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Manage No PI00004422 Country Vietnam Year 20211030 ICH Domain Performing Arts

Description | Characters from the play "San Hau" (Vietnamese Hat Boi) | ||
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Photographer | Giang Pham | ||
Place | Ho Chi Minh city | File Size | 21.5 MB |
Definition | 5760x3840 | File Format | JPG |
Copyright | Cultura Fish | ICHCAP |
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PI00007813
Hat boi in Miniature(Miniature of Traditional Stage in Dinh Communal House)
This miniature stage recreates the traditional Hat boi stage, known as ‘Vo ca’, built inside a village communal house ‘Dinh’. The Hat boi characters are made with ‘To he’ techniques and materials. To he is a traditional Vietnamese toy that can be a reproduction of animals, flowers, or characters in folk tales made using glutinous rice flour, and is usually made for children during holidays such as Vietnamese New Year and Mid-Autumn Festival. Hát bội performances take place during the kỳ yên village festival at the communal house, especially in central and southern Vietnam. The model is made after a võ ca traditional stage built inside the communal house in the Mekong Delta, where hát bội is performed to praise for the village's guardian spirit and to entertain villagers. The model, set as a contextual display as a background for the miniature hát bội characters, is to provide the audience an image of how a traditional hát bội stage in a traditional Southern communal house. A number of characters, such as antagonists Tạ Ôn Đình and Khương Linh Tá will be placed in the middle as if they are in battle to set a scene of a famous play San Hậu. The remaining characters will be placed on both sides of the stages. Text labels will be provided to explain the characters, the stage and the scene of Tạ Ôn Đình fighting with Khương Linh Tá
Vietnam 2023 -
PI00007815
Hat boi in Miniature(Miniature of Traditional Stage in Dinh Communal House)
This miniature stage recreates the traditional Hat boi stage, known as ‘Vo ca’, built inside a village communal house ‘Dinh’. The Hat boi characters are made with ‘To he’ techniques and materials. To he is a traditional Vietnamese toy that can be a reproduction of animals, flowers, or characters in folk tales made using glutinous rice flour, and is usually made for children during holidays such as Vietnamese New Year and Mid-Autumn Festival. Hát bội performances take place during the kỳ yên village festival at the communal house, especially in central and southern Vietnam. The model is made after a võ ca traditional stage built inside the communal house in the Mekong Delta, where hát bội is performed to praise for the village's guardian spirit and to entertain villagers. The model, set as a contextual display as a background for the miniature hát bội characters, is to provide the audience an image of how a traditional hát bội stage in a traditional Southern communal house. A number of characters, such as antagonists Tạ Ôn Đình and Khương Linh Tá will be placed in the middle as if they are in battle to set a scene of a famous play San Hậu. The remaining characters will be placed on both sides of the stages. Text labels will be provided to explain the characters, the stage and the scene of Tạ Ôn Đình fighting with Khương Linh Tá
Vietnam 2023 -
PI00007817
Hat boi in Miniature(Miniature of Traditional Stage in Dinh Communal House)
This miniature stage recreates the traditional Hat boi stage, known as ‘Vo ca’, built inside a village communal house ‘Dinh’. The Hat boi characters are made with ‘To he’ techniques and materials. To he is a traditional Vietnamese toy that can be a reproduction of animals, flowers, or characters in folk tales made using glutinous rice flour, and is usually made for children during holidays such as Vietnamese New Year and Mid-Autumn Festival. Hát bội performances take place during the kỳ yên village festival at the communal house, especially in central and southern Vietnam. The model is made after a võ ca traditional stage built inside the communal house in the Mekong Delta, where hát bội is performed to praise for the village's guardian spirit and to entertain villagers. The model, set as a contextual display as a background for the miniature hát bội characters, is to provide the audience an image of how a traditional hát bội stage in a traditional Southern communal house. A number of characters, such as antagonists Tạ Ôn Đình and Khương Linh Tá will be placed in the middle as if they are in battle to set a scene of a famous play San Hậu. The remaining characters will be placed on both sides of the stages. Text labels will be provided to explain the characters, the stage and the scene of Tạ Ôn Đình fighting with Khương Linh Tá
Vietnam 2023 -
PI00007814
Hat boi in Miniature(Miniature of Traditional Stage in Dinh Communal House)
This miniature stage recreates the traditional Hat boi stage, known as ‘Vo ca’, built inside a village communal house ‘Dinh’. The Hat boi characters are made with ‘To he’ techniques and materials. To he is a traditional Vietnamese toy that can be a reproduction of animals, flowers, or characters in folk tales made using glutinous rice flour, and is usually made for children during holidays such as Vietnamese New Year and Mid-Autumn Festival. Hát bội performances take place during the kỳ yên village festival at the communal house, especially in central and southern Vietnam. The model is made after a võ ca traditional stage built inside the communal house in the Mekong Delta, where hát bội is performed to praise for the village's guardian spirit and to entertain villagers. The model, set as a contextual display as a background for the miniature hát bội characters, is to provide the audience an image of how a traditional hát bội stage in a traditional Southern communal house. A number of characters, such as antagonists Tạ Ôn Đình and Khương Linh Tá will be placed in the middle as if they are in battle to set a scene of a famous play San Hậu. The remaining characters will be placed on both sides of the stages. Text labels will be provided to explain the characters, the stage and the scene of Tạ Ôn Đình fighting with Khương Linh Tá
