Southeast Asia has musical traditions for which the region can be described to have a massive cultural wealth of sounds. From the gongs of Vietnam to the woodwind Khaen of Laos to stringed pear- or boat-shaped instruments of Thailand and Indonesia, communities in Southeast Asia have all that.

As a rite of passage, lễ cấp sắc (literally means conferring a certificate of approval) marks the initiation of a Red Yao man into his spiritual maturity and religious efficacy. Filmed in a village of the Red Yao people, which is located in the mountainous area of Lào Cai province, 260 km north

“Hakka” means “guest people” in Chinese. A group of Hakka settled in Mui Tsz Lam, a village in North-East New Territories of Hong Kong, since the Qing Dynasty during the 17th Century. The Hakka people are known for being hardworking and enduring. Since they farmed on less fertile terraces, their food grown is modest and practical. This culture is also reflected in festive foods like rice dumplings for the Tuen Ng Festival, also known as the Dragon Boat Festival.

600km away from Tashkent, the capital of Uzbekistan, Boysun is the place surrounded by high canyon and valleys. Either you approach northerly from Termez, the city which is bordering with Afghanistan as the southernmost part of Uzbekistan or you run southward from Tashkent, you have to pass this rough and beautiful wonder.

Humanity was originally nomads. And then they began to live in settlement about 10,000 years ago. Today, not so many ethnic groups lead nomadic life on earth. Mongolia, located in the heart of Central Asia, is the place where has protected the tradition of long nomads’ culture.

The reason why the film was titled Festival is that the funeral serves as a place where wounds are healed through a person’s death, old and pent-up tensions are resolved, and family members reaffirm their blood ties.