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Manage No DI00000414 Country Republic of Korea Author 응유옌 안 콴, 학생, 베트남 호치민문화대학교 Published Year 2019 Language Korean Copyright Attach File View (KOR)

Description | 나는 안 콴(Anh Quan)이며, 베트남 호치민 시립문화대학교 2학년에 재학 중이다. 내가 중학교에 다닐 때 핫 보이(Hat Boi)를 공부하고 즐길 수 있는 기회가 있었다. 핫 보이의 이미지, 무대, 눈 그리고 동작은 매우 흥미로운 것이었다. 하지만 내가 강한 인상을 받았던 것은 바로 예술가의 얼굴이었다. 그때 가졌던 감정은 아직 까지 내 머리 속에서 떠나지 않고 있다. |
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PI00004214
Chung Vô Diệm (played by Ngọc Giàu)-01_Hat Boi
Mô hình “đào võ” có hóa trang lên mặt, khí phách phi phàm. (Brawny “đào" motif with a proud appearance and assertive aura.)
Vietnam 2021 -
PI00004375
Quan Vũ (played by Minh Khương)-09_Hat Boi
Là sự kết hợp giữa “kép đỏ” và tướng. (A combination between two motifs of “kép in red" and tướng (the General).
Vietnam 2021 -
PI00004381
Tạ Lôi Nhược (played by Linh Phước)-01_Hat Boi
Mô hình tướng nhỏ - phản diện. (The villain, minor “tướng" motif.)
Vietnam 2021 -
PI00004392
Tạ Lôi Nhược (played by Linh Phước)-06_Hat Boi
Mô hình tướng nhỏ - phản diện. (The villain, minor “tướng" motif.)
Vietnam 2021
Videos
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VI00000351
Types of Vietnamese's Hát bội(Hat Boi) characters - A quick guide
“Hát bội” is a traditional performance art in Vietnam, it has a rich historical foundation, and quite an influence to the community. The stage of Hát Bội also consists of Viet aesthetic values, reflecting the life, stories, and aspirations of the Vietnamese. Hát bội characters contain a fine selection of multiple human characteristics. With those qualities - every plot, every movement, technique and performing elements are conveyed in a holistic sense. Let's learn about the details of each character type so we can fully appreciate this traditional art form. Check out ichlinks.com to learn more about Hat boi essential types of characters. Credit: Produced in ICHCAP - Cultura Fish (Hiếu Văn Ngư) partnership. Content development: Vuong Hoai Lam (Researcher), Luc Pham Quynh Nhi (Coordinator, editor), Ha Hoang Minh Trang (Translator) Contributors : - Cultura Fish team: Ha Thuc Duc Tung, Nguyen Le Thanh Thao, Nguyen Le Nhat Anh, Tran Thi Minh Thuy - Ho Chi Minh city Theatre of Hat boi: Vu Ho Hoang Vu, Ha Tri Nhon, Linh Hien, Bao Chau, Hoang Tuan, Thanh Binh, Dong Ho, Kieu My, Anh Thi, Ngoc Giau, Thanh Trang, Hoang Ha, Huu Danh, Linh Phuoc, Nguyen Tuan, Minh Khuong, Ngo van Tong, Nguyen Van Do, Ho Tuan Dung, Le Minh Tan, Tran Thanh Hung, Nguyen Tran Thanh Tuan. Production: Cao Trung Thao and Pham Anh Nguyet Photo by Giang Pham
00:12:12
Vietnam 2021 -
VI00000168
THE ART OF MASKS MAKING - UP IN HAT BOI
As a UNESCO category 2 center, ICHCAP organized the youth ICH storytelling contest with the aim to support ICH safeguarding activities of young practitioners. Youth practitioners play an essential role, as ICH relies on direct transmission among community members. Their activities and involvement will hopefully contribute to raising awareness of ICH worth protecting. The story below won the Grand Prize of the 2019 Asia-Pacific Youth ICH Storytelling Contest. --------------------------------- The Hát Bội is Vietnamese intangible traditional performing art which has taken shape, developed during Vietnam history and is still preserved. The Hát Bội is form of traditonal opera which has a 500 old year long history of development in Vietnam. It contains features close to the culture in many other countries in Asia. My name is Anh Quan, I am sophomore of The Ho Chi Minh City University of Culture in Vietnam. When I started in junior high school, I had opportunity to study and enjoy The Hát Bội. These images, stage, eyes, gestures of The Hát Bội are so excited. But I strongly impress by artists’ face. This emotion is always with me in my thoughts. When I have been a student. Immediately, I go to The Ho Chi Minh city Hát Bội Theater to learn more about this art. Hát Bội relies on the principles of symbolization and stylization. These principles prodoundly influence Hát Bội typical dance/ gesture and makeup by which Hát Bội in distinguished from other traditional performing arts. Being the essences of Hát Bội, gesture and dance are perfomrmed based on several rules of symbolization and stylization with the aim of sophisticatedly expressing the feeling and emotion of characters and other implications of plays. These artists of Hát Bội have to understand very well about principles of symbolization and stylization and when they makeup and. Makeup is definitely the outward essence Hát Bội indicate the specific and personality of every character. The articial materials for making-up a disguise includes as