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Manage No DI00001450 Country Republic of Korea Author ICHCAP, KF ASEAN Culture House Published Year 2023 Language English Copyright Attach File Preview (ENG)
Description | Talchum, the Korean mask dance, is a unique art form that combines Korean history, tradition, faith, and folk elements. Talchum satirizes the lives of ordinary people and yangban, the aristocratic class. The Tal (mask), which depicts characters in the stories, implies characteristics and meanings of each region. In this section, thirteen mask dance dramas of the Republic of Korea inscribed on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2022 are introduced. |
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Songpa Sandae Nori (Mask Dance Drama of Songpa)
[National Intangible Cultural Heritage, Republic of Korea] Sandae Nori refers to a mask dance performed in the central region of Korea. It is part of Sandae Dogamgeuk, which used to be performed in Seoul and Gyeonggi-do. It is composed of dances, pantomime, and gags, and is performed on the lunar calendar dates of Daeboreum (January 15), Dano (May 5), Baekjung (July 15), and Chuseok (August 15). Songpa was a commercial center of Gyeonggi-do. It is said that the play was frequently performed at the time Songpa Market reached its prime about 200 years ago and has continued to develop and to be one handed down to the present day. The play is composed of seven acts. Prior to the commencement of the play, members of the troupe march, playing music, to the site of performance to entertain spectators along the way. The overall composition, dances, and masks used are similar to those of Yangju Byeonsandae Nori (Mask Dance Drama of Yangju), but certain masks, dances, and characters distinguish it from the other. In Songpa Sandae Nori, 33 masks made of gourd, pine skin, and paper are used.
Republic of Korea -
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Tongyeong Ogwangdae (Mask Dance Drama of Tongyeong)
[National Intangible Cultural Heritage, Republic of Korea] Ogwangdae refers to a form of traditional folk performance developed in the southern part of Korea including Tongyeong, hence the name Tongyeong Ogwangdae. Initially, Tongyeong Ogwangdae was performed on the eve of the Daeboreum (full moon of the 15th day of the first lunar month), but it gradually came to be performed on other festive days in spring and autumn. Some specialists claim that Tongyeong Ogwangdae originated from a form developed in Changwon Ogwangdae (Mask Dance Drama of Changwon) about a century ago - either by a group of local entertainers or Yi Hwa-seon, an Ogwandae player who moved from Changwon to Tongyeong. Each performance of Tongyeong Ogwangdae is composed of five episodes in which a total of 31 players play diverse characters by donning masks intended to represent them, including Leper, Malttugi, First Yangban, Second Yangban, Hongbaek Yangban, Faltering Yangban, Pockmarked Yangban, Black Yangban, Jorijung, Eight Heavenly Maids, Yeongno, Yeongnong Yangban, Halmi, Jeja Gaksi, Sangjwa, Blind Man, Sangju, Hunter, Mongdori, Lion, and Dambi. Each episode is focused on the complicated relationships between commoners and their views on Korean society and the ruling class. The words exchanged between the characters are typically barbed with sharp satire, effectively mocking the absurdity and hypocrisy of Confucian aristocrats and Buddhist monks. Tongyeong Ogwangdae is also famous for some of its dances, and most particularly the Leper’s Dance, which convincingly expresses the bitter life of a leper, and is also the only Ogwangdae troupe to present the Lion Dance during its performance. Tongyeong Ogwangdae is inscribed on Korea’s list of Important Intangible Cultural Heritages.
Republic of Korea
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Andong Hahoe Byeolshin Gut Tal Game
Show the excellence of Korean traditional culture to the world and promoting talchum to broader audience
Republic of Korea -
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Andong Hahoe Byeolshin Gut Tal Game
Show the excellence of Korean traditional culture to the world and promoting talchum to broader audience
Republic of Korea -
PI00007548
Gangneung Danoje Festival
The annual Gangneung Danoje Festival takes place in the town of Gangneung and its surroundings, situated east of the Taebaek Mountain Range on the Korean peninsula.The festival includes a shamanistic ritual on the Daegwallyeong Ridge, which pays tribute to the mountain deity and male and female tutelary deities. It encompasses traditional music and Odokddegi folk songs, the Gwanno mask drama, oral narrative poetry, and various popular pastimes. The Nanjang market, Korea’s largest outdoor marketplace, is today a major element of the festival, where local products and handicrafts are sold and contests, games and circus performances take place. The four-week long festival begins with the brewing of a sacred liquor and the Dano shamanistic rituals, in which a central role is played by a sacred tree, the sinmok, and the hwagae, a ritual object made of feathers, bells and bamboo wood. One of the specific features of the festival is the coexistence of Confucian, shamanistic and Buddhist rituals. Through the rituals devoted to the deities, the region is believed to remain unaffected by natural disasters, allowing all its residents to live in peace and prosperity.
Republic of Korea