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Description | The ICH festivals in the Kyrgyz Republic are a great way to safeguard the cultural heritage. Kyrgyzstan has a rich ICH and embraces all ICH domains including the oral traditions andexpressions, performing arts, social practices, rituals and festive event, knowledge and practices concerning nature and the universe, and traditional craftsmanship. Festivals feature various ICH domains such as arts and crafts, cuisine, folklore, felt, hunting with birds, horse games, etc. For instance, the festivals Kyrgyz Shyrdagy and the Oimo International Festival are held with the aim of safeguarding and popularizing traditional knowledge and skills of handicrafts, for safeguarding and promoting traditional games, various birds of prey festivals are held, such as Salbuurun and Kok Boru. Moreover, festivals are dedicated to safeguarding oral traditions, such as Aitysh, the art of improvisation as well as many other festivals reflecting traditional cuisine, folklore, etc. | ||
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Manage No | VI00000314 | Running Time | 15:55 |
Country | Republic of Korea | ||
Videos Photographer | Sabira Soltongeldieva, Secretary-General, the National Commission of the Kyrgyz Republic for UNESCO | Year | 2020-11-18 |
Place | File Size | ||
Definition | File Format | ||
Copyright | ICHCAP |
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Aitysh/Aitys, art of improvisation
Aitys (in Kazakh language), Aitysh (in Kyrgyz) is an improvised competition of two akyns, the form of oral poetry performed in a singing manner, poetic contest of improvisations or a poetic duel of wits. The element is performed to the accompaniment of traditional musical instruments: Kazakh dombra or Kyrgyz komuz. Two akyns compete with each other in improvisation of verses on topical themes in a wit-sparkling manner alternating humour and deep philosophic reflections. During the competition two akyns sitting opposite each other develop a song-like dialogue catching up the opponent’s words and performing in turn their improvisations on the spur of the moment. Songs performed during the aitysh-aitys are improvised on whatever topics which come up depending on the wish of the audience. The winner of the competition is the one considered to have demonstrated the most musical skills, rhythm, originality, resourcefulness, wisdom and wit. The element is very popular among people and is considered as a “folk tribune”. In fact, all regions of the countries have bearers and practitioners who often represent their local communities at the poetic competitions raising up topical and urgent problems of social life and criticizing all kinds of vices. The element is practiced at various events from local festivities to nation-wide events. Aitysh/Aitys presents the art of a dialogue participated not only by the performers but by their listeners as well. It is an essential part of life for the communities of tokmo-akyns and aityskers.
Kazakhstan,Kyrgyzstan 2015 -
EE00000072
Kok boru, traditional horse game
‘Kok-boru’ is a traditional game played by two teams on horseback, where the players try to maneuver with a goat's carcass, or ‘ulak’ and score by putting it into the opponents' goal, or ‘tai-kazan,’ while riding on their horse companions. Modern games last for 60 minutes, with 3 periods of 20 minutes each. The team scoring most ulaks into the opponent tai-kazan wins.
Kyrgyzstan 2017
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DI00000723
Case of Kyrgyzstan: Influences and Effects of ICH Festivals on Local Communities
The ICH festivals in the Kyrgyz Republic are a great way to safeguard the cultural heritage. Kyrgyzstan has a rich ICH and embraces all ICH domains including the oral traditions andexpressions, performing arts, social practices, rituals and festive event, knowledge and practices concerning nature and the universe, and traditional craftsmanship. Festivals feature various ICH domains such as arts and crafts, cuisine, folklore, felt, hunting with birds, horse games, etc. For instance, the festivals Kyrgyz Shyrdagy and the Oimo International Festival are held with the aim of safeguarding and popularizing traditional knowledge and skills of handicrafts, for safeguarding and promoting traditional games, various birds of prey festivals are held, such as Salbuurun and Kok Boru. Moreover, festivals are dedicated to safeguarding oral traditions, such as Aitysh, the art of improvisation as well as many other festivals reflecting traditional cuisine, folklore, etc.
Sabira Soltongeldieva, Secretary-General, the National Commission of the Kyrgyz Republic for UNESCO 2020 -
DI00000736
Discussion 2
Moderator to Participants: The participants commonly addressed intangible cultural heritage festivals’ influence and effects on local communities. Safeguarding local intangible cultural heritage is very important, and ICH festivals are key cultural events for celebrating world ICH and have had a positive effect on economic tourism as well as the social and cultural sectors of the governments hosting them. Today, for all speakers, why is community participation is important in safeguarding intangible cultural heritage? You answered that communities play an important role in production and safeguarding as well as the maintenance and recreation of the ICH. Then you also raised the question, how to strengthen the role of communities? You have answered that groups and individuals concerned should be encouraged to help them safeguard intangible cultural heritage. I would like to suggest a small question to all of you. Local community engagement is very important; however, to encourage local communities to engage in cultural heritage, there may be tasks and challenges, for example how to raise awareness of those issues and how to set priorities and draw attention. As far as the central government we need to consider how to get over dependency for financial support and how to build strategic relationships and partnerships with international institutions and communities. In sum, I am asking to facilitate local communities’ engagement in intangible cultural heritage. What would be the major challenges?
Seong-In Kim, Executive Director, the Korea-Central Asia Cooperation Forum Sectretariat 2020