Vietnam 2023
Videos
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VI00000168
THE ART OF MASKS MAKING - UP IN HAT BOI
As a UNESCO category 2 center, ICHCAP organized the youth ICH storytelling contest with the aim to support ICH safeguarding activities of young practitioners. Youth practitioners play an essential role, as ICH relies on direct transmission among community members. Their activities and involvement will hopefully contribute to raising awareness of ICH worth protecting. The story below won the Grand Prize of the 2019 Asia-Pacific Youth ICH Storytelling Contest. --------------------------------- The Hát Bội is Vietnamese intangible traditional performing art which has taken shape, developed during Vietnam history and is still preserved. The Hát Bội is form of traditonal opera which has a 500 old year long history of development in Vietnam. It contains features close to the culture in many other countries in Asia. My name is Anh Quan, I am sophomore of The Ho Chi Minh City University of Culture in Vietnam. When I started in junior high school, I had opportunity to study and enjoy The Hát Bội. These images, stage, eyes, gestures of The Hát Bội are so excited. But I strongly impress by artists’ face. This emotion is always with me in my thoughts. When I have been a student. Immediately, I go to The Ho Chi Minh city Hát Bội Theater to learn more about this art. Hát Bội relies on the principles of symbolization and stylization. These principles prodoundly influence Hát Bội typical dance/ gesture and makeup by which Hát Bội in distinguished from other traditional performing arts. Being the essences of Hát Bội, gesture and dance are perfomrmed based on several rules of symbolization and stylization with the aim of sophisticatedly expressing the feeling and emotion of characters and other implications of plays. These artists of Hát Bội have to understand very well about principles of symbolization and stylization and when they makeup and. Makeup is definitely the outward essence Hát Bội indicate the specific and personality of every character. The articial materials for making-up a disguise includes as followings: Multi-colours-lipsitcks, powder in multi-colors, the balckening-wax or the ash-like-black powder, the zinc-powder in golden-red– a mixture of the deep-red and golden powder, powder in blue, in green, and in yellow. With many special kinds of professional tools, such as: Tooth sticks, fingernail like kinife flat which look like a spoon – flat and made of wood. I observe artists makeup , I dream that i can makeup like them. I want to pursue my dream of being one of characters of Hát Bội. With the help of Thanh Bình Artist, I have fulfilled my dream. I feel virtuosity, sophistication and passion of Thanh Binh Artist when he makeup for me. The face painting in an original feature in Hát Bội as well as in some forms of opera in Southeast Asia .The make-up in Hát Bội ( chiefly for male personages , rarely for female ones) includes three main parts : painting the complexion, drawing lines on the face and pasting false beards. There is nothing called the realistic things to identify but absolutely living - symbols in the art of the Hát Bội with its speical ways of disguiting for whole characters at all. Looking at the face makeup, the audiences can understand wether a character is good or bad, loyal or disloyal, etc. Below are some basic colour used in Hát Bội makeupnRed: Loyal, unyielding personnWhite: artful flatterernGreen: intelligent person or person with venturesome spirit or short lifenYellow: gentle and virtuous personnBlack: Furious and vigorous personnThat is the dialectics of the art of theatrical masks attained by masterly (mask makers, makeup, artist). nThe above special things may be generally get a common concept for us all to comprehend some intersted – things in many kinds of the characters and characteristics in traditional culture and art of the Hát Bội. The Hát Bội has any characters. Currently, plays of Hát Bội are mainly performed at the temple (or shrine). The young generation do not strongly like the traditional art include The Hát Bội. Few young people are passionate about traditional art, this situation make the training for young people quite so difficult. For make youth generation learn more about The Hát Bội. Over the past years, The Ho Chi Minh city Hát Bội Theater has organized program called “The school stage” to introduce The Hát Bội to pupils and students. This program around the content: history of formation and development of The Hát Bội, dance, and makeup art. Besides that, performance of historical topics, excerpts about children to raise patriotism, hope students have the opportunity to learn more about The Hát Bội. I think this working is very well for young people. That thing will make me and young people will love and have positive emotion with the traditonal stage. I hope The Ho Chi Minh city Hát Bội Theater always create other program to performance for community. To get deeply understanding about Hát Bội, warmly welcome to The Ho Chi Minh city Hát Bội Theater – Vietnam. I am so happy when I have chance to get experience and share excited valid content of The Hát Bội for every body. Vietnam also has so many traditonal arts. The Hát Bội is one of them. For protecting and delivering The Hát Bội, I think the young generation have to focus on studing intangible culture of country. I aslo contribute a little working for do that. I hope other young person will do that like me. I am going to keep my passion to learn more about traditonal of Vietnam also the other coutries over the world. Vietnam - a friendly destinaton always warmly welcome all of you, we have so many stories to talk with you. When you meet me together, I am going to “play” the Hát Bội for you. Because I really become “an actor” of The Hát Bội by my heart in my dream.
