The Commonality and Diversity: For the Asian Values of Lacquer Crafts Culture and Its Safeguarding Strategies
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BAE, Ki-dong, Professor Emeritus, Hanyang University
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History and Transmission of Korean Lacquer Crafts
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Jaeho Lee, National Museum of Korea, Art Department Curator
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Urushi Lacquer in Japan: Restoration of Cultural Properties and the Current State of Urushi Production
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Yuji Yonehara, Director, Center for Innovation in Traditional Industries Kyoto Seika University
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Vietnam Lacquer Painting: A Link Between Oriental Lacquer Crafts Tradition and Western Plastic Art Value
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Trieu Khanh Tien, Deputy Dean of Painting Faculty, Vietnam University of Fine Arts
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Myanmar Laquerware and Its Prospects
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Kyaw Swe Nyunt, Professor, History Department, Mandalay University
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Lacquer Work in the Maldives: The Best Surviving Craftmanship from Early Days
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Zaha Ahmed, Architect, National Centre for Cultural Heritage at Ministry of Arts Culture & Heritage
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Shared Heritage in the Asia-Pacific Region: Focusing on UNESCO’s Multinational Inscription
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Nguyen Thi Hien, Vice Director, Viet Nam National Institute of Culture and Arts Studies
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Foods, Roots, and Routes: Gendering Memory in the Age of Displacement
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Khatharya Um, Associate Professor, University of California, Berkeley
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Shared Heritage of India and Pakistan: A Case of Gujharat and Ajrakh
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Aanchal Mehta, Jyoti Shukla, Teena Dhabale, Centre for Heritage Management, Ahmedabad University, India
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Indigenous/Local Knowledge, Anitism, and Sustainable Development: Challenges and Interventions in Preservation of Indigenous Rights and Knowledge Systems and Practices (IKSPs)
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Bobby dG. Lopez, PhD Researcher, University of the Philippines, Diliman
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The Universality and Distinctiveness of East Asian Printing Techniques
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Kim Bang Ul, Researcher, Korean National University of Cultural Heritage
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Sharing, Sustaining, and Safeguarding to the ICH of East Asian Seasonal Festival
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Xiao Fang, Xu Qian, and Huo Wen, Beijing Normal University
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