important role in preserving and revitalizing the tradition.
Community Professional musicians, folk music ensembles, traditional music teachers, students of art schools, rural cultural workers, and amateur performers.
Keyword
Information source
Republican Scientific-Methodical Center for Organization of Culture Institutions Activity
http://www.folklore.uz

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