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Indonesian Batik marks_1
  • Manage No, Sortation, Country, Writer ,Date, Copyright
    Manage No EE00000086
    Country Indonesia
    ICH Domain Oral traditions and representations Social practices, rituals, festive events Traditional craft skills
    Address
    Indonesian Batik in its sophisticated form has been in Java and some other areas since at least the early 19th Century. Since the mid-1980s, batik culture has spread to many more provinces outside Java as follows: (23 Provinces of Indonesia) NAD (Aceh), Riau, W. Sumatra, Jambi, Bengkulu, S. Sumatra, Lampung, Banten ,DKIJakarta, W. Java, C. Java, DI Yogya, E. Java, Bali, S.Sulawesi, C.Sulawesin, S.Kalimantan, W.Kalimantan, C.Kalimantan, E.Kalimantan, Maluku, Papua, N. Sumatran
Description Traditional handcrafted textile rich in intangible cultural values, passed down for generations in Java and elsewhere since early 19th Century (Ref. Siksakanda, 1517AD), more widely since mid-1980s. all the steps in the making of batik are carried out by hand. The tools used to make batik are also made by hand. Firstly, the cloth must be washed, soaked and beaten with a large mallet. A pattern is drawn and dots and lines of hot wax are then applied to one or both sides of the cloth using a pen-like instrument called canthing tulis (direngsi/ngrengrengi). Alternatively there is the process of applying the hot wax to the cloth using stamps called canthing cap made of copper. The wax functions as a dye-resist. After this, the cloth is dipped in a dye bath containing the first colour. After the cloth is dry, the wax is removed by scraping or boiling the cloth (dilorod). This process is repeated as many times as the number of colours desired. For larger cloth, the wax is applied using a tool called tonyok (nemboki/mopoki). The details of the process vary between different areas. Batik patterns and motifs possess deep symbolism related to social status, local community, nature, history and cultural heritage. Expectant mothers wear batik; babies are carried in batik slings and touch batik with their feet when they first touch the ground; brides, marriage couples and family members wear batik; even corpses are covered with batik: all with appropriate patterns and motifs. Traditional dress includes batik, Batiks are collected and passed down as family heirlooms, each being a work of art with its own story. Batik craftspersons would fast and pray before making batik while meditating accompanied by traditional songs. It takes several days to make a hand-stamped batik, and at least 1 month to 1 year to complete a hand-drawn batik.
Social and cultural significance Batik is a part of traditional and daily dress in many areas of Indonesia and thus a part of the cultural identity of those areas. Batik culture clearly promotes cultural diversity, culture based industry and human creativity, keeping symbolic and cultural values in mind. Indonesian Batik is clearly much more than a functional textile with a pretty pattern. The batik community along with groups and individuals involved have experienced that batik is a vehicle for cultural dialogue and exchange of ideas which promotes mutual respect. For example, the Paguyuban Pecinta Batik Sekar Jagad Batik Lovers’ Association, active in Yogyakarta and Central Java, has been holding monthly meetings for the past 9 years. The UNESCO has encouraged the Indonesian batik community to declare an Indonesian Batik Community Forum to facilitate communication and collaboration among the batik community.
Transmission method Surveys among the batik communities indicate that many of the members have been involved in batik culture for many generations—in some cases for 3 or 4 generations or more. Liem Poo Hien (40) from Pekalongan, is the 4th generation in her family carrying on the making of traditional batik begun by her great grandfather, Oey Kie Boen. Naomi from Lasem in E. Java is the fourth generation in her family making batik in the local tradition from her great grandfather, Ong Yok Thay. Sarminem, Minul and Sri from Paseban village, Klaten, C. Java, and Harsiem, Suradiem, Ngatisem dan Samiem from Imogiri who make batik in the palace of the Sultan of Yogyakarta, learned the art of batik by seeing and hearing from others. Runisi (25yrs) and Joko (24yrs) from Cirebon, and Atmadiarjo (65yrs) Cipto Wiji Kayona (80yrs) and Warsilah (60yrs) from Banyusumurup Village, Imogiri, Bantul DIY, admitted that they learned the art of batik from their parents, Many batik craftspersons admitted that their children liked to learn to make batik and were interested to become batik craftspersons. Recently batik has begun to be taught in schools; however, the majority of batik culture is still learning it as an oral tradition.
Community The Indonesian Batik community consists of: Hand drawn/ hand stamped batik craftspersons, dyers , tool makers, pattern drawers, experts, institutions, batik museum managers, designers, artists, teachers, natural dye makers, hobbyists, batik lovers, collectors, merchants, culture custodians, batik association members, government officials related to batik, etc.. The batik community is very large, numbering at least hundreds of thousands according to data from the Directorate General of Small and Medium Enterprises, spread over 18 Provinces. We have therefore sought the participation of and collected data from some members from each of these elements of the community in the following areas which have significant concentrations of batik culture: DKI Jakarta, Cirebon, Madura, Pekalongan, Surakarta, Yogyakarta. Our information about batik in other areas has been collected from culture experts and written source materials
Type of UNESCO List Representative List of the Intangible Cultural Heritage of Humanity
Incribed year in UNESCO List 2009

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