EE00002137

[National Intangible Cultural Heritage, Republic of Korea] For the event, the village is divided into two teams: the East Team (symbolizing males) and the West Team (symbolizing females). The village will reportedly enjoy better harvest in the year if the West Team (females giving birth to children) wins. The tug-of-war is also called galjeon, which is associated with the use of arrowroot vines for the rope. The event had been handed down as a rite held in farming provinces south of the central area of the country. At present, it is performed as part of the March 1 Cultural Festival. The rope used for the event is 40 - 50m long. The diameter of the main section of the straw rope made in a year comes to larger than 1m; if you sit down on it, your legs do not touch the ground. Many thinner straw ropes are tied to the main section for people to tug. Each team makes its own rope, with the two ropes connected right before the event. The leaders of the two teams stand on the main section of the rope to give the necessary signals. Farmers’ music is played joyously to cheer for the people. The event is a rite held to pray for good harvest and build a spirit of collaboration among villagers based on the belief associated with dragon and snake.

EE00001265

[Inscribed in 2015 (10.COM) on the Representative List of the Intangible Cultural Heritage of Humanity] Tugging rituals and games of Vietnam have different characteristics, meanings and rules. The element is held as part of village festivals in Spring, a form for communities to pray for abundant harvests and prosperity, marking the start of a new agricultural cycle. Tugging game symbolizes the power of natural forces like the sun, water source that influence the harvests. In some localities, tugging game is associated with the legends of worshiped heroes for their merit in reclaiming the land, fighting against foreign invaders, protecting prosperous life of the people. It is usually held at the communal houses or temples after the rirual of commemoration of local guardian deities finished. The material used for tugging varies from region to region, reflecting the ecological and cultural context of each community, it can be made of bamboo, rattan stems, or ropes. The procedure for selecting teams or players is in accordance to the ritual rules, and the winning or losing team is regulated by customs to express certain religious meanings and the harmony of nature. Nowadays, tugging rituals and games are popularly known as a folk game that is entertaining, sporty and collective.

EE00002176

[National Intangible Cultural Heritage, Republic of Korea] When holding juldarigi (tug-of-war) in Gijisi-ri, Songak-eup, Dangjin-si, Chungcheongnam-do, the village was divided into two teams, those living close to the shore and the others). It was said that the village would see a good year for the crop when the “close-to-the-shore” group won the contest. The play was performed after Dangje (village ritual) in early March of a leap year in the lunar calendar. There are two theories about the origin of the tug-of-war held in this village. One says that the village looks like a fairy weaving and the movement of pulling a cloth being woven at both sides led to the tug-of-war, the other tells us that the local topography resembles a centipede and so villagers engaged in the tug-of-war using a rope that also looked like a centipede. The straw rope used in the tug-of-war is 50 – 60m long. The diameter of the main section of the rope, which is made each year, comes to more than 1m and if you sat down on it, your legs would not touch the ground. Many thinner straw ropes are tied to the main section for people to tug. The leaders of the two teams would stand on the main section of the rope to give necessary signals while farmers’ music is played joyously to cheer on the participants. After the contest is over, people take away pieces cut off the rope, as it is said that the water heated with a rope piece is a cure for backache or infertility. The event is a rite held to pray for a good harvest and to build a spirit of collaboration among the villagers.