followings: Multi-colours-lipsitcks, powder in multi-colors, the balckening-wax or the ash-like-black powder, the zinc-powder in golden-red– a mixture of the deep-red and golden powder, powder in blue, in green, and in yellow. With many special kinds of professional tools, such as: Tooth sticks, fingernail like kinife flat which look like a spoon – flat and made of wood. I observe artists makeup , I dream that i can makeup like them. I want to pursue my dream of being one of characters of Hát Bội. With the help of Thanh Bình Artist, I have fulfilled my dream. I feel virtuosity, sophistication and passion of Thanh Binh Artist when he makeup for me. The face painting in an original feature in Hát Bội as well as in some forms of opera in Southeast Asia .The make-up in Hát Bội ( chiefly for male personages , rarely for female ones) includes three main parts : painting the complexion, drawing lines on the face and pasting false beards. There is nothing called the realistic things to identify but absolutely living - symbols in the art of the Hát Bội with its speical ways of disguiting for whole characters at all. Looking at the face makeup, the audiences can understand wether a character is good or bad, loyal or disloyal, etc. Below are some basic colour used in Hát Bội makeupnRed: Loyal, unyielding personnWhite: artful flatterernGreen: intelligent person or person with venturesome spirit or short lifenYellow: gentle and virtuous personnBlack: Furious and vigorous personnThat is the dialectics of the art of theatrical masks attained by masterly (mask makers, makeup, artist). nThe above special things may be generally get a common concept for us all to comprehend some intersted – things in many kinds of the characters and characteristics in traditional culture and art of the Hát Bội. The Hát Bội has any characters. Currently, plays of Hát Bội are mainly performed at the temple (or shrine). The young generation do not strongly like the traditional art include The Hát Bội. Few young people are passionate about traditional art, this situation make the training for young people quite so difficult. For make youth generation learn more about The Hát Bội. Over the past years, The Ho Chi Minh city Hát Bội Theater has organized program called “The school stage” to introduce The Hát Bội to pupils and students. This program around the content: history of formation and development of The Hát Bội, dance, and makeup art. Besides that, performance of historical topics, excerpts about children to raise patriotism, hope students have the opportunity to learn more about The Hát Bội. I think this working is very well for young people. That thing will make me and young people will love and have positive emotion with the traditonal stage. I hope The Ho Chi Minh city Hát Bội Theater always create other program to performance for community. To get deeply understanding about Hát Bội, warmly welcome to The Ho Chi Minh city Hát Bội Theater – Vietnam. I am so happy when I have chance to get experience and share excited valid content of The Hát Bội for every body. Vietnam also has so many traditonal arts. The Hát Bội is one of them. For protecting and delivering The Hát Bội, I think the young generation have to focus on studing intangible culture of country. I aslo contribute a little working for do that. I hope other young person will do that like me. I am going to keep my passion to learn more about traditonal of Vietnam also the other coutries over the world. Vietnam - a friendly destinaton always warmly welcome all of you, we have so many stories to talk with you. When you meet me together, I am going to “play” the Hát Bội for you. Because I really become “an actor” of The Hát Bội by my heart in my dream.
00:05:00
Vietnam 2019
Article
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DI00001448
[3부] 대안적 현실
베트남 사람들의 과거와 현재의 삶을 성찰하게 하는 전통 고전극인 ‘뚜엉(핫 보이)’을 소개한다. 분장술, 음악과 춤이 결합된 가면극의 일종인 ‘뚜엉’은 독특한 분장과 복장이 특징적이며, 베트남의 민담이나 설화를 극화하거나 역사, 정치, 사회, 문화적 배경을 기반으로 삼아 대본을 창작하기도 하였다. 임금, 왕후, 장수, 여종, 부인, 학생 등 다양한 계층의 인물들을 묘사하고 대의를 위한 희생과 같은 인간 행동에 대한 교훈, 영웅적 캐릭터를 미학적으로 표현한다.
유네스코아태무형유산센터, KF 아세안문화원 2023 -
DI00001308
세계에 베트남의 이야기를 들려주다
계화, 정보 과잉, 기술 전성시대로 오늘날 문화와 그 의미는 충돌하고 있다. 지역과 세계, 익숙함과 낯섦, 그 모든 것에서 방향 감각을 잃은 우리의 모습을 발견하는 것은 이상한 일이다. 마찬가지로 베트남에 관한 이야기는 세계의 청중들 사이에서, 심지어는 국내에서도 ‘낯선’ 존재감을 가지고 있다. 베트남에 대한 사람들의 첫인상은 아마 전쟁이거나 최근 몇 년간의 관광 홍보 영상으로 인해 음식과 자연경관일 것이다. 이는 베트남을 트라우마에 갇힌 정체성으로 혹은 수려한 풍광을 가진 천국의 땅으로 생각하는 것이다. 물론 이런 생각이 완전히 틀린 것은 아니지만 이러한 서사는 과거, 현재, 미래의 베트남의 복잡성을 완전히 반영하지 못한다. 다양하고 복잡한 베트남의 이야기를 솔직하고 부드러운 방식으로 이야기하는 것이 쿨투라 피시(Cultura Fish)의 목표 중 하나다. 우리가 국내외 동료들과 소통하고 생생하게 경험하며 얻어낸 결과물이다.
하, 호앙 민 쩡 (쿨투라 피시 영어 통번역사), 부옹, 오하이 람 (쿨투라 피시 문화연구팀장) 룩, 팜쿠인 니 (쿨투라 피시 프로젝트 코디네이터) 2022