00:05:00
Vietnam 2019 -
VI00000351
Types of Vietnamese's Hát bội(Hat Boi) characters - A quick guide
“Hát bội” is a traditional performance art in Vietnam, it has a rich historical foundation, and quite an influence to the community. The stage of Hát Bội also consists of Viet aesthetic values, reflecting the life, stories, and aspirations of the Vietnamese. Hát bội characters contain a fine selection of multiple human characteristics. With those qualities - every plot, every movement, technique and performing elements are conveyed in a holistic sense. Let's learn about the details of each character type so we can fully appreciate this traditional art form. Check out ichlinks.com to learn more about Hat boi essential types of characters. Credit: Produced in ICHCAP - Cultura Fish (Hiếu Văn Ngư) partnership. Content development: Vuong Hoai Lam (Researcher), Luc Pham Quynh Nhi (Coordinator, editor), Ha Hoang Minh Trang (Translator) Contributors : - Cultura Fish team: Ha Thuc Duc Tung, Nguyen Le Thanh Thao, Nguyen Le Nhat Anh, Tran Thi Minh Thuy - Ho Chi Minh city Theatre of Hat boi: Vu Ho Hoang Vu, Ha Tri Nhon, Linh Hien, Bao Chau, Hoang Tuan, Thanh Binh, Dong Ho, Kieu My, Anh Thi, Ngoc Giau, Thanh Trang, Hoang Ha, Huu Danh, Linh Phuoc, Nguyen Tuan, Minh Khuong, Ngo van Tong, Nguyen Van Do, Ho Tuan Dung, Le Minh Tan, Tran Thanh Hung, Nguyen Tran Thanh Tuan. Production: Cao Trung Thao and Pham Anh Nguyet Photo by Giang Pham
00:12:12
Vietnam 2021
Article
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DI00000414
THE ART OF MASKS AND MAKEUP IN HAT BOI
Hat boi is a Vietnamese intangible traditional performing art that has taken shape and developed during Vietnam’s history and is still preserved. It is form of traditional opera which has a five-hundrend-year-old history. It contains features close to the cultures of many other countries in Asia.
Anh Quan Student, Ho Chi Minh City University of Culture, Vietnam 2019 -
DI00001308
Bringing the Stories of Vietnam to the World
Globalization, the age of information, and a prime era of technology where cultures and meanings collide—it is strange how we often find ourselves disorientated with it all, the local versus the global, the familiar versus the foreign. Just so, the narrative surrounding Vietnam has quite a “foreign” presence among the international audience, and even domestically to some degree. The first images people think of when it comes to Vietnam are perhaps the war, or maybe they’d focus on the cuisine and natural scenery thanks to the effort of tourism footage in more recent years. The image is either of the country’s trauma-bound identity or a paradise land of amazing landscapes. While not entirely wrong, those narratives don’t fully reflect the complexity of a Vietnam that was, is, and will be. Telling a diverse and complex Vietnamese story in an honest and caring manner is one of the goals of Cultura Fish; it’s a direct result of our very lived experiences of interacting with our peers from across the globe and within the country.
Ha, Hoang Minh Trang (English Interpreter and Translator, Cultura Fish), Vuong, Hoai Lam (Lead of Cultural Research, Cultura Fish), Luc, Pham Quynh Nhi (Project Coordinator, Cultura Fish) 2022